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(12, 'en', 'node_search', ' this period drama follows robert the bruce s battle to regain control after being made an outlaw by the king of england for taking the scottish crown david mackenzie toronto international film festival ', 0),
(13, 'en', 'node_search', ' on the heels of their sixtime academy award winning smash la la land oscar winning director damien chazelle and star ryan gosling reteam for universal pictures first man the riveting story behind the first manned mission to the moon focusing on neil armstrong and the decade leading to the historic apollo 11 flight a visceral and intimate account told from armstrong s perspective based on the book by james r hansen the film explores the triumphs and the cost on armstrong his family his colleagues and the nation itself of one of the most dangerous missions in history damien chazelle mostra internazionale d arte cinematografica toronto international film festival ', 0),
(14, 'en', 'node_search', ' seasoned musician jackson maine discovers and falls in love with struggling artist ally she has just about given up on her dream to make it big as a singer until jackson coaxes her into the spotlight but even as ally s career takes off the personal side of their relationship is breaking dow n as jackson fights an ongoing battle with his own internal demons bradley cooper toronto international film festival ', 0),
(15, 'en', 'node_search', ' set in contemporary chicago amidst a time of turmoil four women with nothing in common except a debt left behind by their dead husbands criminal activities take fate into their own hands and conspire to forge a future on their own terms steve mcqueen toronto international film festival bfi london film festival ', 0),
(16, 'en', 'node_search', ' with schnabel s distinct  the diving bell and the butterfly  style  at eternity s gate  follows the life of van gogh but is not a traditional cradletothegrave biopic written by schnabel jean claude carriere and louise kugelberg the film takes a journey into the mind of the artist who despite skepticism ridicule and illness created some of the world s most beloved and stunning works of art julian schnabel mostra internazionale d arte cinematografica new york film festival ', 0),
(17, 'en', 'node_search', ' in yorgos lanthimos s wildly intricate and very darkly funny new film sarah churchill the duchess of marlborough rachel weisz and her servant abigail hill emma stone engage in a sexually charged fight to the death for the body and soul of queen anne olivia colman at the height of the war of the spanish succession this trio of truly brilliant performances is the dynamo that powers lanthimos s toptobottom reimagining of the costume epic in which the visual pageantry of court life in 18thcentury england becomes not just a lushly appointed backdrop but an ironically heightened counterpoint to the primal conflict unreeling behind closed doors a fox searchlight pictures release yorgos lanthimos mostra internazionale d arte cinematografica new york film festival ', 0),
(18, 'en', 'node_search', ' in alfonso cuaron s autobiographically inspired film set in mexico city in the early 70s we are placed within the physical and emotional terrain of a middleclass family whose center is quietly and unassumingly held by its beloved livein nanny and housekeeper yalitza aparicio the cast is uniformly magnificent but the real star of roma is the world itself fully present and vibrantly alive from sudden lifechanging events to the slightest shifts in mood and atmosphere cuaron tells us an epic story of everyday life while also gently sweeping us into a vast cinematic experience in which time and space breathe and majestically unfold shot in breathtaking black and white and featuring a sound design that represents something new in the medium  roma is a truly visionary work a netflix release alfonso cuaron mostra internazionale d arte cinematografica new york film festival ', 0),
(19, 'en', 'node_search', ' here s something new from the coen brothers an anthology of short films based on a fictional book of western tales featuring tim blake nelson as a murderous whitehatted singing cowboy james franco as a bad luck bankrobber liam neeson as the impresario of a traveling medicine show with increasingly diminishing returns tom waits as a diehard gold prospector zoe kazan and bill heck as two shy people who almost come together on the wagon trail and tyne daly saul rubinek brendan gleeson chelcie ross and jonjo o neill as a motley crew on a stagecoach to nowhere each story is distinct but joined by the unifying thematic thread of mortality as a whole movie experience  buster scruggs is wildly entertaining and like all coen films endlessly surprising an annapurna production and netflix release joel coen ethan coen mostra internazionale d arte cinematografica new york film festival ', 0),
(20, 'en', 'node_search', ' as a fledgling cop lapd detective erin bell nicole kidman and her partner were placed undercover in the california desert to infiltrate a notorious criminal gang led by terrifyingly unstable frontman silas still reeling from the trauma of her experience years later erin is forced to confront her demons when signs indicate that silas has reemerged reluctantly delving back into the painful facts of the investigation she goes in search of the remaining members of his posse determined to learn silas whereabouts and finally close the case that almost destroyed her dripping in sweltering atmosphere and stifling foreboding this deliciously downbeat detective tale is arguably karyn kusama s most exquisitely realised and accomplished film yet recalling the sunlit exteriors of hardboiled californian crime classics such as chinatown and to live and die in la but unlike the testosteronefuelled drive of those films destroyer is a distinctly female story once again proving kusama s commitment to placing women at the centre of genre narratives as demonstrated in such diverse work as æon flux and jennifer s body and this time around kusama finds abundant support from kidman whose thrillingly uninhibited performance further showcases her intrinsic ability to truly lose herself in a character both physically and emotionally karyn kusama bfi london film festival ', 0),
(21, 'en', 'node_search', ' adapted from david grann s new yorker article the old man and the gun tells the story of forrest tucker the selfstyled houdini whose many audacious prison breaks included an alcatraz flight in a homemade kayak and whose last robbery was committed when he was 79 focussing on tucker s crimespree with his geriatric band of brothers the overthehillgang who long evaded both the fbi and an increasingly frustrated detective john hunt casey affleck this is a brilliantly entertaining crime caper redford is at his screenlegend best as the silver fox exuding nuclearwatt charisma he s recently announced his retirement as a swan song it s a sweetly melodious one most delectable are the scenes in which he woos jewel sissy spacek with a swooninducing chemistry as sparks crackle between the two infused with a passion for the classic american independent cinema of redford and spacek s generation joe anderson s luscious 16mm photography delivers rapturous period camera flourishes while a montage of forrest s lifelong exploits poignantly references old redford movies offering bittersweet reflections on time and age jewel observes this is the last time i ll ever have the chance to do whatever the old man and the gun is a testament to a freespirit who steadfastly refused to go quietly david lowery bfi london film festival ', 0),
(22, 'en', 'node_search', ' in the late 1960s the wayuu tribe of northern colombia observe a strict code of familial tradition and sacred ritual outsider rapayet has his sights set on marrying zaida the recently ofage daughter of the clan s formidable matriarch ursula unable to afford the extravagant dowry set by ursula rapayet upgrades from selling coffee to dealing drugs as a means of covering the payment with a new criminal path set ursula becomes complicit in her soninlaw s shady dealings and over the course of the ensuing decade the once humble tribe gradually builds a ruthless empire in the desert a far cry from the familiar south american gangster thrillers that traditionally grace our screens codirectors ciro guerra and cristina gallego boldly sidestep traditional genre storytelling opting instead for a sprawling spiritual exploration of family conflict and tribal warfare laced with heady symbolism and surrealist flashes that wouldn t look out of place in an alejandro jodorowsky film having worked with a steely blackandwhite palette on their previous collaboration embrace of the serpent which guerra directed and gallego produced this mystical meditation on colonialism tribalism and modernism positively explodes with colour and the results are nothing short of breathtaking cristina gallego  ', 0),
(23, 'en', 'node_search', ' lazzaro is a beautiful peasant whose sweet nature finds people mistaking him for simpleminded happily doing the bidding of anyone in his local village an insular community the village is ruled over by the cruellaesque marchesa who hasn t let on that sharecropping is no longer legal set apart from the world by a bridge that no one can be bothered to fix life here looks like it is unfolding a century ago save for the odd walkman and 1990sera dance music lazzaro finds an unlikely friend in the marchesa s petulant bleachblonde son tancredi who convinces his hapless ally to help him stage his fake kidnapping to steal the ransom from his loathed mother but their plans are soon derailed working again with helene louvart who also shot lff films maya and petra and shooting on lustrous 16mm rohrwacher concocts a trippy brew of italian class struggle folk tales biblical allegory pop culture references and a rich vein in cinema history there are echoes of pasolini jarman and fellini in terms of theme and the film s anarchic style rohrwacher deservedly shared the best screenplay award at cannes for this kaleidoscopic work like any gem hold it up to the light and you ll see something different each time alice rohrwacher bfi london film festival ', 0),
(24, 'en', 'node_search', ' colin a brilliant neil maskell has rented a stately country home for his extended family s new year celebrations he s the centre of attention though not always pleasantly so until his estranged brother david sam riley unexpectedly arrives his appearance after a fiveyear absence throws the family dynamic far off orbit wheatley s skill with drama and characterisation has been in evidence since his early features down terrace and kill list but it s a delight to see it go full frontal here brought to life by an ensemble so uniformly good it makes name checking only a few feel perverse although joe cole mark monero charles dance hayley squires asim chaudhry doon mackichan and bill paterson have particularly meaty roles shot in under two weeks happy new year colin burstead has the dynamism and veracity of early dogme 95 with wheatley his actors and regular cinematographer laurie rose achieving a thrilling symbiosis do we have enough booze who s got the tunes who invited her what is uncle wearing anyone who has lived through an increasingly drunken and disastrous big family do will hoot and cringe in recognition ben wheatley bfi london film festival ', 0),
(25, 'en', 'node_search', ' bank clerk sheila marianne jeanbaptiste has decided it s time to start dating again it s been a while and it will get her out of the house where her son is busy with his sadomasochistic girlfriend gwendoline christie calling a lonelyhearts ad in a newspaper she soon agrees on a rendezvous with the promisingsounding adonis time to get herself something nice to wear a trip to dentley soper s trusted department store soon becomes a shopping experience like no other there s something not quite right about the staff here from the disconcerting sales talk to their unsavoury nighttime trysts and as for those dresses in fabric is as wildly perversely imaginative and visually thrilling as we have come to expect from director peter strickland he follows the duke of burgundy by venturing even further to the outer reaches of the erotic macabre finding pleasures in everything from shop mannequins to the sound of someone listing washingmachine parts a potent mix of design and spooky intrigue the film is bolstered with lashings of oddball humour steve oram and julian barratt s double act is a particular treat and a hot synth score from cavern of antimatter essential viewing for fashion addicts and those who dig their ghost stories kinky peter strickland bfi london film festival ', 0),
(26, 'en', 'node_search', ' 🎥 🎥 film news from around the world variety sundance film review the lodge  indiewire sundance clemency filmmaker chinonye chukwu is first black woman to win bigg  popculture rami malek on working with disgraced director bryan singer noozhawk mimi degruy s diving deep film about late husband opens santa barbara film fe  independent day 2 directors uncut independent sbiff opening night and day one cineuropa lone scherfig s the kindness of strangers to open the berlinale variety sundance film festival unveils 2019 features lineup venture beat crow the legend interview taking vr entertainment to the next level variety stockholm festival winners jasmin mozaffari crystal moselle talk about next pr  indiewire filmstruck shutting down in november indiewire paul thomas anderson nolan dicaprio and more write letter to save filmstruck pagination page 1 sponsored links the bulletin board  the bulletin board blog  partner festivals calling now  call for entry channel    film showcase  curated section the best for fests breaking news goodbye withoutabox meet our fest partners direct reporting from    palm springs film festival   sundance   kustendorf   santa barbara film festival sbiff   berlin   fantasporto advertised links binaryoptions business coaching   bonus casino   casinovergelijkernet casino films   casinorella casivo  festival offers led lights   live casino mobicasinos new slot sites online casino royal panda ticket deals   wwwvoordeelcasinocom cinema gear canon sony  live feed viggo mortensen and ed harris sbiff 2019 credit getty images viggo mortensen american riviera award credit getty images opening night sbiff 2019 credit getty images sbiff 2019 opening film credit getty images opening night sbiff 2019 credit getty images sbiff opening night credit getty images recent stories 1 sundance closing ceremony 2 berlinale talents 2019 dedicated to the theme mistakes  3  little monsters review from sundance 4  velvet buzzsaw sundance premiere 5  native son review 6 robert redford launches sundance 2019 people viggo mortensen adam mckay spike lee debra granik tilda swinton festival highlights santa barbara international film festival santa barbara international film festival santa barbara international film festival uk film festival uk film festival uk film festival sundance film festival sundance film festival sundance film festival torino film festival torino film festival torino film festival torino film festival afi fest afi fest afi fest afi fest afi fest stockholm film festival stockholm film festival stockholm film festival thessaloniki int film festival thessaloniki int film festival viennale viennale viennale american film market american film market american film market american film market deauville american film festival deauville american film festival deauville american film festival deauville american film festival sydney film festival sydney film festival sydney film festival toronto int film festival toronto int film festival toronto int film festival sxsw film festival sxsw film festival sxsw film festival bfi london film festival bfi london film festival bfi london film festival bfi london film festival la film festival la film festival la film festival tribeca film festival tribeca film festival tribeca film festival tribeca film festival dubai international film festival dubai international film festival dubai international film festival dubai international film festival new york film festival new york film festival new york film festival berlinale berlinale berlinale berlinale mostra internazionale d arte cinematografica mostra internazionale d arte cinematografica video trailer wall trailer blackkklansman trailer vice trailer loopers the caddie s long walk trailer manta ray trailer the crossing trailer end zeit ever after trailer in my room trailer the quake trailer woman at war trailer aniara trailer tel aviv on fire trailer memories of my body pagination current page 1 page 2 page 3 page 4 page 5 next page next  last page last  mon 9172018 1538  ', 0),
(27, 'en', 'node_search', ' actor william james willem dafoe is an american actor a highly prolific character actor dafoe has received multiple awards and nominations including three academy award for best supporting actor nominations dafoe has frequently collaborated with filmmakers paul schrader abel ferrara lars von trier and wes anderson featured films at eternity s gate featured festivals mostra internazionale d arte cinematografica ', 0),
(28, 'en', 'node_search', ' a workingclass italianamerican bouncer becomes the driver of an africanamerican classical pianist on a tour of venues through the 1960s american south peter farrelly  ', 0);
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(29, 'en', 'node_search', ' king of beasts an interview with tomer almagor king of beasts an interview with tomer almagor thu 10042018 1731 film review  photo courtesy of christian scholz filmfest oldenburg by lindsay r bellinger king of beasts may not be the easiest viewing experience but it s definitely worthwhile six years in the making this documentary follows aaron neilson a colorado hunting consultant and big game trophy hunter as he prepares for his 14th lion hunt it premiered in the majestic staatstheater state theater at the 25th edition of the oldenburg international film festival codirectors cowriters tomer almagor and nadav harel finished shooting back in 2016 but struggled to raise funding to cover postproduction costs perhaps the the worldwide uproar surrounding the death of cecil the 13 yearold lion in zimbabwe who was killed in 2015 caused some issues it was fascinating to observe the world of trophy hunting through a flyonthewall perspective even more so knowing that the filmmakers are avid animal lovers at times it almost felt more like a pure journalistic piece of filmmaking although the music was occasionally a bit too heavyhanded the filmmakers intention wasn t really clear until the end cards when they called out trophy hunting and instead shifted the focus to animal conservation for some viewers that may have been too late the nature lovers who are more familiar and comfortable with david attenborough style documentaries might find king of beasts to be an unsettling affair this film is a far cry from the average nature documentary not everyone was on board for quietly sitting back and listening to aaron and his chums discuss the conservation efforts and aid to local economies that they see as positives coming from their hunting adventures in tanzania after the premiere i definitely heard some grumbling from those who had hope for some sort of narration the power of documentary filmmaking is in full force even though the viewer is left to her or his own devices it s a mustsee film regardless of one s feelings about trophy hunting this highlyanticipated and controversial film took the unassuming quaint region in northwest germany by the guff some audience members were gasping some walked out that s the power of cinema sitting down to talk to tomer almagor was quite an experience his passion for filmmaking and for lions shined through he was excited to go into more detail about how they observed not only the wildlife in tanzania but the hunters and locals almagor much like the film is less judgmental but rather open asking the viewer to see trophy hunting for what it is what we see as we follow around aaron and his buddies the film crew initially went into this project with the intention of exposing all of the awful hidden things going on instead they came out of it realizing that trophy hunting is not the biggest problem for lions and other wild animals throughout africa that makes this documentary all the more curious it asks the viewer to take it upon her or himself to research and delve more into this topic many of us live in a world that is far too comfortable far too caught up in tweets we instantly react and call out something that pops up on social media the international debate on animal conservation is as contentious as ever and this film is a welcome addition to the discussion let s just hope that enough people are willing to give it a shot photo courtesy of barbel ullmann taken at the world premiere  attending your world premiere was quite a visceral experience sitting there in the oldenburger staatstheater with hundreds of strangers not really knowing what to expect   king of beasts   was observational less preachy than other documentaries it really brought us into the savannah with aaron neilson your protagonist last night before the premiere you said that it was a sixyear long project can you talk about the early stages of that development process   tomer almagor well as i mentioned the idea was brought to my attention by the producer i didn t know it still existed i m a bit naive sometimes and i didn t realize that hunting existed in such an industrialized way with many many hunters from all over the world except 70 of trophy hunters who go after lions are from the us they go out there and shoot their lion trophy every year so i was blown away by that as someone who cares about the environment and animals i also have to say as a cinephile and a filmmaker i grew up on tarzan movies and westerns you know tough men with guns that appealed to me and i love africa so i knew right away that there is something that is very cinematic but it s a tough subject so now the situation was like what kind of movie do we want to make we were thinking about lions becoming extinct and so forth so the first thing that came to mind was okay we re making a cause movie if we have to make similarities we could say blackfish or the cove and stuff like that so we were thinking of bringing both sides to the table you know the animal rights people and hunters and see how that goes i want to mention here that gabrielle is not here at the interview but she was an instrumental part of getting this to happen she actually brought the project to me she s carried this project through the years when it was in remission through and through financing and all the other stuff she is a major animal lover so for her it was very important that the film actually touches on the real problems and hopefully allows everyone to come to the table and create some kind of a solution we always knew that there would be a lion hunter at the center of the film  yeah you mean aaron neilson   ta yeah exactly we didn t know it was going to be him we knew it was going to be a lion hunter so we knew that would be the hardest thing to achieve because we come from politically speaking i m a liberal so we didn t know how that s going to go the first thing we had in mind was okay we re going to go to the conferences they have these huge conferences this head of the organization they have sci safari club international they hold these conferences once or twice a year in vegas and reno nevada and later i discovered there s a thing called dallas safari club dsc which is separate from the safari club international it s pretty big as well dallas can have ten thousand twenty thousand hunters or huntinglovers at one time safari club international can have forty fifty sixty thousand and they can have representation there from us fish and wildlife service and scientists come they also have auctions for hunting it s all around hunting but it s also all around hunting as conservation it s important to mention in north america in the united states we do have the north american hunting model which essentially supports all of the fishing and wildlife activities in the national parks we have amazing national parks in americathey are being supported by hunting so people pay for licenses for hunting for deer and stuff like that the money goes back and obviously this head organization comes across as the nra and they re evil but they are trying to instate the north american hunting model in africa they also have a lot of other things that i personally dislike you know like they have to hunt the biggest or they have these competitions where they compare sizes when it comes to lions which means the head when you hunt the biggest in the gene pool you are hurting the gene pool but anyway going back to the subject you know we started going to these hunting conventions first of all undercover kind of like the cove we thought yeah we re gonna catch them then we realized that they are very open to speak to you if you come in a certain way specifically for me and my codirector partner nadav harel we ve been to the israeli army and we ve both shot guns and they the hunting convention attendees all like israel very much maybe it s like an evangelical thing so it was easy for us to get close to them and we found quite a few hunters over the years and quite a few of them also backed out  what reasons did they give for backing out   ta for various reasons i mean if i have to mention one person he was really into it but it was his first lion hunt and then he was like well i want it to be very intimate i want it to be mine i don t want you guys tagging along plus hunting is complicated and when you don t feel comfortable about your hunting skills a film crew gets in the way well they always have their own film crew as you see in the movie they always have that because they wanna immortalize their achievement so finally we got to aaron and that was a fairly quick process even though to make sure he sent us to meet a scientist her name is dr paula white she is a woman that he really trusts he actually developed the code of ethics of hunting a lion which is mentioned in the movie it has to be at least six years old he developed that with her and some other scientists there were a few people on the other side of the fence who were brought into the table like dereck joubert who is a major animal rights activist so that s an interesting initiative we spoke to paula and that was a strange experience as well as a scientist she gets a lot of hate mail and threats  it s so bizarre that some of these groups fighting against harming wild animals don t see the wrong in threatening the lives of humans i really wonder how they can justify that   ta absolutely in her case we had to go to northern california she wouldn t give us the exact location we met her somewhere in secret in a national park not in her home  wow that sounds like a super top secret undercover deep throat kind of rendezvous   ta yeah we came out of our car and she came out of her car we spoke a little bit and she realized very quickly that we had done our research and we come from a scientific standpoint i guess that it s important to mention that one of the things that we started with was numbers the first thing that we heard was that less than 20000 lions are still in existence in comparison to 1970 when they had like 500000 then we started hearing especially from the hunters that it s 40000 but the discrepancy is huge almost 100 or more 40 to 20 but the bottom line is that it s very low so once we proved to her that we were prescribing to the idea that the numbers were not clear we are not necessarily bashing hunters we re trying to understand and stuff like that then she was open for an interview and we got that and once that happened aaron subscribed to making the movie and we got him still of aaron neilson from king of beasts  how long was that entire process before you got aaron fully on board   ta i think about a few months maybe almost a year because there was a moment when the movie was kind of dead we had another hunter that was in 100 and he has hunted many many lions but he backed out i m not sure why with him it probably would have been a very extreme experience of a movie because he teases the animals to charge him and then he shoots them  dangerous  ta and unethical he was actually kicked out of the organization and he was one of the founders  it makes me wonder how he morphed into that extreme of a hunter   ta i suppose that he was always like that that s his personality aaron is in your face as you can tell but he s also sort of well spoken and selfrighteous and right in some things  we are all right in some things wrong in some things nobody is 100 correct   ta exactly there is no black or white it s somewhere in between  that s why i suppose trophy hunting is very controversial many people only see black or white these people will likely go into this film or avoid this film expecting to hate it or love it it d be nice if audiences would go watch your film open to taking in all that is up on the screen judgments aside it seems a difficult request though especially after having see the worldwide outrage to cecil the lion can you talk a little more about walter palmer the dentist who hunted cecil the lion you said last night that the public s reaction to cecil and walter palmer somehow stalled or affected your production   ta well not necessarily but it was a strange moment so we went into the bush in tanzania and we were filming aaron when this was happening somewhere else in zimbabwe and when we came out we didn t have any reception to the media or anything we came out it happened we landed in the us and all of a sudden it came very quickly to us back then we were working with high profile celebrities so that s how it kind of came to us so we started getting requests from good morning america and all these crazy shows to comment but we didn t have a movie we weren t very clear what we just achieved in terms of footage and we heard so much wrong information in the news which was sensational  the media is often completely onesided on controversial topics such as this painting someone as evil just for the sake of headlines   ta yeah completely misinformed and we heard experts oh this lion expert that works at a zoo in canada he s gonna come on cnn and speak and then he talks and he has no idea what he s talking about plus talking about africa as a continent is wrong especially in terms of lions because each country is very different this film takes place in tanzania tanzania has the largest population of lions i believe it s about 18000 again the numbers there is no reason to quote them the bottom line is 18000 in comparison to say maybe 2000 or less in kenya or maybe 5000 in zimbabwe so they have their own issues on the other hand they have huge national parks like the selous and the serengeti so a huge portion of this population is protected to a degree so with cecil they can lure the lions out of the park but that s the thing when they say lure a lion i don t know exactly what happened there this happened in zimbabwe with cecil it could be that the lion was very very hungry the put bait on the trees i have to be honest based on even what you saw in the movie they do sort of lure the lion to them because lions are always hungry and when there is free meat on a tree somewhere the lion will go there and will find it as we see in the first encounter in the movie all of a sudden when they see the lion the lion was there because the lion smelled the meat and they may do a little bit of a dogandpony show for their camera and our camera but i don t think that they were surprised that the lion showed up all of a sudden  even though i m not a fan of hunting i somehow appreciated it more that aaron was using a bow and arrow for the hunt not a gun it somehow felt more fair to me going closer to the tradition of arrow and spear hunting does aaron often choose to hunt lions with bow and arrow   ta i think that was his first time with bow and arrow at that point of the film he s taken his 14th lion i believe that he has the second largest collection as a lion trophy hunter in the world there is another person named steven chancellor he sits on trump s fish and wildlife committee right now which is packed with trophy hunters which you know obviously in this case it s leaning more towards you have to create bonds it s kind of like we mentioned at the end of the movie everyone has to come to the table together there are much bigger problems than trophy hunting i don t support trophy hunting i m totally against it and i don t see the point in it but it s on a moral and ethical level as far as i see it there are huge problems such as commercial organized crime poaching human encroachment the people just come in and in and in and they take away the habitats of the lions you know lions need areas to live and even food in those areas so there is a clash the lions will go to the people s areas and eat their cows if you ever met the masai people and eat their cows they will retaliate and the way they do it they ll poison the source of water so now you don t lose one lion you lose a pride of lions and all the animals that touched these lions as well birds and every animal that drinks from that source of water so poisoning human encroachment poaching these are huge problems trophy hunting if it s done ethically under this code it works again on my end i m not sure whether it s always done ethically and i have no idea whether the lion we tracked with aaron and they killed in the movie is six years or younger i don t know they show us the teeth on purpose oh look which is supposed to tell the audience that this lion has been in the wild for seven eight years because of the bones they told us something interesting that i didn t know that lions in the wild only live on average seven to eight years so lions in captivity in the zoo can live up to twenty years old but in the wild they have so much competition hyenas alonethat s another thing we learned hyenas and lions are eternal enemies hyenas would come in packs they will take the prey and fight the lion they will chase a lion a lion will essentially instead of being the king of the jungle or king of the savannah is now fighting for his place in the food chain becoming a scavenger in a way especially a lonely lion like the one we saw in the film when it s not in a pride no lioness is helping him getting food because the males are more lazy they like to hang out for twenty hours  can you speak a little more about the lion that aaron killed in the film how did you track him   ta we were tracking three lions in three different areas and trees and this by the way i don t know if it shows in the movie but it s a huge area you would drive from one bait to another and it would take a couple of hours so you would spend 18 hours in the back of the truck aaron and the driver were the only ones comfortable in those conditions you keep going to those different trees and keep seeing the photos you see what lion is feeding there and then they choose so they made a choice and kind of let us in on that they may have looked at the photos and said this one looks younger i think that they have we haven t seen it physically until they have made a decision it did feel that this lion kind of gave up  in some ways it feels hypocritical unless all of these animal rights activists are vegetarians or vegans that they categorize animals on a certain level i mean why should one animal s life be put above another s just because it s cute and has a name it seems like some protesters really enjoy looking down at others judging them so harshly when we as a global society do consume lots of meat a lot of which is slaughtered in really unethical somewhat secret ways in our home countries   ta it s actually important to mention if you remember by the end of the film there are strings of meat hanging that s lion meat  right i assumed that s what it was  ta they say like in the beginning that they make beef jerky out of it there was lion and leopard that they shot earlier we just didn t want to put the leopard in the film because that scene was competing with the lion and too much killing is just a turnoff nobody wants to it s just more important that the film shows and takes you on it  yeah so the lion meat was actually being used as a source of food what many outsiders might not even consider   ta there s another important thing to mention people just look at it as africa and not specific countries they look at it as the killing of lions the hunting of lions the murdering of lions as an umbrella term you have camp hunting which is a very unethical sport if you can call it that which is basically when they breed lions to be shot in close quarters you know 6000 sq meters or whatever they release the lion maybe one or two days before the hunter shows up the lion is halfdrugged very easy to kill it s murder it s nothing else and i guess it s similar to the industrialization of meat in the west that should be illegal what we see in the movie is a wild animal hunt this is a wild lion who lives in the wild no one knew either us or them if there was going to be a lion in that area they knew that there are wild lions in the area but they didn t know whether they will track one again as an outsider and having spoken to some hunters that actually changed their mind we had a strong south african consultant on who we started with us he s hunted and still hunts he believes that the way to save a hunt he was talking about a leopard hunt for 34 weeks by foot the oldfashioned way kind of like seeing at the beginning of the film  yeah that old footage was a bold start to the film   ta but even then we see the white man s camera they the native hunters were still doing it for the camera although they were doing it their way which was very interesting mourning the lion they were actually respecting the beast mourning the loss of the animal unlike he the cameraman was doing so there s all these discrepancies in everyone s theories  the remorse aspect of hunting online i was watching some interviews with biggame hunters two of them mentioned the remorse saying that as a hunter if one doesn t feel any ounce of remorse for taking an animal s life then they should really reconsider hunting i felt like aaron also touched upon that in the film   ta yeah he did say that it s hard for me to always tell whether he aaron totally means things or not him specifically but he definitely had all the checks and balances on everything that many of them say and he felt very sincere sometimes for example in the gym when he has tears we didn t stage any of that we weren t expecting it we were a little bit kinda looking at each other thinking what s going on  yeah you wouldn t expect someone to openly cry with all of his gym buddies around  ta so again this is specifically him which is what makes him a unique individual and a character that is worth following and observing for a film but i felt that he was sincere having tears in his eyes i mean we all started as hunters and gatherers we re all removed i mean look at us in a trendy hotel you know what i mean these guys do it as well i met him in vegas they all enjoy the leisures of the western world but i guess they want to taste some of the but it s also important to say that he does it hunting in the us throughout the year  there are definitely some parts of the us where it is unusual if one is not a hunter   ta i mean to me observing him we didn t show him in vegas or in environments other than his home but i didn t feel like he was comfortable necessarily in the venetian in vegas but he felt very comfortable in the bush with the indigenous people and that s another thing you know it was very hard to say whether you are observing colonialism or racism i believe that there is quite a bit of that i heard it from other hunters not from him aaron ever but at the same time you also watch them working together  that scene with the natives carrying him on a makeshift throne comes to mind they all seemed really proud of him  ta and he paid them a lot of money it s a relationship that we see in the western world between white people if i m your boss and i m paying you 20000 17000 a week then you re gonna love me unless i m really horrible  it was interesting to see the scene when aaron was video chatting with his girlfriend and he talks about his dog godzilla being the love of his life which is juxtaposed in front of his three trophy lions did aaron just say that out of the blue   ta yeah mostly yeah he initiated most of the situations to me i wanted to show a little bit of his private intimate life before we go to africa and it was important for me to make sure that he comes across as very human and normal and real whether you take the video conversation as being something demeaning for women or not that s your take but you know going on a trip for a long time he s speaking to his girlfriend and he s being loving in his own way in terms of the setting that s the guy s natural habitat you ve seen it here points to his bicep where aaron has a lion tattoo and if you watch those few scenes it s just lions all around it s almost to the point of being a character  and now you have on this lion hoodie   ta yes i am a lion i came prepared  i actually didn t find his comment demeaning to women because i have married female friends who they tell me that their dogs come before their husbands so it s just some dogowner or petowner thing   ta i love your approach i think that i believe aaron that he loves animals in my life it s a twisted way too i don t want to kill anything for any reason i don t want to be a hypocrite if you attack me with a knife right now i m gonna defend myself  and you re army trained so i better watch out  gabrielle almagor jva prison warden thomas gerdes and tomer almagor before their second screening of king of beasts at the oldenburg jva prison photo courtesy of renate schulze  i feel like with this film if animal rights activists and hunters go in with an open mind and give it a chance then they could get something out of it like you said it could open up more dialogue about not just trophy hunting but animal conservation as a whole it s too bad that some extremists on both sides of the fence might not even bother   ta i mean there is a head organization for wildlife protection called cites and they decide on species every year and stuff like that we ve learned these people are always in conflict inner conflicts they all stab each other in the back because it s very hard for them too and a lot of these people are animal lovers i m not going to assume that i know what is at the core of the people who are against trophy hunting we did go to demonstrations we wanted to show the other side we filmed in london cape town in tel aviv la of course new york so we filmed quite an extensive amount of footage with animal rights and wildlife activists a lot of what they say does make sense chris mercer in south africa tippi hedren i had an interview with her she s very onesided hardcore trophy hunting is terrible hunters should be shot she s very clear i don t know if she consumes meat or not but she s very clear she has a wildlife refuge she saves animals that were brought into the us like lions and leopards and now the owners don t want to deal with them that s a completely different thing there is a brilliant movie about that the elephant in the living room i think that again numbers are a dangerous zone but there s probably ten to twenty percent on the left side that is extreme that includes peta and groups like this you know peta not necessary as it s more domesticated animals but i m sure they have a strand in animal rights and then you have these same people on the right side that call those people bunnyhuggers and whatnot and will never speak but as he aaron says in the movie the middle chunk of the population he was saying we gotta sway their minds to our side i don t think that s the case the bottom line is hunting exists if we take out trophy hunting from africa if we take out that component i m sure that the void will be taken by extreme poaching as you can see the locals in the movie they don t like the animals  yeah i was going to ask about that i liked the little snippets that you included interviewing one mother and then some of the young men who were helping aaron she was saying that she doesn t like the lions because they come and attack the cows and attack people and the men were saying that they also don t like the lions either hunting them or if they re not prepared just running away from them   ta they like to hunt them for money for food you know if money was out of the equation food would be the main equation they would become poachers themselves if aaron never came again they would become poachers and kills the animals if there was no value then they would at least eat it then it becomes of value so that s the most important thing to understand we re outsiders we re foreigners we live in berlin or los angeles we have food in the supermarket if we make money to buy it or not that s our problem that s our problem our western problem we have our own problems but over there it s not about that they have to eat and they can t sit in the corner and beg so they can t even be homeless so to speakthey have to live off the land they have to do it one of the ways is trophy hunting now again going back to the intention of our movie and how we started it i m not advocating that every hunter in the world go and help the poor no not at all i think it should be done in a very balanced moderate way and an ethical way  along the lines of the code of ethics cowritten by aaron and dr paula white   ta i think so and i think in countries where lions are being hunted to extinction they should stop i don t have the perfect solution but in botswana for example gabrielle and i look up to beverly and derrick joubert they were able to ban all hunting and so the lion population is coming back lions can reproduce up to six times a year the lioness can become pregnant every two months yeah i ve learned all of these weird things i didn t know so that means lions can come back pretty quickly then you have to have another balance by the way that s another important thing that people forget there has always been some form of balance before colonialism or the white man local people were doing their own balance hunting or running away from the animals once colonialism took over they brought in more of a systematic way you know bush rangers have been in existence for a long time they were calling themselves conservationists people like willie de beer and anne claire from south africa these are the original conservationists these are africans that were also hunters that were calling herds for example you have a populated area with people and then you have these huge herds of elephants elephants take up so much space and they eat everything out of house and home in the area so you have to manage the animals what do you do with that i mean that s the thing it kind of opened my mind i didn t realize many of these things when you have all of these animals and all these people in a limited amount of space you have to do some management there are some ways to do it like they did in botswana where there is a smaller population of people there s land and they found ways to separate people and animals with the tribes and their cows and the lions they developed this system where there s a chip in the ear of the lion i think it s like a sonar system essentially whenever the lion gets too close to the cattle it gets rejected by this sound so moves away so then they find their food elsewhere it s important to mention that africa is huge even though there is a population growth like tanzania had 15 million people in the 1950s and now they have like 55 million that s a huge population growth it takes away the areas of the animals but there is still a lot of land africa is so much bigger than the us  right in size the us is at least three times smaller than africa  ta before i came down to meet you i read an article about ecosystems and what amount of land that we need to preserve and not touch and scientists talk about 50 of the world land and i think that it s still doable even with a billion people or the ten billion people that they project by 2050 they are saying by 2050 we need to protect 50 of our globe and keep it for animals and wildlife and whatnot but i think that it s still possible we have to all come together again obviously with lion trophy hunting there are things that shouldn t be done they shouldn t take the biggest they shouldn t completely drain the gene pool they shouldn t hunt younger lions the shouldn t eliminate prides the females so there s all of these things a lonely lion a lion no longer in a pride no one else is hunting for that lion and that lion is eighty years old in terms of lion lives so that lion is kind of thrown out it s ethically fine to hunt that lion i suppose that s what they were thinking about with cecil by the way cecil was thirteen years old but he was beautiful and a symbol and the funny thing is that i read interviews and i ve exchanged emails with the doctor and scientists from oxford who were tracking cecil the admitted that it was beyond the sensational uproar it was okay for cecil to be hunted it was just a very sad moment because that lion had a name he was beautiful  yeah when you humanize an animal people react differently   ta you know there is a whole brand of people who are called lion huggers people that hug lions there is kevin from south africa there are a few others i don t know what i feel about it i mean it s still wild animals it s beautiful to watch the connection between the wild animal and a human but i think that it potentially sends the wrong message that we can all go out of our car and go hug a lion  many people think that we as humans have the right to experience everything for ourselves without really questioning whether or not it is safe or good for the wild animals  ta exactly  so how was the actual experience in tanzania for you on a personal level not as a filmmaker   it was a horrific experience for me i did not like it one bit i mean honestly i m proud of the film for what it is as a cinematic achievement and i think that as something it will be eyeopening for both sides because not all hunters hunt ethically and whether this was an ethical hunt or not it s up to i don t know the age of the lion i m just going by what i was told at least you know all of the processes were explained whether via images or some words so it s kind of good for both sides and that was the main intention once we realized what kind of movie we were making the main intention was we want to show the process and what it takes and have people who can experience the experience and be there by the end of what they watch they can start a dialogue and be asking all these questions both sides talking about it and seeing if there is a way to resolve  there has been a lot of anticipation from this film six years is a relatively long time and three years after shooting was finished what can you tell me about the distribution of king of beasts when can audiences expect to see it released   ta the distribution rights were taken by gravitas entertainment our distributor and the film will come out in february 2019 we will go to theaters in the states in some kind of a limited release depending on the acceptance and then we will go worldwide on vod platforms  that s not bad do you already have other festivals lined up   ta we just got a few requests right now so we might do a festival tour but we knew ahead of time ahead of oldenburg that we were going to get released so the festivals are very important to us because that s when you actually get to meet other cinephiles people who really love cinema and have these intense conversations and whatnot but we are trusting that the worldwide release will get the movie to a lot of people who don t go to film festivals such as hunters that would be interesting to see  didn t you say after the premiere that aaron has not yet seen the final cut   ta aaron supports the message of conservancy and obviously he was with us and we watched some of the footage he understands where we are going  what can we expect for your next project is it a documentary   ta i m usually a fiction filmmaker this is a deviation from what i normally do as you said it was very cinematic and so forth i was enjoying making it because i felt like i was still making a fiction narrative film but my next project is called reciprocal beat and it s a crime thriller with a strong dramatic anchor and it s about a fatherson relationship it s a father who gets released from prison and wants to take his son on a fishing trip to reconnect his estranged son but it becomes this druginfused odyssey with many many bad people chasing them around and i d like to work with my son on this one the name of the character is shane and my son is shane so i make sure that he feels very assimilated to the character  in what stage of the production are you   ta we are pretty close we have some of the cast members i m not gonna mention names yet but we have some cast members are known talent we have most of our finance in place obviously screenplay breakdown all that stuff so we are almost there i decided to come back to my other reality  so are you based in la full time   ta yes gabrielle and i are based in la we have a production company it s called urban tales and we produce all kinds of movies smaller and bigger gabrielle kind of spearheads the producing and packaging and a casting subdivision so we cast inhouse as well  if you could sum up your overall experience with your film in three words what would they be   ta words are cheap eyeopening transforming and educational photo courtesy of oldenburg international film festival  this might be easier what three words would you use to sum up your impression of oldenburg   ta generous loving there is a lot of love especially the love from everyone who came to the festival putting the festival together for cinema lovers and filmmakers is amazing i spent a moment with deborah kara unger yesterday and i asked how are you and torsten able to not sleep for a month or more and she said we love you and i believe her i think that it s true i feel it so yes it s generous it s loving and i m trying to touch upon the word it s kind of punk rock it s anarchistic it s like in your face you see what i m saying the choice of films i ve been to quite a few festivals i feel like the curation is very much geared towards let s kick you in the face and bash your head and see what you think about it once you re done watching the film i didn t get to see enough movies we look at mandy on the one hand and even though it s crazy and experimental it s fairly commercial because it s still nicolas cage it s an a24 production and it s going into cinemas then we look at another film that i watched is that you eres tu papa a cuban film i didn t know what to expect and it blew my mind it s very visceral and slow but they are both in their way a punch to your face you have to acknowledge these films and think about them and talk about them so i think that oldenburg curates films that demand your attention  king of beasts trailer  from  tomer almagor  on  vimeo  usa tanzania 2018 director tomer almagor nadav harel screenwriters tomer almagor nadav harel cast aaron neilson producers gabriel almagor bryan gambogi salome breziner mark steele cinematographer nadav harel editor nadav harel research tomer almagor music simon taufique contact gravitas ventures release date february 2019 86 min english swahili with english subtitles world premiere  ', 0),
(30, 'en', 'node_search', ' pascal diot interview pascal diot interview sun 10142018 1444 interview ', 0),
(31, 'en', 'node_search', ' the results of the reykjavik international film awards for 2018 the results of the reykjavik international film awards for 2018 ffproadmin sun 10142018 1536 awards 1 the golden egg vesna by nathalia konchalovsky 2 international shorts special mention black line by mark olexa francesca scalisi 3 best international short gulyabani by gurcan keltek 4 best icelandic short jormundur by maddie o hara jack bushell alex herz 5 a different tomorrow america by erick stoll and chase whiteside 6 new visions special mention styx by wolfgang fischer 7 the main prize of the riff festival  the golden puffin  goes to  knife heart  by  yann gonzalez   the golden egg firstly the members of the jury would like to thank all the filmmakers that so generously shared their stories with us it was both a privilege and a pleasure to watch eight film from ten different countries each of these films offered either a window into the realm of human emotions personal relations composite cultures or a peak into the heart of the filmmaker himself and in some cases all the above these films touch upon brave and complex themes brave and complex characters brave and complex issues we might indeed live in a brave new world but at the same time we also live in a complex one thus sometimes the most complex of issues need the simplest means for them to become clear and transparent to us and such is the case with the premise of the film that we the jury unanimously agreed upon few things are more fragile and precious as the relationship between a parent and a child regardless of their age to dive into a theme of a broken family that seeks healing in the form of a short film is not only difficult it ́s almost mad yet the filmmaker manages to deliver a deeply complex personal story between a mother and daughter and their journey from utter lack of connection to a new beginning in an effortless humorous and credible way we the jury thus find it quite fitting to hand the golden egg to a story of a mother ́s love to her daughter the russian film vesna directed by nathalia konchalovksy is not only a beautiful film but also quite of a storytelling achievement full of vivid characters impressive performances and sophisticated filmmaking  short film awards thora  our prize for the  best icelandic short  goes to a film we felt was a beautiful reverent ode to an interesting subject the jury is proud to award jörmundur directed by jack bushell and nicole stock in the international shorts competition the jury would like to first award a special mention  to the film black line directed by francesca salisi and mark olexa who told a big story through subtle but powerful means jordan  in a diverse and a frequently revelatory shorts program one film stood for our jury as a unanimous and signifiant accomplishment for its formal daring thematic scope and sociohistorical insight the jury awards the international shorts top prize to gulyabani by gürcan keltek  a different  tomorrow américa our jury from riga reykjavík and new york all connected equally with this soulful story of family guilt responsibility and most of all love we were truly impressed by this film from new directors set in a small town in mexico the award for best documentary goes to américa  new visions the golden puffin styx for technically brilliant direction and an honest performance by susanna wolff we give honorable mention to styx by wolfgang fischer for his economical storytelling that illustrates the moral dilemma of europe  knife heart a playful homage to cinema and a celebration of queer subculture director yann gonzalez defies labels using confidence humor and a thrilling juxtaposition of love and loss a juicy treat for all senses  the golden puffin is awarded to knife heart   ', 0),
(32, 'en', 'node_search', ' the academy of motion picture arts and sciences awards the academy of motion picture arts and sciences awards sun 10142018 1539 awards the academy of motion picture arts and sciences tonight honored its student winners from colleges and universities around the world at the 45th student academy awards ceremony held at the samuel goldwyn theater in beverly hills the gold silver and bronze medal awards were announced and presented by documentarian arthur dong actor and comedian kumail nanjiani and directors catherine hardwicke and patricia riggen the 2018 student academy award winners are  alternative domestic film schools  gold shae demandt reanimated florida state university animation domestic film schools  gold hanna kim raccoon and the light california institute of the arts silver yu yu daisy university of southern california bronze eaza shukla regifted ringling college of art and design animation international film schools  gold pierre perveyrie maximilien bougeois marine goalard irina nguyenduc and quentin dubois the green bird mopa documentary domestic film schools  gold mathieu faure an edited life new york university silver yiying li love loss university of southern california bronze lauren schwartzman dust rising university of california berkeley documentary international film schools  gold mart bira nomadic doctor university of hertfordshire narrative domestic film schools  gold hua tong spring flower university of southern california silver kelley kali lalo s house university of southern california bronze brian robau esta es tu cuba this is your cuba chapman university narrative international film schools  gold jonatan etzler get ready with me stockholm academy of the arts silver lisa gertsch almost everything zurich university of the arts bronze istvan kovacs a siege university of theatre and film arts budapest see the full  livestream here  ', 0);
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(33, 'en', 'node_search', ' melbourne documentary film festival calling melbourne documentary film festival calling ffproadmin sun 10142018 1544 festival news  december 31 2018 earlybird deadline february 25 2019 regular deadline march 25 2019 late deadline april 22 2019 extended deadline melbourne documentary film festival s blog  i  website  i  facebook  i  twitter  i  submit  i  email three times now the melbourne doc fest has been rated as a top 100 film festival on filmfreeway and has consistently been ranked in the top 2 of the over 6000 film festival in the world over the last 3 years the melbourne documentary film festival is currently rated as the documentary film festival of the year 2018 by filmdaily  https filmdailyco craft bestdocumentaryfilmfestivalsintheworld  the melbourne documentary film festival premieres screens and showcases more quality local australian and international documentaries each year than any other documentary only film festival in australia and gives more talented indie filmmakers a chance to compete and screen to a big receptive audience in melbourne australia the melbourne documentary film festival presents a unique opportunity and supportive platform to showcase your documentary down under in one of the coolest and most liveable cities in the world melbourne australia the melbourne doc fest each year curates world class features direct from some of the hottest most prestigious documentary film festivals in the world such as sundance raindance slamdance sheffield doc fest hot docs venice film festival new zealand international film festival traverse city film festival doc nyc sxsw doc edge cph dox and idfa each year we feature documentaries directed produced narrated by or starring celebrities like madonna sharon stone anjelica huston shia la beouf kevin smith grace jones george michel doug liman ed burns stellan skarsgard noam chomsky tony bennett mary j blige naomi campbell whitney houston elton john nile rogers bryan ferry stevie wonder christy turlington ricky gervais james corden jack thompson tom wilson ryan o neil and matthew modine what matters to us most is that documentaries are wellmade compelling thought provoking passionate and relevant to australian audiences the melbourne doc fest is very much a filmmaker s film festival the melbourne doc fest is one of the world newest documentary film festivals and one of the most fun and interesting stopovers on the international documentary film festival circuit all our international guests genuinely have a good time at the festival as well as seeing the sites of melbourne our mission is to discover and promote independent australian documentaries and to showcase the best international documentaries to melbourne audiences the melbourne documentary film festival provides a public forum and supportive platform to allow emerging filmmakers to showcase their work our values we want to highlight and promote all documentaries but in particular documentaries from women in film aboriginal and indigenous documentaries asian cinema lgbti documentaries screenings at the festival 84 of films screened at the festival are from film submissions 16 are from distributors masterclasses each year we programme masterclasses seminars and talks geared towards helping documentary filmmakers get ahead previous classes have included 1 history of new zealand documentary a personal journey with costa botes 2 asian documentary with nick torrens 3 vod and distributions with beama films 4 crowdfunding for documentary with pozible 5 selfdistribution with fanforce success over the last 3 years we have seen documentaries that we have featured go on to be picked up by the following 7 feature documentaries picked up by netflix 5 feature documentaries that became oscar eligible 4 documentaries picked up by redbulltv 3 documentaries that had limited theatrical runs in australia 1 documentary picked up by national geographic 1 60 second documentaries 1 great big story innovative the melbourne documentary film festival is the only festival in australasia to provide feedback on submissions upon request the feedback is simple straight forward positive and constructive like a review and gives you an insight into what the curator thought of your documentary if you are interested in receiving feedback you need to apply separately for it at submissions mdfforgau by no later than 30th april 2019 feedback will be provided to you by 31 july 2019 our categories of documentary photography documentary web series and micro docs and curated sections on street art and animated documentaries have never been attempted by a documentary film festival in the southern hemisphere and are ground breaking value for money while our film submission fee is in line and bench marked against other film festivals our incentives for the submitter are much higher than your average film festival successful feature entries to the competition 1 x open access pass to all festival documentaries 10 x tickets to your session at the festival for crew friends and family not redeemable for cash feedback on your documentary the opportunity to win cash prizes distribution deals wine and dvd s promo code discount for all documentaries showing at the festival of the box office or of box office donated to charity of your choosing successful short entries to the competition 1 x open access pass to all festival documentaries 5 x tickets to your session at the festival for crew friends and family not redeemable for cash feedback on your documentary the opportunity to win cash prizes distribution deals wine and dvd s promo code discount for all documentaries showing at the festival unsuccessful entries complimentary double pass to selected documentaries at the festival not redeemable for cash feedback on your documentary promo code discount for all documentaries showing at the festival if the documentary scores an 810 or higher and does not end up being selected for this year s competition the filmmaker will be entitled to a fee waiver for a future edition of the festival postfestival service we try to find other ways to show case selected documentaries at other festivals that we are aligned with which gives you double the exposure for the same submission price more value for money and try to find distribution for you in australia after you have completely finished your worldwide festival run the money we raise through sponsorship and submissions goes back into the melbourne economy as a direct subsidy helping venues printers hotels and media partners that rely heavily on events like ours the melbourne documentary film festival aims to feature the freshest and most innovative documentaries from around the world from short docs right through to feature length award winning films the melbourne documentary film festival looks to promote the best quality independent documentaries cinema has to offer the melbourne documentary film festival team looks forward to bringing you a diverse challenging slate of documentaries that will entertain educate and inform providing our audience with a memorable experience  awards prizes the melbourne documentary film festival is a competitive film festival and has 14 award categories known as the ozstars which you can enter they include pool a short awards supreme jury prize short documentary best international short documentary or webseries best australian short documentary or webseries best short director international australia pool b feature awards supreme jury prize feature documentary best international documentary best australian documentary audience choice best director international australia best melbourne documentary pool c documentary photography awards supreme jury prize documentary photograph best international documentary photograph best australian documentary photograph best documentary photographer prizes supreme jury prize award 1500 best australian short documentary 1500 supreme jury prize award photography 500 other prizes tba june 2019  rules terms melbourne documentary film festival submission rules the melbourne documentary film festival supports miff and aidc but is independent and not part of either organisation these rules the rules apply to all submissions to the melbourne documentary film festival inc mdff by submitting your film the film for consideration for inclusion in the festival operated by mdff the festival you the applicant or you hereby agree to be bound by these rules the rules 1 submission 11 mdff will consider each submission received a submission against the eligibility criteria defined below 12 a film which does not meet the eligibility criteria as of the date of screening will not be screened 13 mdff may at its absolute discretion decide to accept a submission which meets the eligibility criteria but is not obliged to screen any particular film at the festival even if the film meets the eligibility criteria mdff reserves the right to change a decision to screen a film at its discretion 14 a decision made by mdff to accept or refuse to screen a film is final under no circumstances will mdff refund any submission fees paid please ensure you check all dates currency conversions and associated costs before submitting your documentary there will be no refund 15 successful applicants will be contacted in late may or early june 2017 16 successful applicants are eligible for six 6 free tickets to selected screenings at the festival not redeemable for cash unsuccessful applicants are eligible for a double pass to selected screening at the festival not redeemable for cash and may contact info mdfforgau for feedback from 17 july 2017 but must have registered by 30th april 2018 gy emailing submissions mdfforgau applicants must contact info mdfforgau to redeem their tickets 17 successful applicants will be forwarded a copy of the mdff screening agreement submissions from successful applicants who do not agree to the mdff screening agreement will not be screened 18 you acknowledge that mdff does not pay screening fees to applicants 19 mdff provides feedback on submissions after 17072017 filmmakers must apply to info mdfforgau to request feedback 2 eligibility 21 a submission is eligible if all of the following conditions are met a the submission is received before the due date of 19 march 2017 b production of the film was not completed prior to 1 january 2013 c the film has never been and will not be before 12 july 2017 released on dvd freely available online or theatrically released other than on wwwtuggcom  however the festival may at its discretion accept films which have been theatrically released or previously screened at other festivals d the film is in english or contains english subtitles and e the submission accompanied by the applicable submission fee the eligibility criteria 22 mdff prefers that films be submitted in one of the following formats 16mm dcp dci compliant hd cam dvd blu ray all zones are acceptable mdff may accept other formats such as vimeo please contact info mdfforgau to arrange this 3 return of materials 31 materials submitted will not be returned we strongly recommend that you do not submit original materials 4 warranty 41 by submitting your film you warrant that a you are free to submit the film to the festival b the film meets the eligibility criteria and c you have obtained all necessary clearances in respect of the film and the film does not infringe the rights including without limitation copyright of any third party good luck filmmakers good luck filmmakers  ', 0),
(34, 'en', 'node_search', ' widows open london film festival widows open london film festival wed 10172018 908 the 62nd bfi london film festival in partnership with american express is underway and we couldn t be more thrilled to begin proceedings with steve mcqueen s pulsating thriller widows who has tickets to the premiere short post type festival ', 0),
(35, 'en', 'node_search', ' news from tiff news from tiff thu 10182018 754 it s on again short post type festival ', 0),
(36, 'en', 'node_search', ' tilda swinton coming to viennale tilda swinton coming to viennale sat 10202018 1122 the viennale is pleased to announce that  tilda swinton  will be present at the beginning of the screening of luca guadagnino s film  suspiria  at the  gartenbaukino on 5 november at 11 pm  the awardwinning scottish actress and longtime friend of the viennale plays the role of madame blanc in the remake of the dario argento classic tickets for the screening on 511 at 2300 are available  here  short post type festival people ', 0),
(37, 'en', 'node_search', ' keira knightley and disney princess films keira knightley and disney princess films sat 10202018 1134 keira knightley bans daughter from watching disney princess films short post type people ', 0),
(38, 'en', 'node_search', ' jason reitman attends the philadelphia film festival jason reitman attends the philadelphia film festival jason reitman attends the philadelphia film festival mon 10292018 1455 https cdnabcotvscom dip images 4575154102418wpvijasonreitman530pmvidjpg w 1280 r 169 the 27th philadelphia film festival brought top filmmakers from around the globe to the delaware valley on tuesday night academy award nominated writer and director jason reitman attended a special screening of his film the front runner it stars hugh jackman as the 1988 democratic presidential nominee gary hart whose campain is derailed when he s caught in an alleged scandalous love affair reitman told action news what it was like to be here in philadelphia for the screening at the philadelphia film festival and chat with the audience in a q and a afterwards the questions were great they were tough questions it was just a great audience reitman said the front runner opens in theaters in wide release on november 21 source abc action news  ', 0),
(39, 'en', 'node_search', ' wiff features windsorshot film on opening night wiff features windsorshot film on opening night wiff features windsorshot film on opening night mon 10292018 1547 https wwwctvnewsca polopolyfs 141536441540823199 httpimage imagejpggen derivatives landscape620 imagejpg after a successful international film festival run the control is coming home to windsor the windsorshot scifi thriller is the only new locally produced feature film to be playing at wiff it s fun for local windsorites to see and try to recognize almost like a where s waldo of all of these different locations and people says codirector michael stasko so when we go show it in france they don t realize oh that s ojibway park in the background they just see it as a park the dot film company flick was produced cowritten and codirected by stasko and eric schiller both from windsor stasko schiller and fellow windsorite and producer theodore bezaire have worked together on several other films including things to do 2006 iodine 2009 the birder 2013 and the upcoming boys vs girls which is coming 2019 the control follows mike a brilliant programmer and eric a morally questionable neurochemist as they attempt to create a gamechanging vr multiverse backed by a mysterious corporation with plans to colonize space but as mike and eric perfect their immersive dream machine it becomes harder and harder to know what is real and what is an illusion basically it s about two scientists who are trying to create a cutting edge virtual reality system in order to send hibernating astronauts to distant planets says stasko the film has already earned several accolades it premiered at worldfest houston where it won a platinum remi award it also played motor city nightmares in detroit where it won best scifi feature at the international filmmaker festival in nice france it won best director s stasko schiller and best lead actress sharon belle it has also played at montreal world film festival toronto indie film fest and great lakes international film festival it hits a certain niche but the niche that it hits it hits really hard says stasko showtime is 915 pm monday at the chrysler theatre source windsor ctv  ', 0),
(40, 'en', 'node_search', ' awards season box office how this year s contenders are shaping up awards season box office how this year s contenders are shaping up awards season box office how this year s contenders are shaping up mon 10292018 1616 https pmcvarietyfileswordpresscom 201810 oscarsastarisbornbohemianrhapsodyjpg an aspiring singer an astronaut and a magical nanny walk into a movie theater and with that oscar season is officially underway history proves that festival raves don t necessarily translate into box office success and massive ticket sales don t always correlate with awards love still v ariety  has started to take a look at this year s crop of oscar hopefuls and assess their profits and in a few cases their losses as october comes to a close there s no official kickoff to awards season though pundits usually consider the start around major film festivals including venice telluride and toronto but every year a few earlier movies manage to stay top of mind get out premiered at sundance and opened nationwide last february before scoring four academy award nominations the following march that could happen again as disney s black panther has been part of the conversation since it dazzled audiences and critics alike at the beginning of the year the marvel blockbuster is easily be the biggest earner of all awards hopefuls topping out with a massive 700 million in north america and 13 billion worldwide likewise john krasinski s a quiet place crept in this april with a massive 338 million black panther still looks likely to score a best picture nod but both of those movies would have also been likely contenders if the academy had moved forward with its controversial popular movies category source variety  ', 0),
(41, 'en', 'node_search', ' local hero tiff s maxine bailey sets out on a creative journey local hero tiff s maxine bailey sets out on a creative journey local hero tiff s maxine bailey sets out on a creative journey mon 10292018 1626 https nowtorontocom downloads 96916 download maxinebaileywebjpg cb 5fbc8f939c2a057c70265a12728f8251 w 1 after nearly two decades the film festival s public sector fundraiser lobbyist and share her journey organizer is switching things up for nearly two decades maxine bailey has been instrumental in taking the toronto international film festival from scrappy beloved toronto gem to internationally celebrated festival with a red carpet rivalling cannes while her title is vicepresident of advancement for tiff she s also known for her encouraging advice to young people interested in screening films at the festival creating opportunities that may never have existed without her so when she announced at the end of september she would be leaving many greeted the news with surprise and sadness i just need my shoulders to go down bailey says of her decision i ve been working really really hard for 18 years bailey s fundraising work has been integral to several major projects including the twoyearold public event festival street and a takeover of yongedundas square that saw chuck d and joan baez take the stage there s also the special delivery program which provided children and youth in atrisk communities with free tickets and the donorsupported education initiative pocket fund which assured no child was turned away from the festival or tiff s yearround programing but her biggest and most lasting legacies are the funds she helped raise to build the festival s permanent home tiff bell lightbox and share her journey her creative baby launched in 2017 the campaign to empower and raise money for female filmmakers ultimately inspired her decision to move into writing and producing i attended the cannes film festival a few years ago and i got to see a speaker there anna serner the ceo of the swedish film institute bailey explains she wanted to know why there weren t more women making films and being funded she took some very very small immediate steps to actually change that and today more women are being funded by the swedish film institute when i came back to toronto still pumped from her speech i was like what can we do and what are we doing at tiff internal research of tiff s yearend reports revealed the organization was already prioritizing women in many ways but could it go further if we re kind of there already what would happen if we wanted to do more what would it cost to do more and if we could at the end of a fiveyear program support 500 female creators what would that look like would that change the narratives of the canadian films being produced the undertaking led to big changes tiff became one of the first north american film fests to sign the 5050 by 2020 pledge to achieve gender parity in its film lineup around 36 per cent of films in the 2018 lineup were directed by women up by 33 per cent in 2017 and then last year bailey launched share her journey which prefaced the global explosion of tarana burke s metoo movement hollywood s time s up legal defense fund and the canadian film industry s aftermetoo a year later share her journey is making big strides a september rally hosted by tiff executive director and coo michele maheux featured speakers geena davis stacy l smith amanda brugel keri putnam mia kirshner amma asante nandita das and zavia forrest from the tiff next wave committee it drew over 1000 people and over 22000 watched online we wanted to give people a call to action you can decide to go see femaledirected films you can decide to read books by women you can actually make a choice says bailey we re not disparaging men we re just saying that if women are the majority of the population we should have more stories from women and this is the way to do it share her journey s campaign is halfway toward its 2020 goal of raising 3 million dollars the 145 million dollars raised has already served more than 100 women in film with everything from business networking and workshops to connecting with industry experts and specialized resources it s also funded scholarships for actors filmmakers and writers including through fellowships for actors a writer s residence an accelerator program for producers and the tiffcbc screenwriters award in five years you ll have 500 different women who will have gone through these programs says bailey even if 10 to 15 per cent go on to make films that is immensely more than what has been happening right now she s wrapping up her final weeks at tiff on a high note an avid bookworm she s a jurist for this year s giller prize after that bailey who previously worked in theatre as a producer director writer a film critic for cbc radio and a film programmer for harbourfront centre wants to continue supporting creative voices and telling stories via producing and writing projects just think about what i can do if i m unleashed into the world she adds with melodious laughter i m excited about this next stage of my life source now toronto festival tag toronto int film festival ', 0),
(42, 'en', 'node_search', ' 13th rome film fest concludes daily news egypt 13th rome film fest concludes daily news egypt 13th rome film fest concludes daily news egypt mon 10292018 1631 https dneegyptnyc3digitaloceanspacescom 201810 romefilmfestjpg the grand opening of the festival witnessed screening of bad times at the el royale the 13th edition of the rome film fest festa del cinema di roma concluded on 28 october under the artistic direction of antonio monda the event was produced by fondazione cinema per roma headed by laura delli colli with francesca via as general director the auditorium parco della musica has been the nerve centre of the event hosting screenings and the red carpet as usual rome film fest got the rest of the city involved with numerous venues both downtown and in the outskirts i am particularly delighted to announce the brisk presales for the rome film fest events which amounted to an 8 increase in ticket sales this already represents recognition of the superb quality of the films on the lineup and the high profile of film personalities who have chosen to take part in the festival even when not here to promote a particular film monda said considering the extraordinary demand the festival offered a second chance to see martin scorsese who met the audience before the screening of st michael had a rooster in the fourth day of the event following the success of its preopening screening the 1938 quando scoprimmo di non essere piu italiani by pietro suber was screened on 21 october on 18 october bad times at the el royale the second film by drew goddard who wrote cloverfield and the oscar nominated film the martian created the netflix series daredevil and directed the cabin in the woods is a mystery thriller seven strangers each with a secret to bury meet at lake tahoe s el royale a rundown hotel with a dark past on the border between california and nevada over the course of the fateful night they meet each of them will have a last shot at redemption the director and the film s young star cailee spaeny will attend the premiere two exhibitions were unveiled at the auditorium parco della musica three minutes by photographer riccardo ghilardi at the foyer sala sinopoli and foyer sala petrassi whose passionate eyes guided the audience through a journey punctuated with the most wellknown faces of cinema stars the exhibition caught them in those iconic locations that year after year showcase the dream factory of cinema cannes venice berlin and los angeles home of the academy awards and the golden globes as well as toronto rome new york and many more the exhibition featured 50 portraits that ghilardi shot during his career travelling across international film festivals as a portrait photographer for the international agency contour by getty images this year as part of the project promoted by the presidency of the council of ministers department for equal opportunities aimed at preventing and halting violence against women rome film fest devoted special attention to this issue the riso amaro exhibition featured a selection of works by illustrators graphic artists and humourists from around the world the title of the show is borrowed from the title of the 1949 film by giuseppe de santis which portrayed the harsh conditions of the women labour in italy s rice paddies with the main character being victim of a rape the exhibition wielded the arms of creativity and satire to tackle an issue of utmost importance and currently the subject of heated debate in the belief that satire in the form of graphic art can play a key role in generating discussion and exposing abuse representing a genuine manifesto that says violence against women never again the exhibition organised by associazione culturale festival grafico is curated by julio lubetkin assisted by arts consultant marilena nardi at the cinema village the short film con te o senza di te has been announced as the winner of cuori al buio a competition organised by fondazione cinema per roma as part of the project promoted by the presidency of the council of ministers department for equal opportunities aimed at preventing and halting violence against women the video art and computer generated images by gianluca abbate and virginia eleuteri serpieri the voiceover by pino calabrese and the text taken from news stories are all skillfully combined in this threeminute short directed by angela prudenzi to convey to viewers the perception of danger the emotional dysfunctions and the indignation for the helpless victims in a sort of compressed visionary puzzle made up of a fractured fairy tale hallucinations the fragility of innocence and the irreversibility of evil the winning short was chosen over more than 50 entries by a jury composed of roberto ando and ida dominijanni and chaired by maria pia calzone this edition of the festival was attended by star cate blanchett who is also the star of eli roth s new film the house with a clock in its walls which was screened in the festival ether film by krzysztof zanussi was also screened and is the story of a doctor at the beginning of the 20th century somewhere in the outskirts of the russian empire he is experimenting with ether to manage pain and manipulate human behavior yet despite his evilness it is not too late for his soul to be saved from eternal damnation during the rome film fest screenings commemorated the 75th anniversary of the roundup of jews in the roman ghetto and the 80th of the racial laws source daily news egypt  ', 0),
(43, 'en', 'node_search', '   ', 0),
(44, 'en', 'node_search', ' following a fall during mistletoe picking druid panoramix decides that it is time to secure the future of the village accompanied by asterix and obelix he undertakes to travel the gallic world in search of a talented young druid to transmit the secret of the magic potion alexandre astier louis clichy  ', 0),
(45, 'en', 'node_search', ' balloon is a german thriller that deals with the crossing of the inner german border of the families strelzyk and wetzel from the gdr to west germany with a homemade hotair balloon michael herbig  ', 0),
(46, 'en', 'node_search', ' a funny and irresistible story of a young girl who literally cannot see or hear her mother even though she is living with her under the same roof with the help of an eccentric psychiatrist and a local accidental hero our heroine has to grow up but falls in love and eventually takes hold of her future despite not being able to see what s right in front of her monty whitebloom andy delaney  ', 0),
(47, 'en', 'node_search', ' there is probably no other protagonist of the 20th century who has been as much talked about and as studied as fidel castro together with che guevara his brother raul and 80 dreamers he started a movement that defeated the us backed regime of the cuban dictator batista and his partners the american crime syndicates the popular revolution encountered the opposition of the us government and the privileged cubans he survived over 600 murder attempts and took a strong stance against the us since 1959 outliving 10 us presidents his leadership carried the cuban people to confront the 50 years old political and economic embargo with exemplary dignity he has shaped cuba into a new type of country provoking over half a century of ongoing debates attacks praise and admiration the small island is today one of the world leaders in education health and social equality as well as a strong internationalist stance that helped defeat aparthaid in south africa besides the titanic political figure was a man a father a brother and a son this documentary attempts to be up there close to a man whose name was fidel gabriel beristain roberto chile  ', 0),
(48, 'en', 'node_search', ' smalltime money launderer moe diamond suffers from amnesia after a freak accident during a deal gone wrong malik bader  ', 0),
(49, 'en', 'node_search', ' oscarwinner gary oldman and actor jessica alba have come aboard the cast of the film killers anonymous the two actors join tommy flanagan sam hazeldine rhyon nicole brown myanna buring tim mcinnerny michael socha and elizabeth morris in the project the film explores a world that exists beneath the day to day the restraint and order let s be evil helmer martin owen will direct from a script by elizabeth morris goldfinch studio said in a statement posted on their website we are extremely excited at the opportunity of working with actors of the pedigree and ability of both gary and jessica said matt williams who will produce the film for goldfinch in killers anonymous we have created something that has the potential to become a cult classic martin is a truly exceptional talent and with the already brilliant ensemble gary and jessica are the perfect tonic for this exciting project they are well respected across the industry and we literally couldn t have found a better fit for the roles they are playing he added the film will be coproduced by kirsty bell and doug urbanski jonathan willis and phil mckenzie will serve as executive producers martin owen  ', 0),
(50, 'en', 'node_search', ' an international drug kingpin sends two of his most highly regarded assassins to investigate why shipments are being hijacked and over cut jason cabell  ', 0),
(51, 'en', 'node_search', ' after serving 17 years in prison for a violent mistake he made in his youth a onceaspiring baseball player returns to his bronx neighborhood raymond de felitta  ', 0),
(52, 'en', 'node_search', ' alain a business man in a hurry short after the time in his life no place for recreation or the family when a day a stroke makes him lose the language and use a word for another one to the hospital he is taken in hand by jeanne a young speech therapist which he is learning again as a child the language and the patience herve mimran  ', 0),
(53, 'en', 'node_search', ' a former boxing champion and his companions get caught up with russian mobsters after he witnesses a crime cuba gooding jr  ', 0),
(54, 'en', 'node_search', ' as yves saint laurent one of the greatest parisian haute couture designers draws the sketches for his final collection behind the scenes pierre berge manages a series of events to celebrate the fashion icon as a modern myth immersed inside the couture house during ysl s final two years there documentary filmmaker olivier meyrou s camera films the yslberge duo olivier meyrou  ', 0),
(55, 'en', 'node_search', ' harry rosenmerck an ashkenazi jewish american cardiologist left everything to become a pig farmer in the holy land amanda sthers  ', 0),
(56, 'en', 'node_search', ' a right wing talk show host s life takes a sudden turn when his 16 year old niece comes crashing into his life frank coraci  ', 0),
(57, 'en', 'node_search', '   ', 0),
(58, 'en', 'node_search', ' when christopher columbus arrived in america he was able to predict the advent of a lunar eclipse and used that knowledge to convince the native people that god had granted him the power to make the moon disappear through the construction of this fictitious myth he achieved the surrender and colonization of the inhabitants of presentday jamaica this historical anecdote narrated by an omniscient voiceover in fausto reflects on the idea of fiction as a colonizing method a premise under which andrea bussmann reinterprets the myth and the homonymous literary piece which gives its name to her first solo featurelength film this reinterpreted faustian universe translated to the coast of oaxaca mexico under bussmann s camera a kind of character in its own right that reminds us of fausto on an endless search for knowledge ends up building a timeless limbo where different languages and nationalities literature and myths history and fantasy reality and fiction the tangible and the intangible the pre and the postcolonial the digital and the analog are confronted in an ethnographic hybrid piece about a world of shadows an essay about the multiple mysterious layers of reality pedro segura bernal andrea bussmann  ', 0),
(59, 'en', 'node_search', ' writer of taxi driver and raging bull director of american gigolo mishima and cat people veteran american auteur paul schrader has staged one of the most spectacular of recent cinematic comebacks with this acutely observed characterbased drama constructed around oscartipped ethan hawke s magnetic performance it is an incisively intelligent and burningly topical film about faith doubt guilt and desire in the 21st century a fortysomething clergyman of relentless selfsearching introspection toller finds himself questioning his ethics and presumptions with renewed vigour after encountering ecowarrior parishioner michael a remarkable performance by previously littleknown philip ettinger this crisis of conscience brings toller into conflict with his materialisticallyminded religious superiors spurring him towards increasingly radical perspectives and eventually actions inspired by such classics of troubled faith as bresson s diary of a country priest schrader a scholar of film as well as being a distinguished practitioner has crafted a visually striking compellingly humane and thematically complex work a transcendental miniepic which has already earned hosannas of praise from critics and audiences all over the world neil young paul schrader  ', 0),
(60, 'en', 'node_search', ' a homage to the san francisco film per excellence alfred hitchcock s vertigo built by using footage from hundreds of different films set in this same city from hollywood classics to experimental pieces commercial hits and tv episodes don t miss the end credits festival for a powerful dive into high and low culture alike rather than organizing the materials as a poetic city symphony or a conventional documentary directors guy maddin evan johnson and galen johnson extract tropes and plot points from vertigo in order to sketch a narrative that examines how the phantoms of hitchcock s film permeate everything including chuck norris movies even if in an uncanny fashion watching the mad assemblage executed in the green fog one would think that there s something alien and otherworldly informing the fragmentary resonances the stuttering dialogues the wild reworkings embeddings repetitions and substitutions executed in this irreverent and hilarious remake of vertigo is it by chance that san francisco and science fiction share the same initials what is that green fog slipping through the images is it a shade from vertigo a trace of contamination the smoke of weed cristina alvarez lopez evan johnson galen johnson guy maddin  ', 0),
(61, 'en', 'node_search', ' a father and his daughter struggle to survive in deep space where they live in isolation claire denis  ', 0),
(62, 'en', 'node_search', ' three young men bond together to escape volatile families in their rustbelt hometown as they face adult responsibilities unexpected revelations threaten their decadelong friendship liu bing  ', 0),
(63, 'en', 'node_search', '   ', 0),
(64, 'en', 'node_search', ' a beautiful actress struggles to connect with her disfigured costar on the set of a european auteur s englishlanguage debut armed with a sardonic sense of humor pure emotionality a reflective selfsarcastic mood and obsession with detail this enigmatic mesmerising melodrama holds in different ways all of cinema from tod browning s freaks and david lynch s the elephant man to robert altman s the player and peter strickland s berberian sound studio to give it a radically new substantial twist aaron schimberg  ', 0),
(65, 'en', 'node_search', ' on the outskirts of birmingham and the margins of society the billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control at times shocking and laced with an unsettling humour three episodes from the early life of the artist unfold as a powerful evocation of the lived experience of growing up in the era of thatcherian austerity famous british photographer richard billingham expands his reflection on the still life of the family shooting in moving images a subjective landscape of negligence and loneliness richard billingham  ', 0),
(66, 'en', 'node_search', ' us three us brothers us kings inseparable three boys tear through their rural new york hometown in the midst of their young parents volatile love as manny and joel grow into versions of their father and while their ma dreams of escape jonah the youngest embraces an imagined world all his own an immersive portrait of working class family life and brotherhood propelled by masterful performances from its young firsttime actors and stunning animated sequences which bring jonah s torn inner world to life jeremiah zagar  ', 0),
(67, 'en', 'node_search', '   ', 0),
(68, 'en', 'node_search', ' camille an introvert teenager and talented skateboarder from long island crosses path with an allgirl new york group of skateboarders quickly camille becomes an integral part of the tribe developing a strong fraternity the crew rapidly becomes a source of support for camille in the midst of her crumbling relationship with her mother but while she goes through her first teenage experiences her encounter with devon a mysterious skateboarder guy challenges the strong link established with the other girls immersing the very closed world of skateboarding crystal moselle s long feature film depicts the difficulty for girls to break through in a male dominated space it is also an authentic tribute to selfdiscovery and fraternity for her movie crystal moselle spent an entire year in contact with the skate kitchen a real female group of skateboarders in order to recreate a genuine representation of this littleknown community crystal moselle  ', 0),
(69, 'en', 'node_search', ' based on the novel by richard ford wildlife follows joe brinson a 14yearold boy who moved to great falls montana with his parents in the year 1960 joe s mother jeanette is fed up with her absent husband who cannot hold a job and her eyes wander to warren miller a local autoshop mogul warren is a welcoming presence in jeanette s life which causes tension in the family joe is forced to watch the inevitable unravelling of his parents marriage as his mother begins an affair with the new man in her life wildlife stars academy award nominees jake gyllenhaal and carey mulligan as well as breakthrough actor ed oxenbould paul dano s directorial debut film was nominated in 2018 for the grand jury prize at the sundance film festival a golden camera nomination at the cannes film festival as well as a people s choice award nomination at the toronto international film festival adapted by paul dano and zoe kazan wildlife features stunning cinematography and dramatic storytelling paul dano  ', 0),
(70, 'en', 'node_search', ' lou and her best friend chantal plan to get out of their isolated rundown town and move to a city far far away when chantal s unstable and possessive ex violates her during a night of partying the girls decide to exact their revenge on him through a night of vandalism and debauchery the consequences of their actions are devastating threatening the girls chances of ever leaving the more lou fights toothandnail to save her friendship and hold onto her dreams the more she spins out of control as she begins to realize that freedom will come at a high cost jasmin mozaffari  ', 0),
(71, 'en', 'node_search', '   ', 0),
(72, 'en', 'node_search', ' in this unpredictable scifi thriller based on the bestselling novel of the same name a mother malorie sandra bullock and two children navigate a hostile even demonic landscape after an apocalyptic event as malorie confronts her ambivalence toward motherhood while learning the rules of her new uncertain existence she and a small group of survivors must grasp in the dark figuratively and literally in the hope that there is life outside of themselves susanne bier  ', 0),
(73, 'en', 'node_search', ' on the basis of sex follows the inspiring and spirited true story of young lawyer ruth bader ginsburg academy award nominee felicity jones as she teams with her husband marty armie hammer to bring a groundbreaking case before the us court of appeals and overturn a century of gender discrimination directed by afi conservatory alumna mimi leder deep impact the leftovers on the basis of sex features a stellar ensemble cast including justin theroux academy award winner kathy bates academy award nominee sam waterston jack reynor and cailee spaeny mimi leder  ', 0),
(74, 'en', 'node_search', ' directed by josie rourke mary queen of scots explores the turbulent life of the charismatic mary stuart queen of france at 16 and widowed at 18 mary saoirse ronan defies pressure to remarry instead she returns to her native scotland to reclaim her rightful throne but scotland and england fall under the rule of the compelling elizabeth i margot robbie each young queen beholds her sister in fear and fascination rivals in power and in love and female regents in a masculine world the two must decide how to play the game of marriage versus independence determined to rule as much more than a figurehead mary asserts her claim to the english throne threatening elizabeth s sovereignty betrayal rebellion and conspiracies within the court imperil both thrones and change the course of history josie rourke  ', 0),
(75, 'en', 'node_search', '   ', 0),
(76, 'en', 'node_search', ' moll lives on the channel island of jersey even though she is twentyseven years old she still lives with her parents what keeps her there is the small rather oppressive community which surrounds her and her morbid relationship with her elderly father and very strict mother everything changes when she meets pascal a foreigner she knows virtually nothing about but who wins her over with his free spirit moll who is hopelessly in love goes to live with him and begins a new life but her happiness is shortlived pascal is accused of having committed a series of brutal murders despite the hostility and the pressure of the locals moll stands by her man but she will have to pay the consequences of this decision michael pearce  ', 0),
(77, 'en', 'node_search', ' fourteenyearold j goes by the pronoun they and lives with their parents in the suburbs of chicago j is exploring their gender identity while taking hormone blockers to postpone puberty after two years of medication and therapy j has to make a decision whether or not to transition over this crucial weekend while their parents are away j s sister lauren and her iranian friend partner araz arrive to take care of they anahita ghazvinizdeh  ', 0),
(78, 'en', 'node_search', ' they glide over the ice ethereal they take flight sometimes they fall a group of 15yearold ice skaters deal with their daily life made of friendships competitions crushes difficulties doubts choices family conflicts they are dominated by their very strict trainer who borders on the sadistic the first work by two documentary filmmakers an atypical bildungsroman which captures the nuances of growing up makes no moral judgment puts itself in the shoes of its young protagonists and admires their overflowing contagious vitality chloe mahieu lila pinell  ', 0),
(79, 'en', 'node_search', ' every year at the university of saintdenis the eloquentia competition is held to decide the best orator in the 93 a reference to the number of the seinesaintdenis departement students following any course can participate and prepare with the help of professional advisors who teach them the delicate exercise of public speaking over the weeks they learn the subtle mechanisms of rhetoric and will affirm their talents revealing themselves to others and above all to themselves with this new arsenal leila elhadj eddy and the others face off in a bid to become the best orator in the 93 stephane de freitas lad ly  ', 0),
(80, 'en', 'node_search', ' arguello is the principal of a school just outside buenos aires every day he searches his students backpacks because he is afraid they might be hiding something dangerous cata is a fourteenyearold student who is injured in an accident near a lake while she waits for her parents to arrive arguello spends a few hours with her which will change their lives forever tom espinoza  ', 0),
(81, 'en', 'node_search', '   ', 0),
(82, 'en', 'node_search', ' actor tilda swinton is an oscarwinning british actress known for her arthouse film roles and for acclaimed performances in more mainstream pictures swinton began her career in theater performing with the royal shakespeare company in london and transitioning to less mainstream productions before finding her way to film her big screen debut arrived in derek jarman s caravaggio in 1986 swinton continued to pursue avante garde films throughout her career to great acclaim despite her draw to independent art house films swinton has worked on several commercial projects  ', 0),
(83, 'en', 'node_search', ' director born in 1963 in cambridge massachusetts studied politics at the brandeis university and film at the tisch school of the arts new york after her first short film snake feed 1997 and two further short works she realized her feature film debut down to the bone viennale 4 in 2004 her internationally successful drama winter s bone 2010 viennale 10 earned her an oscar nomination for the best adapted screenplay  ', 0),
(84, 'en', 'node_search', ' will a psychologically fragile iraq war veteran lives in the woods of oregon with his teenage daughter tom they are neither homeless nor criminal like others nearby they have chosen to live apart from society but when government rangers force tom and will out they must try to adapt to civilisation and community leave no trace is the third fiction feature by debra granik and like down to the bone and winter s bone it takes an observational realist approach to an intriguing marginal aspect of contemporary american life its characters are not militant rightwing survivalists shooting guns they are ordinary damaged people helping each other to cope the social workers who intervene by relocating will and tom are benevolent but to live in society means for will to eat their food do their work to conform crushing his freedom superbly acted by foster and mckenzie and rigorously eschewing any sensationalist possibilities there is no sex or violence here leave no trace eventually zeroes in on a universal human drama the bond between father and daughter which must ultimately arrive to the painful crossroad of separation tom wanting to think and act independently debra granik  ', 0);
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(85, 'en', 'node_search', ' dario argento s genre classic is only the detonation point of luca guadagnino s film it keeps some elements of the plot but redefines the historical context once again the location is germany but this time it is berlin where the still corrupt nation has failed to clear itself of those who had produced the horror of the nazi era in sharp contrast the red army faction fights for a new germany with other means of terror the markos tanz company is the stage of a supernatural dimension in which a triad of ancestral divine presences control the events of the world provided they feed their own power structure witchcraft is real when it is used to justify atrocities like the wickedness of the third reich guadagnino reunites past and present weaves together quotations evocations imagery politics art and psychoanalysis in a gesture of formal rebellion of the cinematographic language which is bloody pulsating unstoppable the soundtrack composed by thom yorke radiohead and the choreography by damien jalet propel the visionary force of the film it multiplies in a linguistic dance that mentions the revolutionary role of the performative art of the 1970 s which called into question power and identity by digesting violence through the experience of the body luca guadagnino  ', 0),
(86, 'en', 'node_search', ' transfixed at the viennale transfixed at the viennale fri 11022018 1735 short post type festival ', 0),
(87, 'en', 'node_search', ' gaga for tiff gaga for tiff fri 11022018 1739 short post type festival people ', 0),
(88, 'en', 'node_search', ' green books wins at tiff green books wins at tiff fri 11022018 1744 short post type festival ', 0),
(89, 'en', 'node_search', ' 59th thessaloniki international film festival 59th thessaloniki international film festival ffproadmin fri 11022018 1753 photo credit getty images short post type festival festival tag thessaloniki int film festival ', 0),
(90, 'en', 'node_search', ' eighth annual 48 hour film festival comes to a close eighth annual 48 hour film festival comes to a close eighth annual 48 hour film festival comes to a close tue 11062018 1251 http wwwthegriffonnewscom wpcontent uploads 20181148hrlogo1952x1024png for the eighth straight year at missouri western the cinema department has hosted the 48hour film festival with multiple teams made up of students this year the festival began on friday nov 2 at 6 pm and ended on sunday nov 4 at 6 pm angel edwards sophomore theater major speaks about what the festival consisted of 48hour film festival is an event where multiple teams disperse and create a film within 48 hours edwards said this includes pre and post production the films are later shown in a public screening and multiple positions are up for awards every team must create a film with the same requirements one specific character and their job a certain prop and a specific line of dialogue thomas brecheisen ast prof of cinema explains why students should participate in the festival it s an awesome opportunity for filmmakers or people who just like to have fun in film to take two days literally 48 hours to write shoot edit and produce a film brecheisen said there were multiple mixers that occured before the festival began where students gathered and created their own teams there were three mixers this year oct 4 oct 19 and nov 1 the 48hour film festival is a great opportunity in creating a student film according to griffon film society president nathan gonder this is really great because it s a really good experience to make a film on campus that is nonacademic with all the harsh requirements and regulations of a normal film put into just two days this isn t just for cinema majors gonder said this is open to the entire school so as long as you are a student or an alumni you may participate in the festival there were seven teams that participated this year these teams consisted of major and nonmajor students alumni and members of the community ben smith junior theater major speaks about the positives that he took out of the festival it has given me a chance to branch out as an actor into a type of acting that i m not very experienced with yet smith said it has also given me a great appreciation for the amount of work that goes into films that don t have the time crunch of 48 hours it really is a great way to learn how to use your time effectively in filming there is a lot of work to do in a shorter amount of time sophomore dalyn legrand gives advice to future participants to people doing 48 in the future get a lot of sleep the night before take small power naps when you can and don t talk to people outside of your group as much as possible because drama or anything like it needs to be far from your mind this weekend requires a lot of focus legrand said the films that were created will undergo judging before a panel before being screened at an award ceremony there are multiple awards that people can win including best visual special effects best writing best editing best acting audience choices etc the award ceremony will take place on nov 8 at 730 pm in potter theatre it is free and open to the public source the griffon news  ', 0),
(91, 'en', 'node_search', ' three rwandan films in competition at carthage film festival three rwandan films in competition at carthage film festival three rwandan films in competition at carthage film festival tue 11062018 1256 https wwwnewtimescorw sites default files styles mystyle public main articles 20181106 carthagefestival2010jpg itok f1xs331l three rwandan films are up in competition at the ongoing carthage film festival in tunis the capital of tunisia a colourful reception to usher in this year s festival was held at the municipal theater of tunis on saturday november 3 the weeklong festival runs until november 10 it is the 29th edition of the festival founded in 1966 by tunisian filmmaker tahar cheriaa joel karekezi s feature film mercy of the jungle will be screened today monday november 5 at the cinema le colisee in tunis the film is making its african premiere in the official competition karekezi travelled to the festival with renowned female filmmaker kantarama gahigiri who acted in mercy of the jungle and was also part of the production team tomorrow is our african premiere of mercy of the jungle we are honoured to be in competition here and soon we will be able to screen the film in rwanda and uganda where the film was shot and where we collaborated with ugandan crew and cast revealed joel karekezi in an online interview sunday evening budding filmmaker samuel mutiganda was among the first rwandan filmmakers to make it to tunis in time for the festival s opening ceremony his film  nameless  which he wrote and directed is part of the films drawn in the takmil post production programme on the sidelines of the festival it is all that mutiganda could reveal about his film as festival rules forbid sharing further information nameless was produced by yuhi amuli another budding local filmmaker for his part mutiganda is better known for his screenwriting role for two popular local tv series  city maid  and seburikoko  the film follows a young couple struggling to make ends meet in the fast growing and fast changing city of kigali icyasha  by clementine dusabejambo is competing in the short films category the multi award winning filmmaker first introduced the film to her rwandan audience at a prepremiere screening event in kigali in march the film follows a 12yearoldboy and football lover who tries all he can to join the neighborhood boys football team however his effeminate character becomes his undoing as he has to ward off taunting and bullying from the other boys pressed to prove his masculinity in a man s world the film s main character at once embodies the pain and the beauty of childhood created in 1966 carthage film festival is the oldest film festival on the continent from its inception until 2013 it run as a biennial festival until 2014 when it became annual the festival was initially biennial but it became annual in 2014 the main prize awarded is the golden tanit named after the phoenician goddess tanit source new times  ', 0),
(92, 'en', 'node_search', ' the la film festival is calling it quits but not entirely the la film festival is calling it quits but not entirely the la film festival is calling it quits but not entirely tue 11062018 1259 https cdn2lamagcom wpcontent uploads sites 6201811 gettyimages1042182752jpg film independent announced last week that the 2018 la film festival which wrapped on september 28 will be the last for the festival in its current form the nonprofit has organized the annual festival since 2001 and hosted laff s predecessor fest la independent film festival for six additional years before that now the organization is rethinking how to best reach a changing audience of movie lovers and filmmakers going forward they ll be focusing on a slate of yearround programming rather than a single weeklong event while we are very proud of what we ve accomplished with the la film festival over the past 18 years the truth is that it has struggled to thrive and the time has come for us to try something new josh welsh president of film independent wrote in a statement mindy kaling and bj novak at the 2018 la film festival in september photo by vivien killilea getty images for roadside attractions the festival had appeared to some observers to be struggling even before this latest announcement in 2017  indiewire  wrote about laff s struggle for relevancy on the crowded cinema scene between 2015 and 2016 attendance at the festival sunk from 90000 to 40000 laff was generally held in the summer which hurt programmers abilities to book the buzzy awardsseason contenders that play at later fests for 2018 it was moved to september but the change may have come too late as  variety  noted  la s other big film festival afi fest already happens in the fall shows a slate of more awardscentric fare and gives away tickets to the public for free making it hard for laff to compete the festival was also criticized for bouncing between venues moving to downtown in 2010 from a previous base in westwood then to culver city in 2016 then most recently to a multivenue arrangement that might have an attendee hopping between hollywood culver city santa monica and beverly hills to catch everything they wanted to see in the end we concluded that the organization should explore a more nimble sustainable form of exhibiting and celebrating independent film artists year round said film independent board chair mary sweeney ray mansfield chris ellis nora dunn tiffany haddish ike barinholtz carrie brownstein jon barinholtz meredith hagner john cho and sean mckittrick at the la film festival photo by vivien killilea getty images for roadside attractions that means film independent will be reinvesting the resources that went into the fest in their other signature programs particularly film independent presents a screening series curated by critic elvis mitchell and the film independent spirit awards the festival was known for highlighting work by filmmakers from groups underrepresented in hollywood which will continue through education and mentorship programs from film independent including global media makers filmmaker labs film independent forum and directors closeup some programs will also be launching or expanding in the wake of the restructuring portal a showcase for vr and immersive filmmaking will remain as a standalone event as will hasan foster s twoday intensive on industry diversity which first appeared as part of laff in 2013 a full schedule of film independent s upcoming public and industry programs can be found on the organization s website  source la mag  ', 0),
(93, 'en', 'node_search', ' asian american film festival to showcase filmmakers ken eng adele pham and wong fu productions asian american film festival to showcase filmmakers ken eng adele pham and wong fu productions asian american film festival to showcase filmmakers ken eng adele pham and won  tue 11062018 1302 https dailycollegiancom wpcontent uploads 20181135162097101554235593417677102373502254055424 the university of massachusetts first asian american film festival will showcase filmmakers kenneth ken eng adele pham and members of popular youtube channel wong fu productions the yuri kochiyama cultural center will present the festival from nov 79 from 630 to 900 pm in campus center rooms 174176 the featured filmmakers will make guest appearances lily tang a sophomore political science and bdic major who helped to organize the event explained the ykcc noticed there was a lack of a big event in the fall semester because we concentrate and do big events in the spring she and her fellow organizers saw that there were multiple asian american film festivals in boston and said we thought it would be awesome to bring that to western mass on nov 7 the first film to be shown will be eng s my life in china eng grew up in boston attending boston latin school and has used his filmmaking to benefit the community in boston chinatown as well as having his work featured on pbs on the umass event page for the film festival  eng s documentary is described as a story of migration that is passed down from father to son as we retrace the precarious steps he took in search of a better life ultimately asking the question what does it mean to be both chinese and american eng s father who fled china s cultural revolution in 1966 died a few weeks ago according to tang she added i think this will be the first time he ll be showing his film since his father s passing i think it will be a really special and hard moment for him to watch this film but also really special because he s doing it in massachusetts where it s a community he really cares about on nov 8 the second film to be shown will be pham s nailed it in this documentary pham a mixedrace vietnameseamerican woman looks into the nail salon industry valued at 8 billion and how the vietnamese came to dominate this line of work tang explained it discusses the hardships of being refugees because the vietnamese most of that particular wave of immigrants they were refugees after the vietnam war and finding economic success when they came from such as hard place her identity as a vietnamese woman this is also a story that s salient to her but also what s really interesting is that she s mixed race as well so it s like she has multiple identities at play and that s something we really wanted to highlight when we chose our filmmakers this year to have people that hold different identities and different stories to come to umass on nov 9 the final day of the film festival two members of wong fu productions taylor chan and wesley chan will attend and show their latest work yappie a series about young asian professionals wong fu productions was formed by cofounders philip wang ted fu and wesley chan according to their website  and now has over 3000000 subscribers additionally  the group s youtube channel  currently has over 520 million views since they joined the platform in 2007 tang reflected on the work of wong fu saying it talks about the role of this generation as young asian american professionals how do we navigate through life when we re so kind of separated from our parents struggles and trauma of being refugeesslashimmigrants because we grew up in the us we learned english and we re in college have that success and american dream so what does it mean for us to continue to be advocates for our parents and carry on that legacy and heritage she also noted the arrangement of the screenings saying it s almost linear in sequence immigration the coming to the us the struggles in the country that the groups faced the resiliency the successes and then the very end with wong fu the now what our generation and what story we want to tell in addition to the ykcc the event is being supported by cohosts the vietnamese student association the asian american student association and the taiwanese chinese student association as well as a broad range of sponsors after each film screening attendees can participate in a questionandanswer session with the filmmakers have chances to win prizes through a raffle and will be served asian meals the location in the campus center basement is physically accessible and anyone from the public or the from the five college consortium is welcome to attend according to the organizers one of those organizers is lydia phung a senior operations and information management major who commented on the importance of asian americans in the media citing this year s increase in representation through films such as crazy rich asians and to all the boys i ve loved before saying this year we ve had so many productions of people representing asian culture and it s just amazing she added i think it s also nice to have filmmakers who are able to relate to us fellow organizer chan kim a junior mathematics major hopes the film festival will become an annual event and that it will bring more attention to the ykcc which is located on the bottom floor of worcester dining commons saying it s overall more exposure at the end of the day especially for our center people come down here and they re lost so that s something we re trying to change source daily collegian  ', 0),
(94, 'en', 'node_search', ' maitland s inaugural outdoor foreign film festival lands at the levee this thursday maitland s inaugural outdoor foreign film festival lands at the levee this thursday maitland s inaugural outdoor foreign film festival lands at the levee this thur  tue 11062018 1405 nnimgtaakamaihdnet transform v1 crop frm 32ymriivtenukx3prxgk2iy 6ef7393942ba45f2a978db1d467443adjpg r04550172866w1200h678fmaxjpg for three evenings maitland city council will be celebrating its spring theme of going global at the levee by holding its inaugual foreign film festival the spring festivities will conclude with the festival running from thursday to saturday maitland council s visitor economy coordinator martin payne said it was a great opportunity for the community the foreign film festival is part of the activity program that we have and are continuously developing for the lifestyle precinct here in central maitland he said it s part of the going global theme that we have been working on over spring which was anchored around riverlights multicultural festival obviously with riverlights being a multicultural festival what better way to end the theme than with a foreign film festival over three nights the festival will screen three films including  rams rosalie blum and the square  the films are from iceland france and sweden mr payne said they are all critically acclaimed films from 2015 to 2017 and we have been given the opportunity to showcase them we are hoping people will come and visit the precinct after dark the films will projected onto the wall of the riverlink building and begin at 7pm people will need to bring their own seats and seating location is first in best dressed we know there is a crowd young adults to people who don t have children who want to see a night time economy mr payne added it s the first time we ve done an outdoor foreign film experience at the levee and riverlink building source maitlan mercury  ', 0),
(95, 'en', 'node_search', ' scottish silver screen celebration in inaugural angus film festival scottish silver screen celebration in inaugural angus film festival scottish silver screen celebration in inaugural angus film festival tue 11062018 1408 https wwwthecouriercouk wpcontent uploads sites 122018110239a832a045da641ce862dfd9ffff1d515x372jpg the curtain is about to rise on the first angus film festival in the latest step forward for a community cinema group brechin community cinema is staging the festival which gets under way on friday november 16 with a celebration of scottish film chosen as the theme of the inaugural event the threeday festival in brechin city hall will feature new and old scottish and scottishthemed movies and begins with the first angus showing of scottish director may milesthomas new film voyageuese narrated by welsh actress sian philips the movie has won rave reviews and is described as romance science and conspiracy in the twentieth century the film revolves around the main character of erica thomas who when she dies leaves family films photos letters and objects dating back 100 years which reveal a life of which her children knew nothing it will be followed by robert carlyle s directorial debut the legend of barney thompson saturday will see the screening of a wide selection of noted scottish productions including brave braveheart and a rare presentation of the acclaimed 1930s michael powell movie the edge of the world the story of the depopulation of the island of st kilda a festival spokesperson said by popular request the evening features sunset song followed by the chance to see the director s cut of the original wicker man sunday follows in a similar vein with highlights including dogma director lars von trier and actress emily watson s breakthrough movie breaking the waves the festival will close with a screening of the sheila hancock movie edie brechin community cinema has been running successfully for over three years now and the festival is the culmination of a lot of hard work including securing funding for our own projection equipment from the european leader fund which has made this festival possible we hope the local community get behind the festival which is another first for angus from brechin plans are already in motion for next year s festival the theme for which is provisionally award winners the cinema group said they were delighted to have received sponsorship from city press of brechin and support from express logos weekend tickets are 15 which gets entry to all screenings or 6 for individual movies festival tickets are now available from newsplus brechin or wwwticketsourcecouk brechincinema with details also details available at brechinfilmfestcouk and on facebook source the courier  ', 0),
(96, 'en', 'node_search', '  orange days goes to germany s mannheim filmfest  orange days goes to germany s mannheim filmfest  orange days goes to germany s mannheim filmfest tue 11062018 1410 https mediamehrnewscom d 2018110532947838jpg iranian fictionfeature orange days will take part in the main competition section of the 67th mannheimheidelberg international film festival iffmh in germany scheduled for 1525 november 2018 iffmh presents arthouse films of international newcomer directors established in 1952 it is the secondoldest film festival in germany after berlin orange days narrates the story of aban an overworked contractor in her forties is dead set on outbidding her male competitor kazem to harvest with her crew of seasonal female workers the largest orange orchard in the region the iranian film has already taken part at a number of other international festivals including 16th tofifest international film festival in poland the 19th calgary international film festival in canada 2018 zurich film festival in switzerland and 42nd sao paulo international film festival in brazil source mehr news  ', 0),
(97, 'en', 'node_search', ' rebels to return to black nights film festival rebels to return to black nights film festival rebels to return to black nights film festival tue 11062018 1412 https serree photo crop 20181106562124h40dft28jpg the 2018 edition of tallinn black nights film festival poff will see the return of the rebels with a cause category introduced last year which includes films that are more experimental in nature or whose message is more rebellious this should free us from our shackles poff programme manager tiina lokk said about the goal of the programme which is currently still being finalised the programme includes 15 films among them 5 short films that were selected by poff shorts for the first time the short films will be competing directly against featurelength films switzerland s happiness is a warm gun for examp age five films will be making their international debut at the estonian film festival in spain s this is the wind teenage girls grapple with problems arising from bulimia and anorexia the film s authenticity is ensured by catalan director pere vila barcelo s collaboration with 1517yearold youth israel s call for dreams is a strange neonoir mystery focused on urbanism dreams and the virtual in a cosmopolitan and global era in russian director denis shabaev s mira a slovak named miroslav or mira travels to the wartorn donbas to restore statues of lenin it is difficult to decide whether the last of these is a documentary or fictional anamika haksar s taking the horse to eat jalebis is a love letter to old delhi which takes full advantage of the tools of cinematography spanish director armand rovira s letters to paul morrissey meanwhile is dedicated to avantgarde film legend paul morrissey   the little comrade crowned best debut film at nordic film days lubeck 1  the most distinguished director among those of the short films to be included is romanian radu jude whose awardwinning featurelength film i do not care if we go down in history as barbarians will also be screened at poff the winner of the rebels with a cause competition will be selected by the estonian association of film journalists efu  featurelength films  call for dreams directed by ran slavin israeljapan this is the wind directed by paula comas joan cumeras andrea lopez oriol mulero mario rebugent marina segarra ja pere vila barcelo spain taking the horse to eat jalebis directed by anamika haksar india happiness is a warm gun directed by mirko borscht patricija bronic johanna dahler simon labhart max roenneberg and julian anatol schneider switzerland here directed by hadi mohaghegh iran letters to paul morrissey directed by armand rovira spain mira directed by denis shabaev russia reflections in the dust directed by luke sullivan australia trauma is a time machine directed by angelica zollo usa potential victim directed by nicolas guzman chile  short films  flame directed by sami van ingen finland the marshal s two executions directed by radu jude romania ultra pulpe apocalypse after directed by bertrand mandico france water bears directed by yenni lee norway a place we call reality directed by kristoffer borgli norway poff will take place in tallinn and tartu from friday 16 november through sunday 2 december source erree  ', 0),
(98, 'en', 'node_search', ' camp flow gnaw carnival camp flow gnaw carnival tue 11062018 1646 event start date sat 11102018 1200 event end date sun 11112018 1200 event location los angeles united states event gps point 11824532 3405349  ', 0),
(99, 'en', 'node_search', ' film festival of the week regent park film festival film festival of the week regent park film festival film festival of the week regent park film festival ffproadmin wed 11142018 1509 https nowtorontocom downloads 97273 download webtendisai 20cromwell0965jpg welcome to now s weekly spotlight on toronto s indie film festivals and screening series it s your chance to learn a little more about that cinematic event you ve been meaning to check out pitched by passionate programmers in their own words the festival regent park film festival  november 1417 at daniels spectrum 585 dundas east  regentparkfilmfestivalcom the programmer tendisai cromwell  executive director of the festival the regent park film festival is toronto s longest running free community film festival she says showcasing local and international works relevant to people from all walks of life we also prioritize and support indigenous and people of colour filmmakers as a festival we hold the belief that media arts can lead to meaningful forms of social change and are guided by principles of access diversity and complexity in representation and community  what s showing  for its 16th edition the festival which has evolved into a yearround organization offering internships professional development workshops and a summer screening series notes cromwell offers a selection of features and documentaries that reflects the lived experiences of people from low income and public housing communities with the changes in the regent park due to the redevelopment process we are actively trying to ensure that our programming continues to prioritize people who live in public housing cromwell says i ve only recently assumed the position of executive director and i m excited to continue to learn from the regent park community  what s the vibe   the general atmosphere of the festival is communityoriented celebratory provocative and affirming cromwell says through our talk backs and panel discussions we encourage people to thoughtfully engage in challenging questions around gentrification community building belonging and inequity to name a few in addition to showcasing an array of narrative and documentary features shorts vr and multimedia projects we also offer a filmmaking workshop and a live script reading of local emerging screenwriters  any recommendations   we have an incredible lineup this year which makes it exceptionally challenging to select just one film or project she says i think people would really enjoy rock rubber 45s  november 15 830 pm about the rise of celebrated nyc dj and creative bobbito garcia we are also excited to screen cory bowles s black cop  november 16 6 pm he and the lead actor ronnie rowe jr will be in attendance for a talkback i would also encourage folks visit our virtual space throughout the festival which includes amani bin shikhan s multimedia installation where now exploring what we lose when toronto rises internationally and lisa jackson s vr project biidaaban first light  about a toronto landscape that has returned to its indigenous roots among other projects i also would recommend people attend the premiere of our commissioned films for our home made visible nationwide archival project november 17 230 pm  the breadwinner  november 17 9 am and rafiki  november 17 8 pm are popular titles they re fully reserved but limited seating will be available on a firstcome firstserve basis it s going to be an amazing festival come out source now toronto  ', 0),
(100, 'en', 'node_search', ' 9 can tmiss winter festivals around the world 9 can tmiss winter festivals around the world 9 can tmiss winter festivals around the world ffproadmin wed 11142018 1512 https wwwoutsideonlinecom sites default files styles img600x600 public 20181107 winterwondergrassmountainsjpg itok b4bz7bqw source outside online  ', 0),
(101, 'en', 'node_search', ' top 10 picks for idfa 2018 top 10 picks for idfa 2018 top 10 picks for idfa 2018 ffproadmin wed 11142018 1534 https filmmakermagazinecom wpcontent uploads 201809 americajpg the program for the 31st international documentary film festival amsterdam november 14th 25th the first under the new artistic directorship of syrian documentary filmmaker orwa nyrabia feels equal parts familiar and fresh on the one hand as in years past it s hard not to be overwhelmed by the sheer size of the world s largest nonfiction film festival once again the fest will include exceptional industry events like the idfa forum and docs for sale the idfa bertha fund idfa academy etc competitions 14 in total and more meetandgreets and parties than one can reasonably attend do i stop by the korean night of food and music or the scandinavian reception on the other hand nyrabia and his team have made the upcoming event more navigable than ever with a slimmeddown lineup only a dozen films in each competition category this time and a new site feature called program pathways which groups films into 15 thematic categories everything from lovers rebels and skateboarders to show me your id to back to the ussr and backstage politics this inspired me to get organized and create my own personal top 10 list of events not to be missed  idfa on stage  anniversary of the revolution the revolution will finally be televised dziga vertov s twohour portrait of the russian revolution recently discovered and restored will not only be screened in the grand tuschinski theater but will also be accompanied by a live soundtrack blending the music of classical musicians with moscow artist kate nv s poppy electronics  idfa x fc hyena x skatepark noord  minding the gap  afterparty a confusing title for what looks to be a straightforwardly fun event bing liu s beautiful skateboarding doc which currently leads the cinema eye honors nominees will finally get the screening it deserves at a skate park liu will be in attendance for the q a and yes the afterparty includes free skating serialized  america to me  doc talk perennial attendee steve james another chicagoan and ep of minding the gap  will be in town to chat about his latest epic hometownset adventure an entire day will be devoted to the 10part starz series docs around the clock once again this nonfiction marathon of the idfa audience awards highestrated films is perfect for both night owls and timezonechangeinduced insomniacs and if you can make it till 9am there s breakfast ryoji ikeda  datamatics  ver20  this one s a bit of a headscratcher but stopping by the eye filmmuseum amsterdam s stunning arthouse archive on the river ij is always worth the visit and artist ryoji ikeda who uses mathematics quantum mechanics computer data sound and light to make his breathtaking minimalist audiovisual art seems the perfect excuse american dharma  doc talk this one s also a nobrainer errol morris will be in attendance to discuss what he s called his horror film a portrait of the ultranationalist strategist steve bannon hungary 2018  doc talk another chilling doc talk filmmaker eszter hajdu followed the campaigns of viktor orban and his fidesz party versus former prime minister ferenc gyurcsany and his proeuropean leftwing party as they battled it out in the last presidential election this screening of the doc that emerged  hungary 2018  includes a chat with both hajdu and the exprime minister himself the panama papers  doc talk the latest from alex winter  deep web  follows the journalists who brought to light the titular leaked documents chronicling the dubious financial dealings of the global elite and on hand to discuss all the shady shenanigans will be both the film  s director as well as the intrepid reporters responsible for those revelations queer day  jonathan agassi saved my life  doc talk tomer heymann s doc about gay israeli porn star jonathan agassi includes a postscreening discussion with the director and his xrated subject it s all within walking distance of the city s infamous red light district doclab expo humanoid cookbook the theme of this year s always mindblowing idfa doclab is a restaurant for digital art on the menu will be 30plus interactive docs culinary performances and interactive experiments involving human behavior and tech doclab live events and doclab interactive dinners  a unique series of popup dinner parties combining amazing food with immersive theatre artificial intelligence and interactive storytelling are sure to leave even the most crossmedia hungry sated source film maker mag  ', 0),
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(113, 'en', 'node_search', ' netflix put a movie in theaters good luck finding it netflix put a movie in theaters good luck finding it netflix put a movie in theaters good luck finding it ffproadmin thu 11152018 1517 https static01nytcom images 20181115 arts 15netflixtheaters1 merlin1464969724120a716115e4283b16b58adaae0e281art breaking with its longheld position netflix announced in late october that it would begin releasing select movies in theaters before making them available on its streaming platform rather than on the same day but for  the ballad of buster scruggs  the new film from the coen brothers and the first title netflix is distributing this way the exclusive theatrical release was something of a mirage in the united states the movie played in just three cities new york los angeles and san francisco at a landmark theater in each and for just four days nov 8 through 11 rather than a standard week announced a little more than a week in advance the nov 8 theatrical release moved up from a simultaneous streamingandtheaters opening on nov 16 was not welladvertised on twitter moviegoers complained that the film was showing only in small auditoriums  after the opening weekend anyone looking to see the film between monday and thursday this week would have been out of luck on friday the coens film will reopen in a handful of theaters on the same day it begins streaming on netflix as for how many tickets were sold last week netflix in keeping with its past practice has not released information on box office grosses adding to the confusion the film opened on a thursday not a friday when most films are released domestically jared gores a podcaster and a documentary producer in the san francisco bay area had read the news of the sudden theatrical release but still thought the coens film was opening on friday at the embarcadero center cinema in san francisco to buy a ticket for a different movie that wednesday he happened to see that buster scruggs was listed as opening the next day it was kind of a coincidence that i happened to be looking at the right time to catch it gores said he added though that he doesn t have an issue with netflix they ve put money behind stuff that probably wouldn t get made in the first place he said to some  like the new york times s awards columnist  kyle buchanan netflix s newfound attention to theatrical distribution is a smokescreen a case of creating the appearance of an interest in theaters in order to keep a coming release alfonso cuaron s muchanticipated roma in the oscar race academy voters have so far been skeptical of rewarding netflix titles in three years of competing the company has had only one featurelength movie the documentary icarus take home a statue roma scheduled to open nov 21 will pose the next test of the sincerity of netflix s interest in theaters and also of the limitations of its release plan major chains including amc and regal have said they will not screen netflix movies as long as the company makes them available for streaming within 90 days of their theatrical release netflix has said it will release roma theatrically in more than 20 countries though the number of theaters is still unknown netflix did not respond to questions for this article the company has also said it plans presentations of roma in the rarely used 70millimeter format  a lavish and unusual treatment for a movie that was shot digitally but the number of theaters available for such presentations is limited in new york for instance 70millimeter showings of dunkirk and phantom thread played at the amc loews lincoln square but amc theaters are out in this case the alamo drafthouse chain which does not have a netflix ban will not screen roma at its 70millimetercapable downtown brooklyn theater the chain s founder tim league said in a statement that it wouldn t be showing the movie because of a variety of circumstances that include prior commitments to other studio partners he added that he was hoping to offer select screenings of the film at other locations after thanksgiving two december openings mowgli legend of the jungle a new movie version of rudyard kipling s jungle book stories with a cast that includes benedict cumberbatch and cate blanchett and bird box a thriller starring sandra bullock will also test netflix s commitment to theaters traditionally they would open in thousands of theaters not three the comedian dan telfer who also saw buster scruggs last week and recommended to others on twitter that they do the same found his exhortation was met with bafflement people hadn t realized the movie had opened my take was that they had no plan and threw this together at the last minute he said of the screening he attended in los angeles it felt like it should have been an event and wasn t telfer had a headsup on the release that most moviegoers did not a friend of his the actress thea lux had a bit part in the movie and didn t know if she had made the final cut he accompanied her and her husband to the screening seeing his friend who is indeed in the film freaking out during the screening was not an experience that would have felt as meaningful in front of a television the cool part for me was well even if it turns out she s not in this scene i m getting a rare glimpse into something that i feel like was meant to be seen in a theater he said source ny times  ', 0),
(114, 'en', 'node_search', ' paul thomas anderson nolan dicaprio and more write letter to save filmstruck paul thomas anderson nolan dicaprio and more write letter to save filmstruck paul thomas anderson nolan dicaprio and more write letter to save filmstruck ffproadmin thu 11152018 1523 https wwwindiewirecom wpcontent uploads 201809 screenshot20180914at94621ampng w 780 paul thomas anderson and christopher nolan have officially joined the fight to save filmstruck  the directors joined leonardo dicaprio and other top filmmakers such as alejandro gonzalez inarritu rian johnson karyn kusama and damien chazelle among others to write and sign a letter sent to warner bros pictures group chairman toby emmerich asking for warnermedia to reconsider the decision to pull the plug on filmstruck on november 29 the filmstruck service was is the best streaming service for fans of cinema of all kinds classic studio movies independent cinema international treasures the letter reads without it the landscape for film fans and students of cinema is especially bleak there s a reason there was a huge outpouring from artists and fans over it being shuttered they were doing the movie god s work  read more  filmstruck shutting down in november while emmerich did not have a say in filmstruck s cancellation which the letter states the group of actors and filmmakers are hoping that by appealing to the warner bros executive they ll at least get a step closer to showing warnermedia how important filmstruck is to cinephiles all over the world actor bill hader and filmmakers guillermo del toro barry jenkins and edgar wright have been outspoken for weeks about trying to save filmstruck and they all included their signatures on the letter in an era of huge corporate acquisitions of cinema by communication companies in a business that may render billions of dollars off a medium like cinema we believe this is a gesture that is needed the letter states a minuscule show of goodwill towards the preservation and accessibility of a tradition and a rich history that would benefit the public the letter arrives in the wake of a viral online petition  entitled keep filmstruck alive which launched shortly after news broke of filmstruck s demise on october 26 the petition has amassed over 50000 signatures and counting filmstruck launched october 19 2016 as an online streaming hub for classic cinema art house titles and foreign films the website was best known as being the exclusive home for the criterion collection the official signees include paul thomas anderson ana lily amirpour james brolin damien chazelle alfonso cuaron guillermo del toro leonardo dicaprio james gray alejandro gonzalez inarritu bill hader karyn kusama barry jenkins rian johnson christopher mcquarrie reed morano christopher nolan and emma thomas gina princebythewood barbara streisand and edgar wright source indiewire  ', 0),
(115, 'en', 'node_search', ' filmstruck shutting down in november filmstruck shutting down in november filmstruck shutting down in november thu 11152018 1531 https wwwindiewirecom wpcontent uploads 201610 filmstruck2jpg w 780 warnermedia has announced filmstruck  the streaming service for foreign cinema and classic film is ceasing operations november 29 2018 turner and warner bros digital networks issued a joint statement today announcing the end of filmstruck the service launched october 19 2016 we re incredibly proud of the creativity and innovations produced by the talented and dedicated teams who worked on filmstruck over the past two years the statement reads while filmstruck has a very loyal fanbase it remains largely a niche service we plan to take key learnings from filmstruck to help shape future business decisions in the directtoconsumer space and redirect this investment back into our collective portfolios filmstruck is best known as the exclusive streaming home for the criterion collection  which was previously available to stream on hulu in addition to streaming films filmstruck also produced original content featuring director s commentary and series such as film historian david bordwell s observations on film art when the service launched two years ago it was touted as containing the largest streaming library of contemporary and classic arthouse indie foreign and cult films in the weeks ahead we ll keep you informed about the great programming you can watch on the criterion channel before it shuts down on november 29 said a statement from the criterion collection and we ll be trying to find ways we can bring our library and original content back to the digital space as soon as possible thanks to everyone who enjoyed filmstruck and we hope you ll join us as we look forward to what the future brings the closing of filmstruck is the latest development in the warnerat t merger earlier this month the company announced the closing of super deluxe a digital content production studio and dramafever a streaming service specializing in korean dramas and other asian programming warnermedia boss john stankey announced the company will throw down the gauntlet against disney and digital competitors with a new directtoconsumer streaming service launching by the end of 2019 the new streaming service is expected to draw from the media company s broad collection of films television shows animation and its library source indiewire  ', 0),
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(175, 'en', 'node_search', ' sundance film festival unveils 2019 features lineup sundance film festival unveils 2019 features lineup sundance film festival unveils 2019 features lineup ffproadmin thu 11292018 1500 https pmcvarietyfileswordpresscom 201811 bundyjpg w 1000 h 562 crop 1 it s not even december and the sundance film festival has announced more or less its entire feature film lineup unveiling 112 films to be screened in park city utah over the course of the event which runs from jan 23 feb 2 2019 last year the venice film festival invited just one woman director to screen her film in competition cannes carved out room for three sundance once again puts these maledominated showcases to shame unveiling a competition slate that is 53 female nine of the 17 directors eligible for the festival s top prize are women examining the lineup as a whole 45 of the 112 features accepted to sundance were directed by one or more women 40 were directed by a filmmaker of color and 15 by people who identify as lgbtqia that s just one of the many ways in which north america s leading independent film festival continues to lead the charge when it comes to the inclusion and encouragement of underrepresented voices we re always going for parity but because of the way we program we re looking for the films before we are who made them so that kind of comes in the finetuning of the program and it s always amazing when it comes out that way said kim yutani  who was promoted to director of programming for this edition following trevor groth s exit this year it was completely organic different people are telling stories and i think that is indicative of the time we are living in right now  related gucci how eighth grade got their catch phrase arrow nabs lords of chaos for uk black metal movie set for early 2019 us release exclusive   when asked why sundance fares so much better than venice in this regard festival director john cooper jokes you would have to ask venice explaining that auteurdriven festivals those who program films by more established directorial voices reflect the historic barriers to entry for women at sundance we are all about discovery the venice competition rarely includes firsttime filmmakers so with that alone you re getting into different percentages as you go back in years worth noting the lone woman director in venice s competition was australian helmer jennifer kent  whose debut feature the babadook premiered at sundance in 2014 her new movie the nightingale will have its north american premiere in sundance s spotlight section more significant still 45 of the features screening in park city were made by firsttime directors there s more new faces cooper said predicting i think it s going to be vital to the culture and more exhilarating in the discovery in order to make sense of those figures sundance also shares the statistics behind the films that were submitted whereas toronto which boasted 35 women directors in 2018 does not divulge information on the films it rejects sundance received a record high number of submissions this year 4018 featurelength films among an overall pool of 14259 which includes shorts episodic and lesstraditional work among the features received the majority 2251 were international 35 were directed by one or more women 45 directed by filmmakers of color and 13 by people who identify as lgbtqia indicating that the selections reflect the distribution of filmmakers submitting fairly closely with a slightly higher percentage of women accepted one thing the numbers don t tell and which audiences critics and the industry will have to discover for themselves when they see the lineup in january is the more nuanced sense of how this year s stories differ from those sundance has spotlighted before according to yutani that s the direct result of changes to the programming team with the goal being to assemble a team of people who have different perspectives she said we all have different things that we gravitate to or look for in films and that s what brings our program to a really interesting place if you go down each of the sections there are so many different kinds of voices and that reflects who is choosing the films in the us dramatic competition audiences will find women directors telling men s stories as in alma har el s honey boy being shia labeouf  s unclearhowautobiographical tale of a child actor s strained relationship with his father a role shia plays himself and male directors telling female stories such as body image dramedy brittany runs a marathon or gook director justin chon s second feature ms purple many of the competition stories feature nonwhite protagonists from modernday richard wright adaptation native son to julius onah s luce about a white couple who adopt a former african child soldier blockers scenestealer geraldine viswanathan stars in minhal baig s muslimamerican comingofager hala while mixedrace newcomer rhianne barreto carries pippa bianco s topical share one of three a24 releases in competition this one about a cheerleader troubled by a video that goes viral after a party where she blacked out according to cooper the common thread in this year s lineup is the whole notion of empowerment of rising to the challenge and the role truth plays in that although most of this year s selections aren t overtly political apart from such clear exceptions as petra costa s untitled brazilian impeachment doc matt tyrnauer s where s my roy cohn and grassroots election doc knock down the house cooper identified a recurring theme of overcoming disenfranchisement and outsiders immigrants finding their voices i think maybe that s a reaction to the time we live in a time when you feel a little powerless or overburdened by what going on in the world he said one other trend that yutani wanted to accentuate was the payoff to a slowbutsteady effort to attract strong international films for the festival s global competition categories something yutani described as a personal goal since she started as a features programmer at sundance 10 years ago we ve really achieved something special this year she said it s a combination of filmmakers who are known on the international film festival circuit people like joanna hogg and gabriel mascaro and johannes nyholm but also films that are pure discovery like our day one film the last tree so while quality is any festival s first concern to some extent inclusion is a deliberate initiative at sundance that s especially true at the level of the nonprofit sundance institute which operates the festival and whose yearround programs filmmaker labs fellowships and mentorship programs are designed to encourage female youth and native storytellers still when it comes to selecting films to screen in park city the festival has a different challenge from studios producers and the parties that greenlight movies in the first place we only show the films that were made cooper said we re not making films or telling people how to put together their teams and if there appear to be a disproportionate number of hbo or netflixproduced films in this year s lineup a bynowstandard criticism cooper explained that it s essentially a testament to those companies policies of supporting visionary films from diverse voices we re curators we help films find audiences but we re only as good as what is submitted he said source variety festival tag sundance film festival ', 0),
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(199, 'en', 'node_search', ' el paseo cruise night el paseo cruise night mon 12032018 1442 the cool shiny lovingly caredfor classic cars begin arriving around 315 pm at the upper level of the parking structure behind the gardens on el paseo get a closeup look at these beauties and talk to the owners before they take over cruising el paseo from 4 to 6 pm event start date fri 1042019 1200 event end date fri 1042019 1200 event location palm springs united states event gps point 11651196 3382321 event website http wwwelpaseocruisenightcom calendarhtml ', 0),
(200, 'en', 'node_search', ' palm desert livewell festival palm desert livewell festival ffproadmin mon 12032018 1503 join us for the desert s largest health wellness event the 3rd annual livewell festival is an allinclusive mindbodyspirit wellness festival that highlights the desert s top local health and wellness businesses through fun educational and interactive demonstrations the whole family can enjoy event start date sat 1052019 1200 event end date sat 1052019 1200 event location palm springs united states event gps point 11651196 3382321 event website https livewellfestivalorg  ', 0),
(201, 'en', 'node_search', ' lone scherfig s the kindness of strangers to open the berlinale lone scherfig s the kindness of strangers to open the berlinale lone scherfig s the kindness of strangers to open the berlinale ffproadmin fri 12072018 1219 https cineuropaorg imgcache 2018120615441031053410620x04351549259162227jpg the 69th  berlin international film festival  has announced its opening film the world premiere of  lone scherfig  s latest film  the kindness of strangers  will open the event programme on 7 february participating in the international competition the kindness of strangers  formerly known as  secrets of the russian tea room  read the  news  is a contemporary drama following a disparate ensemble of characters all struggling to survive a new york city winter in their own way who find laughter love and kindness in each other starring  zoe kazan   tahar rahim   andrea riseborough and  caleb landry jones  with  jay baruchel  and  bill nighy  the englishlanguage drama was written by lone scherfig herself and was filmed in toronto copenhagen and new york  the kindness of strangers  is a production between denmark  creative alliance  and canada strada films with the participation of the  danish film institute  and telefilm canada danmarks radio ontario creates  copenhagen film fund   swedish film institute   nordisk film tv fond  entertainment one and ingenious senior film fund apollo media in coproduction with sweden s  unlimited stories  germany s nadcon and france s d artagnan  film i vast   wdr   arte  grand accord and  arte france cinema  the film is being sold worldwide by  hanway films  backed by ingenious media and apollo media scherfig is no stranger to the berlinale she presented  the birthday trip  in the panorama section in 1990 and  on our own  in the kinderfilmfest now known as generation in 1998 her breakthrough film was  italian for beginners  a dogme film which won the jury prize silver bear in 2001 later on she presented  wilbur wants to kill himself  as a special screening and  an education  in the berlinale special section in 2009 before receiving three nominations for the academy awards her latest european productions  the riot club  and  their finest  premiered at toronto lone scherfig s feel for characters strong emotions and subtle humour promises a wonderful start to the festival said  dieter kosslick  for whom this 69th edition 717 february will be his last as festival director source cineuropa festival tag berlinale ', 0),
(202, 'en', 'node_search', ' test broadcast test broadcast testing tue 1222019 712  ', 0),
(203, 'en', 'node_search', ' sbiff full lineup sbiff full lineup ffproadmin sat 2022019 157 festival news the santa barbara international film festival sbiff presented by ugg announced today the highly anticipated lineup for the 34 th edition which will run january 30 to february 9 2019 the festival will feature 63 world premieres and 59 us premieres from 48 countries along with tributes with the year s top talent panel discussions and free community education and outreach programs sbiff s executive director roger durling stated this morning after the tragedy last year in santa barbara we questioned whether to go ahead with last year s festival but we came to realize the importance of film as a way for people to gather in an equalitarian way to reflect feel and simply experience art together sbiff is an event that brings together a plethora of visitors international national and local filmmakers oscar contenders vital educational programs we have entered this year with a renewed sense of purpose and continuity with the festival and understand more than ever the important role we play in the community as such we have chosen to bookend our festival with two films about iconic people and places in santa barbara to highlight the resilience vitality and the talent within the santa barbara community photo credits getty images for sbiff opening night sbiff 2019 will start with the opening night film presented by ugg on wednesday january 30 at the historic arlington theatre with the world premiere of diving deep the life and times of mike degruy directed by mimi degruy diving deep the life and times of mike degruy is a feature film documentary about mike degruy an irrepressible biologist turned awardwinning filmmaker who swam dived and filmed in oceans around the world and in the process became the first to film many rarely seen creatures in their own oceans he was also a passionate advocate of the ocean s creatures and became increasingly outspoken as an environmental activist in 2012 degruy died tragically in a helicopter crash in australia while filming for director james cameron told through the eyes of mimi degruy his wife and filmmaking partner  diving deep the life and times of mike degruy celebrates degruy s remarkable life career and what he passionately believed we are destroying the ocean before we even know what s there following the film the opening night gala sponsored by amazon studios will take place in the beautiful outdoor paseo nuevo shops and restaurants in downtown santa barbara it will feature entertainment food libations and a chance to celebrate the start of sbiff closing night the festival will close saturday february 9 at the arlington theatre with the world premiere of spoons  a santa barbara story directed by wyatt daily the closing night film is sponsored by winchester mystery house spoons a santa barbara story is an exploration of how one of the most significant corners of the world produced and continues to produce some of the most talented surfers and innovators deeper than all is a story of craftsmanship work ethic renegades and tradition this is a film that goes beyond the time spent in the ocean to define how one spends a lifetime following the film sbiff will end with a final celebration at the closing night party sponsored by amazon studios the tributes sbiff has become an important showcase for academy award frontrunners many of whom have arrived as nominees and gone on to win the oscar the 34th sbiff proudly celebrates some of the year s finest work in film the outstanding directors of the year award sponsored by the hollywood reporter will be thursday january 31 at 800pm honorees to be announced the outstanding performer of the year award will be friday february 1 at 800pm honoree to be announced  viggo mortensen will receive the american riviera award on saturday february 2 at 300pm  glenn close will receive the maltin modern master award moderated by longtime friend film historian and award namesake leonard maltin on saturday february 2 at 800pm  melissa mccarthy will receive the montecito award sponsored by bella vista designs o n sunday february 3 at 800pm the variety artisans award s sponsored by variety will take place on monday february 4 at 800pm and will be moderated by tim gray honorees to be announced the virtuosos award presented by ugg will be awarded to yalitza aparicio   roma   sam elliott   a star is born   elsie fisher   eighth grade   claire foy   first man   richard e grant   can you ever forgive me    thomasin mckenzie   leave no trace   john david washington   blackkklansman  and steven yeun   burning  on tuesday february 5 at 800pm moderated by dave karger  michael b jordan will receive the cinema vanguard award presented by belvedere vodka on thursday february 7 at 800pm all tributes take place at the historic arlington theatre with the exception of the variety artisans award which will be at the lobero theatre presented by toyota mirai  the panels sbiff has become renowned for creating smart insightful panels that feature a who s who in the world of filmmaking including many oscar contenders producers panel will be on saturday february 2 at 1000am moderated by glenn whipp writers panel will be on saturday february 2 at 100pm moderated by anne thompson women s panel will be on sunday february 3 at 1100am moderated by madelyn hammond all panels take place at the lobero theatre presented by toyota mirai panelists to be announced educational programs and free screenings mike s field trip to the movies  named for renowned nature cinematographer mike degruy mike s field trip to the movies uses filmmaking to stimulate creative confident and culturally aware thinkers the program is offered to 4000 4 th 5 th and 6 th grade students from throughout santa barbara county and sbiff provides free transportation to students from title i schools this year sbiff is thrilled to present two critically acclaimed films  spiderman into the spiderverse with directors peter ramsey robert persichetti jr rodney rothman and ralph breaks the internet with directors rich moore and phil johnston the directors will participate in a q a following the screenings with the students to discuss the craft of animated filmmaking sponsored by montecito bank trust patagonia union bank bentson foundation and volentine family foundation student film studies program  returning for its fifth year thanks to the generosity of lynda weinman and bruce heavin the national student film studies program will bring 30 undergraduate film students from across the country for a threeday symposium with a focus on film appreciation criticism and analysis sixty college students in santa barbara have the opportunity to take an 11day film festival course through santa barbara city college applebox family films  sbiff will again screen animated feature frontrunners free to families on the weekends of the festival with complimentary popcorn and refreshments this year s screenings will include spiderman into the spiderverse  1000am on february 2  ralph breaks the internet  1000am on february 3 and incredibles 2  1000am on february 9 sponsored by metropolitan theatres 101010 student screenwriting and filmmaking mentorship and competition  in october 20 high school and college screenwriters and filmmakers were accepted after a competitive application process before beginning a series of workshops a table read and a casting day since then the ten writer director teams and their crews have worked with industry mentors to produce short films that will be screened on saturday february 9 at 200pm at the arlington theatre with an announcement of the winning scripts and films following the screening sponsored by final draft inc and generously supported by mary beth riordan free public screenings  sbiff will again offer critically acclaimed film screenings free to the public at the lobero theatre presented by toyota mirai everyday throughout the festival filmmaker seminars  sbiff will again present educational seminars that will be free to the public and will take place in the festival pavilion daily at 1100am filmmaker seminars are sponsored by driscoll s super silent sunday  on sunday february 3 sbiff will pres ent the 1927 influential german sciencefiction film metropolis at the arlington theatre completely free to the public  live accompaniment will be provided by adam aceto on the theatre s wonder morton pipe organ super silent sunday is sponsored by winchester mystery house youth cinemedia   sbiff presents a documentary film series produced entirely by teens involved in the youth cinemedia program striving to help children transition away from gang life drugs and alcohol and into college and careers in music photography and video production the organization offers creative tools training and support for underprivileged and at risk teens free to the public with q a following on saturday february 9 focus on santa barbara santa barbara filmmakers  the santa barbara filmmaking community continues to captivate and inspire audiences with this year s impressive lineup santa barbara filmmakers provide a diverse thought provoking series of features and shorts the stand up award sponsored by adl  the santa barbara tri counties region of the anti defamation league will be sponsoring and presenting the  adl stand up award  to a dramatic film in the festival that represents an important addition to the efforts of the adl to secure justice and fair treatment for all  the tribute awards were once again specially designed by santa barbara s own daniel gibbings jewelry the award is inspired by the iconic steeple of santa barbara s historic arlington theatre is handcrafted in metal and is 24 karat gold plated with a custom marble base 34th festival poster unveiled  barbara boros has designed the sbiff poster each year for 16 years this year highlighting butterfly beach official festival hub  the official festival hub will again be located at hotel santa barbara returning for their 16 th year as supporters of sbiff 2019 films below is the list of feature and short films at the 2019 sbiff for the complete list of films synopses and other special events please visit wwwsbifforg  20 world premiere feature films  listed alphabetically  babysplitters usa world premiere directed by sam friedlander better together usa world premiere directed by isaac hern a ndez the bird catcher norway uk world premiere directed by ross clarke cemetery park usa world premiere directed by brandon alvis diving deep the life and times of mike degruy usa world premiere directed by mimi degruy enormous the gorge story usa world premiere directed by nic davis find your groove usa world premiere directed by michael kirk guest artist usa world premiere directed by timothy busfield ham on rye usa world premiere directed by tyler taormina here and now aqui y ahora costa rica world premiere directed by paz leon loopers the caddie s long walk usa world premiere directed by jason baffa making apes the artists who changed film usa world premiere directed by william conlin the map to paradise australia world premiere directed by danielle ryan and james sherwood ordinary gods usa world premiere directed by pascui rivas peel usa world premiere directed by rafael monserrate quiet storm usa world premiere directed by johnny sweet silent forests usa world premiere directed by mariah wilson spoons a santa barbara story usa world premiere directed by wyatt daily working man usa world premiere directed by robert jury zulu summer south africa usa world premiere directed by joseph litzinger and eric michael schrader 51 us premiere feature films  listed alphabetically  alone at my wedding seule a mon mariage belgium us premiere directed by marta bergman ama uk us premiere directed by lorna tucker angel face gueule d ange france us premiere directed by vanessa filho the apollo of gaza l apollon de gaza switzerland canada us premiere directed by nicolas wadimoff belmonte uruguay spain mexico us premiere directed by federico veiroj betrayal traicion mexico us premiere directed by ignacio ortiz cruz break recreo argentina us premiere directed by hernan guerschuny and jazmin stuart breaking habits usa us premiere directed by robert ryan celeste australia us premiere directed by ben hackworth crystal swan khrustal belarus us premiere directed by darya zhuk the dead and the others chuva e cantoria na aldeia dos mortos brazil portugal us premiere directed by joao salaviza and renee nader messora emma peeters canada belgium us premiere directed by nicole palo ether eter poland hungary lithuania ukraine italy us premiere directed by krzysztof zanussi fine lines hong kong us premiere directed by dina khreino fly by night fei chang dao malaysia us premiere directed by zahir omar freaks usa us premiere directed by adam stein and zach lipovsky helmet heads cascos indomables chile costa rica us premiere directed by neto villalobos here and now israel us premiere directed by roman shumunov holy tour la grande messe belgium france us premiere directed by meryl fortunatrossi and valery rosier i act i am igram sem slovenia us premiere directed by miroslav mandic joel argentina us premiere directed by carlos sorin jose guatemala usa us premiere directed by li cheng journey to a mother s room viaje al cuarto de una madre spain us premiere directed by celia rico clavellino king bibi the life and performances of benjamin netanyahu israel usa us premiere directed by dan shadur land of hope oma maa finland us premiere directed by markku polonen land of my children im land meiner kinder germany switzerland us premiere directed by dario aguirre the laps tasmania australia us premiere directed by dustin hollick and angie davis les dames ladies switzerland us premiere directed by stephanie chuat and veronique reymond metal heart ireland us premiere directed by hugh o conor murderous trance aka the guardian angel finland us premiere directed by arto halonen my own good il bene mio italy us premiere directed by pippo mezzapesa nose to tail canada us premiere directed by jesse zigelstein not quite adults tampoco tan grandes argentina us premiere directed by federico sosa pause pafsi cyprus us premiere directed by tonia mishiali phoenix foniks norway us premiere directed by camilla strom henriksen private album israel us premiere directed by kobi farag prosecuting evil the extraordinary world of ben ferencz canada us premiere directed by barry avrich put grandma in the freezer metti la nonna in freezer italy us premiere directed by giancarlo fontana and giuseppe stasi a seed for change greece us premiere directed by alexandros ikonomidis s i ren s call son cikis turkey us premiere directed by ramin matin tell it to the bees usa us premiere directed by annabel jankel two times you dos veces tu mexico us premiere directed by salomon askenazi ulysses mona france us premiere directed by sebastien betbeder the unorthodox habilti rishmi im israel us premiere directed by eliran malka van goghs van gogi latvia us premiere directed by sergey livnev virgin and extra the land of olive oil jaen virgen y extra spain us premiere directed by jose luis lopez linares what have we done to deserve this womit haben wir das verdient austria us premiere directed by eva spreitzhofer wherever you are ovunque proteggimi italy us premiere directed by bonifacio angius wild kids israel us premiere directed by tal pesses with the wind le vent tourne switzerland france us premiere directed by bettina oberli the young fan il ragazzo piu felice del mondo italy us premiere directed by gianni pacinotti gipi  2019 sbiff feature films  nonpremieres listed alphabetically  afterward usa directed by ofra bloch amazing grace usa directed by sydney pollack completed by alan elliott angel un ange belgium netherlands senegal directed by koen mortier anthropocene the human epoch canada directed by jennifer baichwal nicholas de pencier and edward burtynsky as needed quanto basta italy brazil directed by francesco falaschi ash is purest white jiang hu er nv china directed by jia zhangke between the lines usa world premiere restoration directed by joan micklin silver the biggest little farm usa directed by john chester carmen y lola spain directed by arantxa echevarria carmine street guitars canada directed by ron mann cassandro the exotico france directed by marie losier champions campeones spain directed by javier fesser david crosby remember my name usa directed by aj eaton echo in the canyon usa directed by andrew slater the factory zavod russia france armenia directed by yury bykov fire on the hill the cowboys of south central la usa directed by brett fallentine gatao 2 rise of the king taiwan directed by yen chengkuo harvest season usa directed by bernardo ruiz the heat a kitchen r evolution canada directed by maya gallus hugh hefner s after dark speaking out in america canada directed by brigitte berman i used to be normal a boyband fangirl story australia usa directed by jessica leski incredibles 2 usa directed by brad bird inside lehman brothers canada directed by jennifer deschamps laila at the bridge canada afghanistan directed by elizabeth mirzaei and gulistan mirzaei the last prosecco finche c e prosecco c e speranza italy directed by antonio padovan light in the water usa directed by lis bartlett maya france directed by mia hansenlove mouthpiece canada directed by patricia rozema outdoors bayit bagalil israel directed by asaf saban the parting glass canada usa directed by stephen moyer ralph breaks the internet usa directed by phil johnston and rich moore shadow china directed by zhang yimou sharkwater extinction canada directed by rob stewart spiderman into the spiderverse usa directed by bob persichetti peter ramsey and rodney rothman stockholm canada sweden usa directed by robert budreau take it or leave it vota voi jata estonia directed by liina trishkinavanhatalo the third wife vietnam directed by ash mayfair this changes everything usa directed by tom donahue a thousand miles behind usa directed by nathan wetherington too beautiful our right to fight usa directed by maceo frost transit germany france directed by christian petzold unsettling uk israel directed by iris zaki winter flies vsechno bude czech republic directed by olmo omerzu 2019 sbiff shorts  listed alphabetically  42 world premieres and 8 us premieres 1 in 100000 usa world premiere directed by benjamin yates 805 strong usa produced by ellie vargas accident ongelukje netherlands us premiere directed by david cocheret ah gong grandpa taiwan world premiere directed by clifford miu big data l1zy usa directed by brandon laganke and john carlucci the bird the whale ireland us premiere directed by carol freeman birth of a movement usa world premiere directed by paul lynch black lips australia directed by adrian chiarella buzzer usa world premiere directed by albert birney cc canada directed by kailey spear and sam spear the cheshire cat inn usa directed by joshua sechrist the clinic usa world premiere directed by elivia shaw a cohort of guests usa world premiere directed by todd sandler cruisin santa barbara usa world premiere directed by justin gunn damage usa world premiere directed by matt porter definition of resilience usa world premiere directed by alexis sallee and tomas karmelo dream girl usa world premiere directed by ryan slattery and andrea sanchez duel of the hearts usa world premiere directed by harrison derbyshire dust devil australia directed by poppy walker esfuerzo usa directed by alana maiello ezk beyond the walls ezk audela des murs france world premiere directed by shawn pyfrom the fallen tree usa directed by drew hodges fathom usa directed by alessio morello forgotten usa world premiere directed by daniel soares from water to wind usa world premiere directed by casey mcgarry the garden is singing ganna walska lotusland usa world premiere directed by karen kasaba guns found here usa directed by david freid henrietta bulkowski usa world premiere directed by rachel johnson hidden blueprints the story of mikey usa directed by jeremy lee mackenzie holding usa directed by jesse turk and jon zucker inanimate uk directed by lucia bulgheroni inlove france directed by les freres lopez jack usa world premiere directed by nick paonessa john van hamersveld crazy world ain t it usa world premiere directed by dave tourje jump australia us premiere directed by ryan o kane and james conwaylaw last day of school paskutinis skambutis usa lithuania us premiere directed by gabriele urbonaite the last harvest usa world premiere directed by alexis spraic love is never wasted usa directed by nathanael matanick the mayor usa world premiere directed by taylor horky mitya s love mitina lyubov russia us premiere directed by svetlana filippova moose usa world premiere directed by jonah ansell my brother amal amali bram norway us premiere directed christopher wollebekk my moon usa directed by eusong lee near miss usa directed by josh berry no traveler returns d ou nul ne revient usa ivory coast world premiere directed by ellie foumbi nothing ever good happens in a parking garage usa world premiere directed by mike winger november 1st uk world premiere directed by charlie manton opening the earth the potato king peru usa world premiere directed by eric ebner and aaron ebner our last trash usa directed by joanne yue reboot usa directed by ellen osborne return native american women reclaim foodways for health and spirit usa directed by karen cantor reverence curtain call iran world premiere directed by sogol rezvani the running man of pasadena usa world premiere directed by brett nicoletti the salty generations usa directed by shaun wolfe and shelby oliver the sea ranch architecture environment and idealism usa directed by peter samis second unit a mockumentary usa directed ankush khemani secret times belarus uk world premiere directed by montanah blue selling lies usa directed by leslie iwerks set on intent usa world premiere directed by tate larrick silence sunyi usa world premiere directed by riani singgih spin usa world premiere directed by marielle woods start with half usa world premiere directed by nathaniel katzman stunning usa sweden directed by gustav hogmo tala uk world premiere directed by missy malek this side has dreams too usa world premiere directed by spencer rabin tino usa world premiere directed by robin hauser too many bodies usa directed by reena dutt trail heads usa world premiere directed by dani rodriguez treat yourself usa directed by nathan leonard trial by fire usa world premiere directed by alex astrella true love true crime on an american bus usa directed by nicholas coles tweettweet russia directed by zhanna bekmambetova vaca spain us premiere directed by marta bayarri the video shop usa world premiere directed by isaac seigelboettner we are love usa world premiere directed by nick lentz white guys solve sexism usa directed by christopher guerrero who you are usa world premiere directed by joel jay blacker you say hello usa world premiere directed by lovell holder you think you can t dance usa world premiere directed by kumkum bhavnani zombie debt usa world premiere directed by ashly blodgett nd independent films every day  ', 0),
(204, 'en', 'node_search', ' opening night sbiff 2019 opening night sbiff 2019 ffproadmin sat 2022019 203 festival news opening night of santa barbara international film festival 2019 filmfestivals tonight the 34th annual santa barbara international film festival officially opened with an enormously emotional celebration and screening for diving deep the life and times of mike degruy  director and wife mimi de gruy introduced the screening alongside her below the line team and children max and francis who teach her everyday and let her tell and craft this story mimi degruy also gave a nod to roger durling executive director of sbiff for continuing to lead the festival with global outreach while keeping it to its roots diving deep mimi degruy is a feature film documentary about mike degruy an irrepressible biologist turned awardwinning filmmaker who swam dived and filmed in oceans around the world and in the process became the first to film many rarely seen creatures in their own oceans he was also a passionate advocate of the ocean s creatures and became increasingly outspoken as an environmental activist in 2012 degruy died tragically in a helicopter crash in australia while filming for director james cameron told through the eyes of mimi degruy his wife and filmmaking partner diving deep the life and times of mike degruy celebrates degruy s remarkable life career and what he passionately believed we are destroying the ocean before we even know what s there a great thanks to all sbiff the sponsors and ugg photo credit mimi degruy and sbiff director roger durling attend the opening night film diving deep the life and times of mike degruy during 34th santa barbara international film festival at arlington theatre on january 31 2019 in santa barbara california photo by emma mcintyre getty images for sbiff you and a guest are cordially invited to watch the ambiance from the opening gala  ', 0),
(205, 'en', 'node_search', ' sbiff 2019 opening film sbiff 2019 opening film ffproadmin sat 2022019 209 festival news   diving deep the life and times of mike degruy opening night film and world premiere at sbiff 2019 watch the stage introduction by roger durling and mimi degruy a nd watch the trailer photo credits getty images for sbiff  ', 0),
(206, 'en', 'node_search', ' roger durling kicks off sbiff 2019 roger durling kicks off sbiff 2019 ffproadmin sat 2022019 212 festival news roger durling recalls his debut and quoted ernest hemingway from a farewell to arms a beautiful quote roger loves the world breaks everyone and afterward many are strong at the broken places but those that will not break it kills it kills the very good and the very gentle and the very brave impartially if you are none of these you can be sure it will kill you too but there will be no special hurry  photo credit  getty images for sbiff  ', 0),
(207, 'en', 'node_search', ' outstanding directors awards in santa barbara outstanding directors awards in santa barbara ffproadmin sat 2022019 214 awards festival news directors of the year award sponsored by the hollywood reporter honorees  roma  s  alfonso cuaron   the favourite  s  yorgos lanthimos   blackkklansman  s  spike lee   vice  s  adam mckay  and  cold war  s  pawel pawlikowski location the arlington theatre 615 pm media check in 645 pm red carpet opens festival tag santa barbara international film festival people tag adam mckay spike lee film tag vice blackkklansman ', 0),
(208, 'en', 'node_search', ' sbiff 2019 reel nature sidebar sbiff 2019 reel nature sidebar ffproadmin sat 2022019 216 festival news santa barbara international film festival  sbiff 2019 reel nature sidebar films sponsored by toyota mirai  anthropocene  the biggest little farm the map to paradise sharkwater extinction silent forests view the full schedule at  http schedulesbifforg  or download the sbiff official app get film tickets at  http giveboxcom 1035   ', 0),
(209, 'en', 'node_search', ' awards festival news directors of the year sbiff 2019 directors of the year award in santa barbara to alfonso cuaron yorgos lanthimos spike lee adam mckay and pawel pawlikowski the 34 th annual santa barbara international film festival sbiff welcomed this year s five academy award nominees for best director  alfonso cuaron  roma  yorgos lanthimos  the favourite  spike lee  blackkklansman  adam mckay  vice and  pawel pawlikowski  cold war each participated in a oneonone interview with the hollywood reporter s awards columnist scott feinberg followed by a group discussion and a special presentation for the 2019 outstanding directors of the year award this lineup in front of you is without a doubt a freaking amazing lineup of risk taking push envelope take no prisoners group of artists roger durling executive director of sbiff told the audience when he took the stage at the arlington theatre at the end of the program to present the five nominees with the 2019 outstanding directors of the year award you five make a case for cinema as art he continued although i wish there were women included amongst you i cherish and celebrate that all of you together is the best fuck you trump artistic line up you have a greek director you have a polish director you have a mexican director you have a black director and you have a director that is willing to make a biting political satire we need your voices more than ever we don t need a freaking wall durling s sentiments including his comment about the wall were received enthusiastically by the audience during the group discussion that preceded the awards presentation all five directors were effusive with their praise of not only each other s films but also the films of other peers that had not received the same level of attention when asked by feinberg to identify a worthy undertheradar film from the past year mckay pawlikowski and lanthimos all selected films directed by women mckay recommended debra granik s leave no trace he told feinberg i love movies that get into a subculture and a world you don t know about i just thought that there was a rawness and an openness to that movie that just blew me away pawlikowski and lanthimos both recommended alice rohrwacher s happy as lazzaro noted pawlikowski she has a poetry all of her own and it s a lovely story it s neither realist or fantasy lanthimos also recommended lucretia martel s zama which he described as a period film which is completely surreal at the same time in addition to the outstanding directors of the year award program and presentation sbiff s daytime programming offered festivalgoers a number of events and screenings featuring some of this year s most celebrated filmmakers and performers the morning included a screening of the biggest little farm by emmy award winning documentary director and writer  john chester  which follows his and his wife molly s journey as they trade city life to start their own farm on a stretch of depleted soil outside los angeles the documentary chronicles their efforts for more than eight years in this sweeping epic of twists and turns related to the creation of apricot lane farms in a q a moderated by durling john shared with the audience where it was that he drew inspiration from it came down to a quote by wendell berry he said it all turns on affection and it just means that it can all change when we love something when questioned about the filmmaking process particularly about the eight years of filming and having gathered more than 90 terabytes of footage john answered as a filmmaker i believe it s about content you just have to get what you can get in the moment and a lot of it was on the fly nature is a juxtaposition of good and bad and i think the film represents that in the early afternoon the festival hosted a special screening of spider man into the spiderverse as part of the educational initiative mike s field trip to the movie s  named for renowned nature cinematographer mike degruy mike s field trip to the movies uses filmmaking to stimulate creative confident and culturally aware thinkers the program is offered to 4000 4th 5th and 6th grade students from throughout santa barbara county and sbiff provides free transportation to students from title i schools sponsors include the montecito bank trust patagonia union bank bentson foundation and volentine family foundation the screening of spider man into the spiderverse was followed by a q a with two of the film s directors  bob persichetti  and  peter ramsey  and one of the biggest questions that came up during the discussion was whether or not fans could expect a sequel both directors hinted at the possibility telling the crowd we think so the festival also hosted a special screening of roma which was followed by a q a with cuaron and actress  yalitza aparicio  aparicio earned an academy award nomination for her work in the film making her the first indigenous mexican actress nominee cuaron explained his unusual approach to making the film to the crowd admitting that having less control gave him more creative freedom i needed to push my boundaries and do something i didn t know how to do he said i had to give up control and that was exciting at the end of the q a aparicio was presented with the festival s virtuosos award for her groundbreaking performance she thanked sbiff telling the crowd cinema has the power to break barriers and inspire love courage and hope i m honored to be here  ', 0),
(210, 'en', 'node_search', ' robert redford launches sundance 2019 robert redford launches sundance 2019 sat 2022019 224 festival news  i think we re at a point now where i can move on i don t think the festival needs an introduction now robert redford sundance has officially begun my name is cameron lui i will be filmfestivalscom s sundance correspondent this year this year is packed with exciting films and projects to start we have julianne moore and michelle williams headlining  after the wedding  followed by  apollo 11 native son  and  give me liberty  all should be strong entries i will be able to catch 12 of them tonight so stay tuned for reviews festival tag sundance film festival ', 0);
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(211, 'en', 'node_search', '  native son review  native son review ffproadmin sat 2022019 235 film review what a jawdropping way to begin the festival the tension in the room could be felt from the jump and persisted to an abysmal halt every little choice was made to be unexpected first time director rashid johnson absolutely fucked shit up as artists are supposed to as he said in his closing remarks during the q a session this film took a classic novel and perverted some of it s most crucial scenes in such a way that left the audience pondering the arbitrary stereotypes that seem to guide our daily lives the film begins with a heavy statement from the lead bigger played by ashton sanders who may just blow up after this performance that acts almost like the stories overarching thesis essentially bigger states boldly that he doesn t want to be just another cliche a black man caught up in a petty liquor store robbery interestingly enough bigger decides to do the opposite of his novel counterpart and takes the higher road however what happens when society is designed for you to fail what happens when you make the right choices and those right choices lead you astray well what happens is rashid johnson s take on native son suzanlori parks a writer on the rise that we should all be paying attention to stated in the q a that it wasn t until big started playing by the rules that the shit went down and the film is just that a man doomed to fail ultimately the strength in this film is its ability to keep its audience on their heals everything from large plot points to idiosyncracies within the performances is meant to be the opposite of what you expect rather than obsessing over hiphop big listens to punk and classical instead of robbing a liquor store big gets a job as a driver for a wealthy white man rather than chasing the forbidden fruit big holds his head up high and stays focused on his one true love this film is everything you don t expect yet still finds itself in the same predicament we come to expect meet rashid johnson director of native son playing in the us dramatic competition at the 2019 sundance film festival written by cameron lui  ', 0),
(212, 'en', 'node_search', '  velvet buzzsaw sundance premiere  velvet buzzsaw sundance premiere ffproadmin sat 2022019 238 festival news uninspired a total lack of originality derivative void of spiritual awareness these are only a few of the harsh critiques that gyllenhaal fires off as he moves briskly from scene to scene emoting in such a way that we have not seen from the nightcrawler actor dan gilroy and jake gyllenhaal reunite for a brutally comedic satire on the world of fine art they cover art s destructive nature the celebration of disturbing artists the impossibility of separating the artist from the art and the consequences of monetization all while visually stimulating the audience with out of this world hallucinations gyllenhaal plays morf vandewalt a passionate bisexual art critic that can t help but deliver his opinion on everything from a classic freud to the quality of a man s coffin his critiques are brutally honest and his moral compass is consistent he articulates with a briskness that a refined art critic would be proud of once again he proves that he is one of the premier actors in hollywood the film makes you question the validity of opinion but shows the intricate difference between taste and bullshit it brings to light just how important critics are to the world of art a bad review can utterly devastate the hard work that is poured into a piece while a glowing review can fuel a career gilroy shows us just how much artists thirst for this validation not just for personal gratification but for economic security this toxicity surely should not go unpunished the cast of the film should be enough to convince any cinephile to give it a chance and the execution will surely please the supporting cast includes powerful performances from zawe ashton rene russo john malkovich daveed diggs and toni collette together they string a thrilling web of despair and pretentious anxiety art gallery oners glide between characters as the audience naturally connects their relationships to each other every actor blends perfectly into the world of fine art through performance they satirize the world without outright disrespecting it which can be a difficult niche to find they seem to do so successfully by being innocently unaware of their absurdities creating an irony that lasts from beginning to end they re intertwined lives stir up enough drama to fill a feature yet that is not all there is to the film the plot unfolds dualistically on one hand you get a deep dive into their entangled history with each other while on the other you re senses are viscously attacked by surreal circumstances never does one supersede the other both aspects of the film live amongst each other complementing their respective progressions every aspect is connected abstractly giving the viewer a feeling of elation throughout the surreal intrusions blend with the anxieties of the subjects in such a way that leaves you floating through the story until you reach its bitter conclusion of all the films i ve seen so far this one is by far the best please do not go and watch the trailer it gives up most of the secrets in the movie i had no idea what to expect going in and i came out elated and refreshed i just took a peek at the trailer and it is sure to dampen your experience the film will fortunately be released in a couple days on netflix watch it right away then watch it again written by cameron lui  ', 0),
(213, 'en', 'node_search', ' sbiff opening night film sbiff opening night film ffproadmin sat 2022019 253 photo credit getty images short post type festival festival tag santa barbara international film festival ', 0),
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(219, 'en', 'node_search', ' sbiff opening night and day one sbiff opening night and day one sbiff opening night and day one ffproadmin sat 2022019 331 https independentmediaclientsellingtoncmscom img photos 201901311091606262t958jpg fef15e12b784e9bbb22bf3f2924819218cda3d1a a year ago the santa barbara international film festival sbiff landed in a moment of community crisis opening just a few weeks after the january 9 montecito mudslide horror ultimately the festival succeeded in providing a soothing balm and sense of civic solidarity capped off by a closing night of all local films source independent festival tag santa barbara international film festival ', 0),
(220, 'en', 'node_search', ' day 2 directors uncut day 2 directors uncut day 2 directors uncut ffproadmin sat 2022019 332 https independentmediaclientsellingtoncmscom img photos 20190201 sbiffjulia1t958jpg fef15e12b784e9bbb22bf3f2924819218cda3d1a all due respect to the actors being feted at sbiff but 2019 may be a year when the brighter spotlight shines on star directors or at least that was the salient impression last night when the arlington stage virtually bowed under artistic weight of its outstanding directors tribute the oscarnominated ensemble in question alfonso cuaron yorgos lanthimos spike lee adam mckay and pawel pawlikowski source independent festival tag santa barbara international film festival ', 0),
(221, 'en', 'node_search', ' mimi degruy s diving deep film about late husband opens santa barbara film festival mimi degruy s diving deep film about late husband opens santa barbara film festival mimi degruy s diving deep film about late husband opens santa barbara film fe  ffproadmin sat 2022019 334 https wwwnoozhawkcom images uploads 1000012719filmfestposter1bhjpg the 2019 santa barbara international film festival is back for its 34th year and it s expected to draw a plethora of moviegoers area filmmakers and a showcase of academy award contenders a vast array of films from around the globe will make their worldwide premiere at the 1½week festival which opens wednesday and continues through feb 9 at venues around santa barbara the highly anticipated festival will debut 63 world premieres and 59 us premieres from more than 40 countries along with panel discussions recognition to this year s talent and free community education and outreach programs source noozhawk festival tag santa barbara international film festival ', 0),
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(226, 'en', 'node_search', ' director shelton jackson   spike   lee  born march 20 1957 is an american film director producer writer and actor his production company 40 acres and a mule filmworks has produced over 35 films since 1983 he made his directorial debut with she s gotta have it  1986 and has since directed such films as do the right thing  1989  malcolm x  1992  the original kings of comedy  2000  25th hour  2002  inside man  2006  chiraq  2015 and blackkklansman  2018 lee has also acted in 10 of his own films lee s films have examined race relations colorism in the black community the role of media in contemporary life urban crime and poverty and other political issues he has won numerous accolades for his work including five academy award nominations a student academy award and an academy honorary award from the academy of motion picture arts and sciences two emmy awards two peabody awards an honorary bafta award an honorary cesar the 2013 gish prize and a grand prix award  ', 0),
(227, 'en', 'node_search', ' director adam mckay born april 17 1968 is an american screenwriter director comedian and actor mckay has a comedy partnership with will ferrell with whom he cowrote the films anchorman talladega nights and the other guys ferrell and mckay also founded their comedy website funny or die through their production company gary sanchez productions he has been married to shira piven since 1999 they have two children  ', 0),
(228, 'en', 'node_search', ' sbiff rami malek the outstanding performer of the year award sbiff rami malek the outstanding performer of the year award sat 2022019 1208 scheduled start fri 2012019 2000 schedule item type meeting public event on  ', 0),
(229, 'en', 'node_search', ' rescheduled sbiff glenn close maltin modern master award rescheduled sbiff glenn close maltin modern master award sat 2022019 1225 scheduled start sun 2032019 2000 schedule item type presentation public event on  ', 0),
(230, 'en', 'node_search', ' sbiff viggo mortensen american riviera award sbiff viggo mortensen american riviera award sat 2022019 1329 scheduled start sat 2022019 1500 schedule item type presentation public event on  ', 0),
(231, 'en', 'node_search', ' rami malek on working with disgraced director bryan singer rami malek on working with disgraced director bryan singer rami malek on working with disgraced director bryan singer ffproadmin sun 2032019 551 https mediapopculturecom 201902 ramimalekgetty20054329640x320jpeg rami malek opened up about his experience working with accused sexual abuser  bryan singer on bohemian rhapsody  singer was fired by the film s studio twentieth century fox in december 2017 when production of the film was nearing completion due to his unexpected unavailability malek said during an appearance at the santa barbara that while he can t talk much about the production he describes working with the man as not pleasant source popculture festival tag santa barbara international film festival ', 0),
(232, 'en', 'node_search', '  little monsters review from sundance  little monsters review from sundance test user sun 2032019 623 film review in a festival full of artistically layered and creatively structured films abe forsythe s little monsters stands out by telling a classic threeact narrative with predictable beats that lead to an ending we ve all seen before usually that would not be a compliment in my book however this film executes it s save the cat style story to perfection it gives the audience everything they want in a film it is chockfull of humor that has the crowd boisterous throughout mixed with gruesome violence love and despair it does not try to torture your soul instead it aims to please and entertain which it does quite well the story follows dave played by alexander england a hapless stoner recently dumped by his neurotic girlfriend because of his refusal to give up the past and his fear of having a child the man is addicted to video games and pornography with absolutely no direction until he meets miss caroline played by lupita nyong o while dropping off his nephew at kindergarten in a vain attempt to attain her attention he volunteers to chaperone a field trip where chaos ensues when zombies yes zombies invade their excursion nyong o of course delivers a showstopping performance it s hard to tell this was her first attempt at comedy the film puts her wit on full display as she holds her own amongst seasoned comedians she utilizes her awardwinning acting skills to carry a narrative on her back that could easily be a joke at a festival like sundance she controls the energy of every scene and does something not many females do in this genre she keeps the men in check lupita is surrounded by outrageously hilarious comedians alexander england s ability to morph into a total dunce allows the audience to laugh at what they ought not to be meanwhile josh gad plays a disturbingly illwilled children s television character that rapidly fires off improvised insult after insult in the direction of anyone in the same frame as him the comedic chemistry between gad and england is electric they have a plethora of gutbusting scenes together which energy gets balanced out by nyong o s hardnosed straight man performance in the q a nyong o spoke on how truly hard it was to play the straight man during the most outrageous scenes i can only imagine how difficult it was given how no one in the audience managed to hold a straight face for longer than a beat leaving the venue had unparalleled energy there is something about a wellexecuted threeact structure that really appeals to mass audiences in film school they drill this approach into filmmakers to the point that the more artistically inclined seem to really want to escape the form you can really see this effect in most of the sundance films a lot of the filmmakers actively try to disguise their structure in a way that feels more authentic or artistic this film however fully embraces the classical form it does so quite successfully it has everything you would expect from a mainstream box office film it has violence a get the girl throughline a wellplaced call to action a clear second act turning point and a convenient conclusion it does so not in a way that feels stale but in a way that somehow still feels refreshing this ultimately comes down to the filmmaker s decision to hand over the keys to lupita nyong o and the enduringness of the children s innocence the best factor of the entire film is the irony built around children s innocence too often do we want to shelter children from the brutal truth of the world in the face of flesheating zombies miss caroline protects the children s innocence by playing them their favorite taylor swift song on her ukulele she tells them they are simply in a fun game and that the invasion is all part of the planned field trip the question arises of how healthy it truly is to keep children away from the brutal realities of the world the theme of the film really came to light in the q a when josh gad gave the audience a powerful closing statement he said that too often do we treat ourselves like children hiding from the monsters that live in our society he brought up his close friend jussie smollett who had been viciously attacked by racist maga supporters earlier that day he reminded the audience that we cannot hide when incidences like his happen we must face our fears and openly talk about the monsters that live in our world or they will never be conquered eventually that is what the characters had to do face their fears in order to escape the grasp of evil festival tag sundance film festival ', 0),
(233, 'en', 'node_search', ' berlinale talents 2019 dedicated to the theme mistakes  berlinale talents 2019 dedicated to the theme mistakes ffproadmin sun 2032019 731 festival news dedicated to the theme mistakes the approximately 100 workshops talks and film screenings at berlinale talents  february 914 will not only spotlight the productive handling of mistakes and minor catastrophes but also focus on the deliberate decision to do things wrong as an aesthetic experiment a creative force of renewal and a wilful rebellion of art against the norm the official program at the hau hebbel am ufer invites renowned festival guests jury members as well as international film experts among them charlotte rampling roberto saviano david lowery tendo nagenda  vp of original film at netflix the indie adult filmmaker erika lust  the golden bear winner adina pintilie  the oscar contender guy nattiv and many more to engage with the berlin audience berlinale talents will once again present current trends and discourse also from inside the different fields of work including the sound designer peter albrechtsen and foley artist heikki kossi  who bring sound for documentary films to life using real props or the puppet and prop builder simon weiße who presents his miniature work for wes anderson films both wednesday interdisciplinarity remains a core theme of berlinale talents  when the cinematographer editor and production designer of the new series m a city searches for a murderer provide insights into their collaboration and experts from the un to the mayor of skid row try to come up with alternate histories to counter the mainstream narrative in a  live world building session  both on monday  research methods  monday and interview conducting techniques  tuesday for fiction and documentary films are as much part of the program as interactive web series from the lebanon  monday in addition to its 25 public talks berlinale talents offers alumni screenings of systemsprenger  system crasher  competition   chao  landless  forum   knives and skin   generation   buoyancy and screening shorts   generation and berlinale shorts films followed by q a s with the respective alumni festival tag berlinale ', 0),
(234, 'en', 'node_search', ' sundance clemency filmmaker chinonye chukwu is first black woman to win biggest prize sundance clemency filmmaker chinonye chukwu is first black woman to win biggest prize sundance clemency filmmaker chinonye chukwu is first black woman to win bigg  ffproadmin sun 2032019 753 https wwwindiewirecom wpcontent uploads 201902 shutterstock10074962ljpg she joins desiree akhavan ryan coogler damien chazelle rebecca miller and many more as winning the grand jury prize for their us dramatic entries source indiewire festival tag sundance film festival ', 0),
(235, 'en', 'node_search', ' sundance film review the lodge  sundance film review the lodge  sundance film review the lodge  sun 2032019 907 https pmcvarietyfileswordpresscom 201901 thelodgejpg disharmony between two newly motherless kids and their stepmomtobe gets scary in this englishlanguage chiller from the makers of austrian goodnight mommy  source variety festival tag sundance film festival ', 0),
(236, 'en', 'node_search', ' sundance closing ceremony sundance closing ceremony mon 2042019 422 awards festival news festival tag sundance film festival ', 0),
(237, 'en', 'node_search', ' viggo mortensen american riviera award viggo mortensen american riviera award mon 2042019 435  ', 0),
(238, 'en', 'node_search', ' actor viggo peter mortensen jr is a danishamerican actor producer author musician director photographer poet and painter he is the recipient of various accolades including a screen actors guild award and has been nominated for three academy awards three bafta awards and four golden globe awards  ', 0),
(239, 'en', 'node_search', ' viggo mortensen and ed harris sbiff 2019 viggo mortensen and ed harris sbiff 2019 mon 2042019 458  ', 0),
(240, 'en', 'node_search', ' test full page test full page film news from around the world variety sundance film review the lodge  indiewire sundance clemency filmmaker chinonye chukwu is first black woman to win bigg  popculture rami malek on working with disgraced director bryan singer noozhawk mimi degruy s diving deep film about late husband opens santa barbara film fe  independent day 2 directors uncut independent sbiff opening night and day one cineuropa lone scherfig s the kindness of strangers to open the berlinale variety sundance film festival unveils 2019 features lineup venture beat crow the legend interview taking vr entertainment to the next level variety stockholm festival winners jasmin mozaffari crystal moselle talk about next pr  indiewire filmstruck shutting down in november indiewire paul thomas anderson nolan dicaprio and more write letter to save filmstruck pagination page 1 sponsored links the bulletin board  the bulletin board blog  partner festivals calling now  call for entry channel    film showcase  curated section the best for fests breaking news goodbye withoutabox meet our fest partners direct reporting from    palm springs film festival   sundance   kustendorf   santa barbara film festival sbiff   berlin   fantasporto advertised links binaryoptions business coaching   bonus casino   casinovergelijkernet casino films   casinorella casivo  festival offers led lights   live casino mobicasinos new slot sites online casino royal panda ticket deals   wwwvoordeelcasinocom cinema gear canon sony  live feed viggo mortensen and ed harris sbiff 2019 credit getty images viggo mortensen american riviera award credit getty images opening night sbiff 2019 credit getty images sbiff 2019 opening film credit getty images opening night sbiff 2019 credit getty images sbiff opening night credit getty images recent stories 1 sundance closing ceremony 2 berlinale talents 2019 dedicated to the theme mistakes  3  little monsters review from sundance 4  velvet buzzsaw sundance premiere 5  native son review 6 robert redford launches sundance 2019 people viggo mortensen adam mckay spike lee debra granik tilda swinton festival highlights santa barbara international film festival santa barbara international film festival santa barbara international film festival uk film festival uk film festival uk film festival sundance film festival sundance film festival sundance film festival torino film festival torino film festival torino film festival torino film festival afi fest afi fest afi fest afi fest afi fest stockholm film festival stockholm film festival stockholm film festival thessaloniki int film festival thessaloniki int film festival viennale viennale viennale american film market american film market american film market american film market deauville american film festival deauville american film festival deauville american film festival deauville american film festival sydney film festival sydney film festival sydney film festival toronto int film festival toronto int film festival toronto int film festival sxsw film festival sxsw film festival sxsw film festival bfi london film festival bfi london film festival bfi london film festival bfi london film festival la film festival la film festival la film festival tribeca film festival tribeca film festival tribeca film festival tribeca film festival dubai international film festival dubai international film festival dubai international film festival dubai international film festival new york film festival new york film festival new york film festival berlinale berlinale berlinale berlinale mostra internazionale d arte cinematografica mostra internazionale d arte cinematografica video trailer wall trailer blackkklansman trailer vice trailer loopers the caddie s long walk trailer manta ray trailer the crossing trailer end zeit ever after trailer in my room trailer the quake trailer woman at war trailer aniara trailer tel aviv on fire trailer memories of my body pagination current page 1 page 2 page 3 page 4 page 5 next page next  last page last  mon 2042019 632  ', 0),
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(243, 'en', 'node_search', ' https lrmonlinecom news sbiffinterviews1  https lrmonlinecom news sbiffinterviews1  red carpet interviews at rami malek tribute event mon 2042019 1545 https lrmonlinecom file 201902 sbiffsantabarbarafilmfestivallogojpg source lrm online festival tag santa barbara international film festival people tag vanessa filho ', 0);

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('africa', 203, 'en', 'node_search', 1.13632),
('african', 29, 'en', 'node_search', 0.225186),
('african', 91, 'en', 'node_search', 2),
('african', 175, 'en', 'node_search', 0.474499),
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('after', 232, 'en', 'node_search', 0.716357),
('after', 240, 'en', 'node_search', 7.11637),
('aftermetoo', 41, 'en', 'node_search', 0.584241),
('afternoon', 209, 'en', 'node_search', 0.559882),
('afterparty', 101, 'en', 'node_search', 3.82747),
('afterward', 203, 'en', 'node_search', 0.84506),
('afterward', 206, 'en', 'node_search', 1),
('afterwards', 38, 'en', 'node_search', 1),
('again', 20, 'en', 'node_search', 0.993146),
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('again', 212, 'en', 'node_search', 1.55348),
('again', 233, 'en', 'node_search', 1),
('against', 29, 'en', 'node_search', 1.82379),
('against', 33, 'en', 'node_search', 0.882559),
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('against', 47, 'en', 'node_search', 1),
('against', 97, 'en', 'node_search', 1),
('against', 115, 'en', 'node_search', 0.76188),
('against', 233, 'en', 'node_search', 1),
('agassi', 101, 'en', 'node_search', 4.05637),
('age', 21, 'en', 'node_search', 0.934703),
('age', 29, 'en', 'node_search', 0.174396),
('age', 31, 'en', 'node_search', 0.822065),
('age', 97, 'en', 'node_search', 1),
('agency', 42, 'en', 'node_search', 0.613969),
('ago', 23, 'en', 'node_search', 1),
('ago', 41, 'en', 'node_search', 0.774192),
('ago', 93, 'en', 'node_search', 0.863659),
('ago', 115, 'en', 'node_search', 0.949597),
('ago', 175, 'en', 'node_search', 0.399972),
('ago', 219, 'en', 'node_search', 1),
('agree', 33, 'en', 'node_search', 0.739215),
('agreed', 31, 'en', 'node_search', 0.857458),
('agreement', 33, 'en', 'node_search', 0.70594),
('agrees', 25, 'en', 'node_search', 1),
('aguirre', 203, 'en', 'node_search', 0.240263),
('ahead', 29, 'en', 'node_search', 0.342767),
('ahead', 33, 'en', 'node_search', 0.620288),
('ahead', 115, 'en', 'node_search', 0.913226),
('ahead', 203, 'en', 'node_search', 1),
('ahora', 203, 'en', 'node_search', 1.19179),
('aid', 29, 'en', 'node_search', 0.805455),
('aidc', 33, 'en', 'node_search', 0.394827),
('aimed', 42, 'en', 'node_search', 1.08555),
('aims', 33, 'en', 'node_search', 0.426419),
('aims', 232, 'en', 'node_search', 1),
('ain', 203, 'en', 'node_search', 0.672625),
('aires', 80, 'en', 'node_search', 1),
('aka', 203, 'en', 'node_search', 0.944101),
('akhavan', 234, 'en', 'node_search', 19),
('alain', 52, 'en', 'node_search', 1),
('alamo', 113, 'en', 'node_search', 0.581429),
('alan', 203, 'en', 'node_search', 0.209886),
('alana', 203, 'en', 'node_search', 0.174165),
('alba', 49, 'en', 'node_search', 1),
('albert', 203, 'en', 'node_search', 0.179041),
('albrechtsen', 233, 'en', 'node_search', 3.9235),
('album', 203, 'en', 'node_search', 0.917743),
('alcatraz', 21, 'en', 'node_search', 1),
('alcohol', 203, 'en', 'node_search', 0.348491),
('aldeia', 203, 'en', 'node_search', 1.05966),
('alejandro', 22, 'en', 'node_search', 0.989021),
('alejandro', 114, 'en', 'node_search', 1.67794),
('alessio', 203, 'en', 'node_search', 0.172564),
('alex', 31, 'en', 'node_search', 1),
('alex', 101, 'en', 'node_search', 0.539902),
('alex', 203, 'en', 'node_search', 0.154449),
('alexander', 232, 'en', 'node_search', 1.76676),
('alexandre', 44, 'en', 'node_search', 1),
('alexandros', 203, 'en', 'node_search', 0.225186),
('alexis', 203, 'en', 'node_search', 0.343468),
('alfonso', 18, 'en', 'node_search', 2),
('alfonso', 113, 'en', 'node_search', 0.7017),
('alfonso', 114, 'en', 'node_search', 0.683725),
('alfonso', 207, 'en', 'node_search', 4),
('alfonso', 209, 'en', 'node_search', 23),
('alfonso', 220, 'en', 'node_search', 1),
('alfred', 60, 'en', 'node_search', 1),
('alice', 23, 'en', 'node_search', 0.863659),
('alice', 209, 'en', 'node_search', 0.771698),
('alien', 60, 'en', 'node_search', 1),
('aligned', 33, 'en', 'node_search', 0.446681),
('alike', 40, 'en', 'node_search', 0.942091),
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('alive', 18, 'en', 'node_search', 1),
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('all', 175, 'en', 'node_search', 1.26273),
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('all', 232, 'en', 'node_search', 1.51469),
('alleged', 38, 'en', 'node_search', 1),
('allegory', 23, 'en', 'node_search', 0.997306),
('allgirl', 68, 'en', 'node_search', 1),
('alliance', 201, 'en', 'node_search', 11),
('allinclusive', 200, 'en', 'node_search', 1),
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('allows', 29, 'en', 'node_search', 0.445866),
('allows', 232, 'en', 'node_search', 0.754681),
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('almost', 19, 'en', 'node_search', 1),
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('almost', 39, 'en', 'node_search', 1),
('almost', 93, 'en', 'node_search', 0.580033),
('almost', 211, 'en', 'node_search', 1),
('alone', 175, 'en', 'node_search', 0.705825),
('alone', 203, 'en', 'node_search', 1.12865),
('alonethat', 29, 'en', 'node_search', 0.25022),
('along', 29, 'en', 'node_search', 1.11187),
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('along', 221, 'en', 'node_search', 1),
('alongside', 204, 'en', 'node_search', 1),
('alphabetically', 203, 'en', 'node_search', 0.987814),
('already', 29, 'en', 'node_search', 0.687549),
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('also', 31, 'en', 'node_search', 1.63476),
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('also', 90, 'en', 'node_search', 0.766757),
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('also', 203, 'en', 'node_search', 0.805455),
('also', 204, 'en', 'node_search', 2),
('also', 209, 'en', 'node_search', 2.09587),
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('also', 233, 'en', 'node_search', 2),
('alternate', 233, 'en', 'node_search', 0.819249),
('alternative', 32, 'en', 'node_search', 4),
('although', 24, 'en', 'node_search', 1),
('although', 29, 'en', 'node_search', 1.18372),
('although', 175, 'en', 'node_search', 0.44024),
('although', 209, 'en', 'node_search', 1),
('altman', 64, 'en', 'node_search', 1),
('alumna', 73, 'en', 'node_search', 1),
('alumni', 90, 'en', 'node_search', 1.64431),
('alumni', 233, 'en', 'node_search', 1.45972),
('alvarez', 60, 'en', 'node_search', 0.942091),
('alvis', 203, 'en', 'node_search', 0.305234),
('always', 24, 'en', 'node_search', 1),
('always', 29, 'en', 'node_search', 2.59913),
('always', 40, 'en', 'node_search', 1),
('always', 101, 'en', 'node_search', 1.1023),
('always', 175, 'en', 'node_search', 1.86697),
('ama', 203, 'en', 'node_search', 1.11858),
('amal', 203, 'en', 'node_search', 0.661256),
('amali', 203, 'en', 'node_search', 0.660843),
('amanda', 41, 'en', 'node_search', 0.562486),
('amanda', 55, 'en', 'node_search', 1),
('amani', 99, 'en', 'node_search', 0.645209),
('amaro', 42, 'en', 'node_search', 0.580033),
('amassed', 114, 'en', 'node_search', 0.736141),
('amazing', 29, 'en', 'node_search', 0.564566),
('amazing', 93, 'en', 'node_search', 0.491762),
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('amazing', 101, 'en', 'node_search', 0.465433),
('amazing', 175, 'en', 'node_search', 0.909743),
('amazing', 203, 'en', 'node_search', 0.842983),
('amazing', 209, 'en', 'node_search', 1),
('amazon', 203, 'en', 'node_search', 1.31778),
('ambiance', 204, 'en', 'node_search', 0.833529),
('ambitious', 119, 'en', 'node_search', 0.920273),
('ambivalence', 72, 'en', 'node_search', 1),
('amc', 113, 'en', 'node_search', 1.80715),
('america', 29, 'en', 'node_search', 0.697276),
('america', 31, 'en', 'node_search', 1),
('america', 40, 'en', 'node_search', 0.899454),
('america', 58, 'en', 'node_search', 1),
('america', 101, 'en', 'node_search', 4.98474),
('america', 175, 'en', 'node_search', 1),
('america', 203, 'en', 'node_search', 0.782312),
('americajpg', 101, 'en', 'node_search', 1),
('american', 21, 'en', 'node_search', 1),
('american', 22, 'en', 'node_search', 1),
('american', 26, 'en', 'node_search', 70.6931),
('american', 27, 'en', 'node_search', 1),
('american', 28, 'en', 'node_search', 1),
('american', 29, 'en', 'node_search', 0.795692),
('american', 34, 'en', 'node_search', 1),
('american', 41, 'en', 'node_search', 0.636679),
('american', 47, 'en', 'node_search', 1),
('american', 55, 'en', 'node_search', 1),
('american', 59, 'en', 'node_search', 2),
('american', 84, 'en', 'node_search', 1),
('american', 93, 'en', 'node_search', 42.6372),
('american', 101, 'en', 'node_search', 4.14993),
('american', 119, 'en', 'node_search', 1),
('american', 175, 'en', 'node_search', 0.664818),
('american', 203, 'en', 'node_search', 1.82795),
('american', 226, 'en', 'node_search', 1),
('american', 227, 'en', 'node_search', 1),
('american', 230, 'en', 'node_search', 27),
('american', 237, 'en', 'node_search', 27),
('american', 240, 'en', 'node_search', 70.2741),
('americans', 93, 'en', 'node_search', 0.510357),
('americans', 119, 'en', 'node_search', 0.989021),
('americathey', 29, 'en', 'node_search', 0.399321),
('américa', 31, 'en', 'node_search', 5.04973),
('amidst', 15, 'en', 'node_search', 1),
('amirpour', 114, 'en', 'node_search', 0.689612),
('amma', 41, 'en', 'node_search', 0.554747),
('amnesia', 48, 'en', 'node_search', 1),
('among', 91, 'en', 'node_search', 0.980874),
('among', 97, 'en', 'node_search', 1.78434),
('among', 99, 'en', 'node_search', 0.615536),
('among', 114, 'en', 'node_search', 1),
('among', 175, 'en', 'node_search', 1.19167),
('among', 233, 'en', 'node_search', 1);
INSERT INTO `search_index` (`word`, `sid`, `langcode`, `type`, `score`) VALUES
('amongst', 209, 'en', 'node_search', 1),
('amongst', 212, 'en', 'node_search', 0.63333),
('amongst', 232, 'en', 'node_search', 0.839384),
('amount', 29, 'en', 'node_search', 0.560592),
('amount', 90, 'en', 'node_search', 1.48909),
('amounted', 42, 'en', 'node_search', 1),
('amsterdam', 101, 'en', 'node_search', 1.62674),
('amuli', 91, 'en', 'node_search', 0.873132),
('ana', 114, 'en', 'node_search', 0.693594),
('anahita', 77, 'en', 'node_search', 1),
('analog', 58, 'en', 'node_search', 1),
('analysis', 203, 'en', 'node_search', 0.405928),
('anamika', 97, 'en', 'node_search', 1.59192),
('anarchic', 23, 'en', 'node_search', 0.934703),
('anarchistic', 29, 'en', 'node_search', 0.163273),
('anatol', 97, 'en', 'node_search', 0.681785),
('ancestral', 85, 'en', 'node_search', 1),
('anchor', 29, 'en', 'node_search', 0.169019),
('anchored', 94, 'en', 'node_search', 1),
('anchorman', 227, 'en', 'node_search', 1),
('and', 13, 'en', 'node_search', 5),
('and', 14, 'en', 'node_search', 1),
('and', 15, 'en', 'node_search', 1),
('and', 16, 'en', 'node_search', 7),
('and', 17, 'en', 'node_search', 3),
('and', 18, 'en', 'node_search', 9),
('and', 19, 'en', 'node_search', 5),
('and', 20, 'en', 'node_search', 8.74674),
('and', 21, 'en', 'node_search', 5.84793),
('and', 22, 'en', 'node_search', 7.73687),
('and', 23, 'en', 'node_search', 6.75167),
('and', 24, 'en', 'node_search', 6.80999),
('and', 25, 'en', 'node_search', 6.75803),
('and', 26, 'en', 'node_search', 30.9504),
('and', 27, 'en', 'node_search', 2),
('and', 29, 'en', 'node_search', 65.5324),
('and', 31, 'en', 'node_search', 19.1006),
('and', 32, 'en', 'node_search', 37.8575),
('and', 33, 'en', 'node_search', 26.8154),
('and', 34, 'en', 'node_search', 1),
('and', 36, 'en', 'node_search', 1),
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('and', 38, 'en', 'node_search', 3),
('and', 39, 'en', 'node_search', 12.2587),
('and', 40, 'en', 'node_search', 8.8419),
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('and', 42, 'en', 'node_search', 16.5856),
('and', 44, 'en', 'node_search', 1),
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('and', 46, 'en', 'node_search', 3),
('and', 47, 'en', 'node_search', 8.97685),
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('and', 68, 'en', 'node_search', 2),
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('and', 83, 'en', 'node_search', 2),
('and', 84, 'en', 'node_search', 8.88466),
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('and', 90, 'en', 'node_search', 12.6646),
('and', 91, 'en', 'node_search', 9.77066),
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('and', 93, 'en', 'node_search', 59.3549),
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('and', 95, 'en', 'node_search', 9.91753),
('and', 96, 'en', 'node_search', 1),
('and', 97, 'en', 'node_search', 4.21393),
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('and', 114, 'en', 'node_search', 51.9989),
('and', 115, 'en', 'node_search', 13.4587),
('and', 119, 'en', 'node_search', 7.92743),
('and', 175, 'en', 'node_search', 13.1993),
('and', 199, 'en', 'node_search', 1),
('and', 200, 'en', 'node_search', 2),
('and', 201, 'en', 'node_search', 13.8743),
('and', 203, 'en', 'node_search', 58.7945),
('and', 204, 'en', 'node_search', 26.3456),
('and', 205, 'en', 'node_search', 3),
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('and', 211, 'en', 'node_search', 6.29431),
('and', 212, 'en', 'node_search', 8.60828),
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('and', 220, 'en', 'node_search', 1),
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('and', 233, 'en', 'node_search', 16.6896),
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('believe', 29, 'en', 'node_search', 1.12622),
('believe', 114, 'en', 'node_search', 0.819249),
('believe', 209, 'en', 'node_search', 0.577261),
('believed', 203, 'en', 'node_search', 0.731649),
('believed', 204, 'en', 'node_search', 0.931053),
('believes', 29, 'en', 'node_search', 0.22479),
('bell', 16, 'en', 'node_search', 4),
('bell', 20, 'en', 'node_search', 1),
('bell', 41, 'en', 'node_search', 0.822065),
('bell', 49, 'en', 'node_search', 0.993146),
('bella', 203, 'en', 'node_search', 0.544759),
('belle', 39, 'en', 'node_search', 0.771698),
('bellinger', 29, 'en', 'node_search', 1),
('belmonte', 203, 'en', 'node_search', 1.0978),
('belonging', 99, 'en', 'node_search', 0.781775),
('beloved', 16, 'en', 'node_search', 1),
('beloved', 18, 'en', 'node_search', 1),
('beloved', 41, 'en', 'node_search', 1),
('below', 33, 'en', 'node_search', 0.381945),
('below', 203, 'en', 'node_search', 0.315677),
('below', 204, 'en', 'node_search', 1),
('belvedere', 203, 'en', 'node_search', 0.488796),
('ben', 24, 'en', 'node_search', 0.892724),
('ben', 90, 'en', 'node_search', 0.808176),
('ben', 203, 'en', 'node_search', 1.18112),
('bench', 33, 'en', 'node_search', 0.500884),
('bene', 203, 'en', 'node_search', 0.939743),
('beneath', 49, 'en', 'node_search', 1),
('benedict', 113, 'en', 'node_search', 0.530446),
('benefit', 93, 'en', 'node_search', 1),
('benefit', 114, 'en', 'node_search', 0.781775),
('benevolent', 84, 'en', 'node_search', 1),
('benjamin', 203, 'en', 'node_search', 1.15756),
('bennett', 33, 'en', 'node_search', 0.824901),
('bentson', 203, 'en', 'node_search', 0.422736),
('bentson', 209, 'en', 'node_search', 0.510357),
('beouf', 33, 'en', 'node_search', 0.869951),
('berberian', 64, 'en', 'node_search', 1),
('berge', 54, 'en', 'node_search', 1),
('bergman', 203, 'en', 'node_search', 0.279958),
('beristain', 47, 'en', 'node_search', 0.949597),
('berkeley', 32, 'en', 'node_search', 0.989021),
('berlin', 26, 'en', 'node_search', 10.0841),
('berlin', 29, 'en', 'node_search', 0.189718),
('berlin', 42, 'en', 'node_search', 0.655756),
('berlin', 85, 'en', 'node_search', 1),
('berlin', 96, 'en', 'node_search', 1),
('berlin', 201, 'en', 'node_search', 11),
('berlin', 233, 'en', 'node_search', 1),
('berlin', 240, 'en', 'node_search', 10.0072),
('berlinale', 26, 'en', 'node_search', 49.7974),
('berlinale', 201, 'en', 'node_search', 47.4856),
('berlinale', 233, 'en', 'node_search', 52.1806),
('berlinale', 240, 'en', 'node_search', 49.5701),
('berman', 203, 'en', 'node_search', 0.195283),
('bernal', 58, 'en', 'node_search', 0.953396),
('bernardo', 203, 'en', 'node_search', 0.197216),
('berry', 203, 'en', 'node_search', 0.164287),
('berry', 209, 'en', 'node_search', 0.604732),
('bertha', 101, 'en', 'node_search', 1),
('bertrand', 97, 'en', 'node_search', 0.620288),
('besides', 47, 'en', 'node_search', 1),
('best', 21, 'en', 'node_search', 1),
('best', 23, 'en', 'node_search', 0.920273),
('best', 26, 'en', 'node_search', 10.6579),
('best', 27, 'en', 'node_search', 1),
('best', 31, 'en', 'node_search', 5.42128),
('best', 33, 'en', 'node_search', 5.5165),
('best', 39, 'en', 'node_search', 2.35052),
('best', 40, 'en', 'node_search', 0.851346),
('best', 70, 'en', 'node_search', 1),
('best', 79, 'en', 'node_search', 2),
('best', 83, 'en', 'node_search', 1),
('best', 90, 'en', 'node_search', 2.57576),
('best', 92, 'en', 'node_search', 1),
('best', 94, 'en', 'node_search', 0.927431),
('best', 97, 'en', 'node_search', 8.83027),
('best', 114, 'en', 'node_search', 1.71),
('best', 115, 'en', 'node_search', 1),
('best', 209, 'en', 'node_search', 2),
('best', 212, 'en', 'node_search', 0.592848),
('best', 232, 'en', 'node_search', 0.545988),
('best', 240, 'en', 'node_search', 10.572),
('bestdocumentaryfilmfestivalsintheworld', 33, 'en', 'node_search', 11),
('bestselling', 72, 'en', 'node_search', 1),
('betbeder', 203, 'en', 'node_search', 0.22148),
('beth', 203, 'en', 'node_search', 0.369343),
('betrayal', 74, 'en', 'node_search', 1),
('betrayal', 203, 'en', 'node_search', 1.09066),
('better', 29, 'en', 'node_search', 0.812414),
('better', 49, 'en', 'node_search', 1),
('better', 91, 'en', 'node_search', 0.863659),
('better', 93, 'en', 'node_search', 0.913226),
('better', 94, 'en', 'node_search', 1),
('better', 175, 'en', 'node_search', 0.769219),
('better', 203, 'en', 'node_search', 1.23914),
('bettina', 203, 'en', 'node_search', 0.213548),
('between', 21, 'en', 'node_search', 1),
('between', 29, 'en', 'node_search', 0.692446),
('between', 31, 'en', 'node_search', 1.60772),
('between', 42, 'en', 'node_search', 0.774192),
('between', 84, 'en', 'node_search', 0.96498),
('between', 92, 'en', 'node_search', 2.43551),
('between', 113, 'en', 'node_search', 0.972861),
('between', 201, 'en', 'node_search', 1),
('between', 203, 'en', 'node_search', 0.822123),
('between', 212, 'en', 'node_search', 1.69579),
('between', 232, 'en', 'node_search', 0.7017),
('between', 235, 'en', 'node_search', 19),
('beverly', 29, 'en', 'node_search', 0.186589),
('beverly', 32, 'en', 'node_search', 1),
('beverly', 92, 'en', 'node_search', 0.727213),
('beyond', 29, 'en', 'node_search', 0.176865),
('beyond', 65, 'en', 'node_search', 1),
('beyond', 203, 'en', 'node_search', 1.31877),
('bezaire', 39, 'en', 'node_search', 1),
('bfi', 15, 'en', 'node_search', 11),
('bfi', 20, 'en', 'node_search', 9.53472),
('bfi', 21, 'en', 'node_search', 9.81996),
('bfi', 23, 'en', 'node_search', 9.46601),
('bfi', 24, 'en', 'node_search', 9.78337),
('bfi', 25, 'en', 'node_search', 9.67522),
('bfi', 26, 'en', 'node_search', 30.4743),
('bfi', 34, 'en', 'node_search', 1),
('bfi', 240, 'en', 'node_search', 30.2996),
('bhavnani', 203, 'en', 'node_search', 0.152074),
('bianco', 175, 'en', 'node_search', 0.45757),
('bibi', 203, 'en', 'node_search', 0.976768),
('biblical', 23, 'en', 'node_search', 1),
('bicep', 29, 'en', 'node_search', 0.206684),
('bid', 79, 'en', 'node_search', 1),
('bidding', 23, 'en', 'node_search', 1),
('biennial', 91, 'en', 'node_search', 1.35981),
('bier', 72, 'en', 'node_search', 1),
('big', 14, 'en', 'node_search', 1),
('big', 24, 'en', 'node_search', 0.909743),
('big', 29, 'en', 'node_search', 1.41698),
('big', 31, 'en', 'node_search', 0.674137),
('big', 33, 'en', 'node_search', 1.55859),
('big', 41, 'en', 'node_search', 1.22837),
('big', 82, 'en', 'node_search', 1),
('big', 92, 'en', 'node_search', 0.827757),
('big', 93, 'en', 'node_search', 2),
('big', 203, 'en', 'node_search', 0.724597),
('big', 211, 'en', 'node_search', 3.20395),
('bigg', 26, 'en', 'node_search', 11),
('bigg', 234, 'en', 'node_search', 11),
('bigg', 240, 'en', 'node_search', 11),
('biggame', 29, 'en', 'node_search', 0.880588),
('bigger', 29, 'en', 'node_search', 0.60906),
('bigger', 211, 'en', 'node_search', 2.98902),
('biggest', 29, 'en', 'node_search', 1.58141),
('biggest', 40, 'en', 'node_search', 0.923838),
('biggest', 41, 'en', 'node_search', 0.854391),
('biggest', 203, 'en', 'node_search', 0.81886),
('biggest', 208, 'en', 'node_search', 1),
('biggest', 209, 'en', 'node_search', 1.18358),
('biggest', 234, 'en', 'node_search', 27),
('biidaaban', 99, 'en', 'node_search', 6.87626),
('bildungsroman', 78, 'en', 'node_search', 1),
('bill', 19, 'en', 'node_search', 1),
('bill', 24, 'en', 'node_search', 1),
('bill', 114, 'en', 'node_search', 1.59116),
('bill', 201, 'en', 'node_search', 4),
('billingham', 65, 'en', 'node_search', 3),
('billion', 29, 'en', 'node_search', 0.359188),
('billion', 40, 'en', 'node_search', 0.892724),
('billion', 93, 'en', 'node_search', 0.771698),
('billions', 114, 'en', 'node_search', 0.833529),
('bin', 99, 'en', 'node_search', 0.643484),
('binaryoptions', 26, 'en', 'node_search', 9.96916),
('binaryoptions', 240, 'en', 'node_search', 9.89399),
('bing', 62, 'en', 'node_search', 1),
('bing', 101, 'en', 'node_search', 0.759465),
('biologist', 203, 'en', 'node_search', 0.863659),
('biologist', 204, 'en', 'node_search', 1),
('biopic', 16, 'en', 'node_search', 1),
('bira', 32, 'en', 'node_search', 0.980874),
('bird', 32, 'en', 'node_search', 1),
('bird', 113, 'en', 'node_search', 0.525844),
('bird', 203, 'en', 'node_search', 2.14922),
('birder', 39, 'en', 'node_search', 1),
('birds', 29, 'en', 'node_search', 0.255012),
('birmingham', 65, 'en', 'node_search', 1),
('birney', 203, 'en', 'node_search', 0.178919),
('birth', 203, 'en', 'node_search', 0.720603),
('birthday', 201, 'en', 'node_search', 3.51826),
('bisexual', 212, 'en', 'node_search', 1),
('bit', 29, 'en', 'node_search', 2.88448),
('bit', 101, 'en', 'node_search', 0.63333),
('bit', 113, 'en', 'node_search', 0.486839),
('biting', 209, 'en', 'node_search', 0.968904),
('bitter', 212, 'en', 'node_search', 0.59873),
('bittersweet', 21, 'en', 'node_search', 0.945829),
('bizarre', 29, 'en', 'node_search', 1.3689),
('black', 18, 'en', 'node_search', 1),
('black', 26, 'en', 'node_search', 11),
('black', 29, 'en', 'node_search', 1.52319),
('black', 31, 'en', 'node_search', 1.67986),
('black', 40, 'en', 'node_search', 1.8374),
('black', 97, 'en', 'node_search', 39),
('black', 99, 'en', 'node_search', 7.4155),
('black', 175, 'en', 'node_search', 20.7324),
('black', 203, 'en', 'node_search', 0.718623),
('black', 209, 'en', 'node_search', 0.976851),
('black', 211, 'en', 'node_search', 1),
('black', 226, 'en', 'node_search', 1),
('black', 234, 'en', 'node_search', 38),
('black', 240, 'en', 'node_search', 11),
('blackandwhite', 22, 'en', 'node_search', 0.96498),
('blacked', 175, 'en', 'node_search', 0.446681),
('blacker', 203, 'en', 'node_search', 0.15277),
('blackfish', 29, 'en', 'node_search', 0.469921),
('blackkklansman', 26, 'en', 'node_search', 7.39477),
('blackkklansman', 203, 'en', 'node_search', 2.00353),
('blackkklansman', 207, 'en', 'node_search', 15),
('blackkklansman', 209, 'en', 'node_search', 1),
('blackkklansman', 226, 'en', 'node_search', 4),
('blackkklansman', 240, 'en', 'node_search', 7.35365),
('blake', 19, 'en', 'node_search', 1),
('blanc', 36, 'en', 'node_search', 1),
('blanchett', 42, 'en', 'node_search', 0.438659),
('blanchett', 113, 'en', 'node_search', 0.526987),
('bleachblonde', 23, 'en', 'node_search', 1),
('bleak', 114, 'en', 'node_search', 1),
('blend', 212, 'en', 'node_search', 0.61241),
('blending', 101, 'en', 'node_search', 0.810915),
('blends', 212, 'en', 'node_search', 0.731649),
('blew', 29, 'en', 'node_search', 0.161778),
('blew', 209, 'en', 'node_search', 0.779231),
('blige', 33, 'en', 'node_search', 0.819249),
('bloch', 203, 'en', 'node_search', 0.210918),
('blockbuster', 40, 'en', 'node_search', 0.931053),
('blockers', 77, 'en', 'node_search', 1),
('blockers', 175, 'en', 'node_search', 0.472657),
('blodgett', 203, 'en', 'node_search', 0.151729),
('blog', 26, 'en', 'node_search', 11),
('blog', 33, 'en', 'node_search', 11),
('blog', 240, 'en', 'node_search', 11);
INSERT INTO `search_index` (`word`, `sid`, `langcode`, `type`, `score`) VALUES
('bloody', 85, 'en', 'node_search', 1),
('blow', 211, 'en', 'node_search', 1),
('blown', 29, 'en', 'node_search', 0.509287),
('blu', 33, 'en', 'node_search', 0.335279),
('blue', 29, 'en', 'node_search', 0.209715),
('blue', 203, 'en', 'node_search', 0.158211),
('blueprints', 203, 'en', 'node_search', 0.680879),
('blum', 94, 'en', 'node_search', 4),
('board', 26, 'en', 'node_search', 15),
('board', 29, 'en', 'node_search', 2.08441),
('board', 92, 'en', 'node_search', 0.689612),
('board', 240, 'en', 'node_search', 15),
('boasted', 175, 'en', 'node_search', 0.623497),
('bob', 203, 'en', 'node_search', 0.18848),
('bob', 209, 'en', 'node_search', 2.0202),
('bobbito', 99, 'en', 'node_search', 0.683725),
('bodies', 203, 'en', 'node_search', 0.621033),
('body', 17, 'en', 'node_search', 1),
('body', 20, 'en', 'node_search', 0.938382),
('body', 26, 'en', 'node_search', 6.985),
('body', 85, 'en', 'node_search', 0.889397),
('body', 175, 'en', 'node_search', 0.498827),
('body', 240, 'en', 'node_search', 6.94837),
('bohemian', 231, 'en', 'node_search', 4),
('boisterous', 232, 'en', 'node_search', 1),
('bold', 29, 'en', 'node_search', 0.89444),
('boldly', 22, 'en', 'node_search', 1),
('boldly', 211, 'en', 'node_search', 1),
('bolstered', 25, 'en', 'node_search', 0.972861),
('bond', 62, 'en', 'node_search', 1),
('bond', 84, 'en', 'node_search', 0.968904),
('bonds', 29, 'en', 'node_search', 0.262708),
('bone', 83, 'en', 'node_search', 2),
('bone', 84, 'en', 'node_search', 2),
('bones', 29, 'en', 'node_search', 0.251463),
('bonifacio', 203, 'en', 'node_search', 0.215158),
('bonus', 26, 'en', 'node_search', 9.85684),
('bonus', 240, 'en', 'node_search', 9.78337),
('book', 13, 'en', 'node_search', 1),
('book', 19, 'en', 'node_search', 1),
('book', 92, 'en', 'node_search', 0.876337),
('book', 113, 'en', 'node_search', 0.535131),
('book', 232, 'en', 'node_search', 1),
('bookend', 203, 'en', 'node_search', 0.980874),
('books', 41, 'en', 'node_search', 0.528135),
('books', 88, 'en', 'node_search', 27),
('bookworm', 41, 'en', 'node_search', 0.462781),
('booze', 24, 'en', 'node_search', 0.96498),
('border', 42, 'en', 'node_search', 0.776703),
('border', 45, 'en', 'node_search', 1),
('borders', 78, 'en', 'node_search', 1),
('bordwell', 115, 'en', 'node_search', 0.96498),
('borgli', 97, 'en', 'node_search', 0.60322),
('born', 83, 'en', 'node_search', 1),
('born', 203, 'en', 'node_search', 2.08978),
('born', 226, 'en', 'node_search', 1),
('born', 227, 'en', 'node_search', 1),
('boros', 203, 'en', 'node_search', 0.320559),
('borrowed', 42, 'en', 'node_search', 0.563797),
('borscht', 97, 'en', 'node_search', 0.7017),
('boss', 29, 'en', 'node_search', 0.211787),
('boss', 115, 'en', 'node_search', 0.776703),
('boston', 93, 'en', 'node_search', 3.99315),
('botes', 33, 'en', 'node_search', 0.604732),
('both', 20, 'en', 'node_search', 0.876337),
('both', 21, 'en', 'node_search', 1),
('both', 29, 'en', 'node_search', 1.72431),
('both', 31, 'en', 'node_search', 1),
('both', 39, 'en', 'node_search', 1),
('both', 40, 'en', 'node_search', 0.842342),
('both', 42, 'en', 'node_search', 1),
('both', 49, 'en', 'node_search', 1),
('both', 74, 'en', 'node_search', 1),
('both', 93, 'en', 'node_search', 0.889397),
('both', 101, 'en', 'node_search', 1.72029),
('both', 119, 'en', 'node_search', 1),
('both', 209, 'en', 'node_search', 1.26795),
('both', 212, 'en', 'node_search', 0.638366),
('both', 233, 'en', 'node_search', 1.68748),
('bother', 29, 'en', 'node_search', 0.200892),
('bothered', 23, 'en', 'node_search', 1),
('botswana', 29, 'en', 'node_search', 0.36952),
('bottom', 29, 'en', 'node_search', 0.789746),
('bottom', 93, 'en', 'node_search', 0.476356),
('bougeois', 32, 'en', 'node_search', 1),
('bouncer', 28, 'en', 'node_search', 1),
('bouncing', 92, 'en', 'node_search', 0.776703),
('bound', 33, 'en', 'node_search', 0.386142),
('boundaries', 209, 'en', 'node_search', 0.470829),
('bow', 29, 'en', 'node_search', 0.800659),
('bowed', 220, 'en', 'node_search', 1),
('bowles', 99, 'en', 'node_search', 0.676032),
('box', 33, 'en', 'node_search', 0.938036),
('box', 40, 'en', 'node_search', 39),
('box', 113, 'en', 'node_search', 1.4108),
('box', 232, 'en', 'node_search', 0.584241),
('boxing', 53, 'en', 'node_search', 1),
('boy', 69, 'en', 'node_search', 1),
('boy', 175, 'en', 'node_search', 0.51578),
('boyband', 203, 'en', 'node_search', 0.779372),
('boys', 39, 'en', 'node_search', 1),
('boys', 66, 'en', 'node_search', 1),
('boys', 91, 'en', 'node_search', 1.46612),
('boys', 93, 'en', 'node_search', 0.499853),
('brad', 203, 'en', 'node_search', 0.194259),
('bradley', 14, 'en', 'node_search', 1),
('bram', 203, 'en', 'node_search', 0.66043),
('branch', 90, 'en', 'node_search', 0.786915),
('brand', 29, 'en', 'node_search', 0.176389),
('brandeis', 83, 'en', 'node_search', 1),
('brandon', 203, 'en', 'node_search', 0.486381),
('brave', 31, 'en', 'node_search', 3.75771),
('brave', 95, 'en', 'node_search', 0.945829),
('brave', 206, 'en', 'node_search', 1),
('braveheart', 95, 'en', 'node_search', 0.942091),
('brazil', 96, 'en', 'node_search', 1),
('brazil', 203, 'en', 'node_search', 1.8844),
('brazilian', 175, 'en', 'node_search', 0.431687),
('breadwinner', 99, 'en', 'node_search', 6.53738),
('break', 65, 'en', 'node_search', 1),
('break', 68, 'en', 'node_search', 1),
('break', 203, 'en', 'node_search', 1.08478),
('break', 206, 'en', 'node_search', 1),
('break', 209, 'en', 'node_search', 0.461031),
('breakdown', 29, 'en', 'node_search', 0.167092),
('breakfast', 101, 'en', 'node_search', 0.641769),
('breaking', 14, 'en', 'node_search', 1),
('breaking', 26, 'en', 'node_search', 9.61087),
('breaking', 33, 'en', 'node_search', 0.508221),
('breaking', 95, 'en', 'node_search', 0.819249),
('breaking', 113, 'en', 'node_search', 1),
('breaking', 203, 'en', 'node_search', 1.07665),
('breaking', 240, 'en', 'node_search', 9.53396),
('breaks', 21, 'en', 'node_search', 1),
('breaks', 203, 'en', 'node_search', 4.07248),
('breaks', 206, 'en', 'node_search', 1),
('breakthrough', 69, 'en', 'node_search', 1),
('breakthrough', 95, 'en', 'node_search', 0.822065),
('breakthrough', 201, 'en', 'node_search', 0.845322),
('breathe', 18, 'en', 'node_search', 4),
('breathtaking', 18, 'en', 'node_search', 1),
('breathtaking', 22, 'en', 'node_search', 0.882818),
('breathtaking', 101, 'en', 'node_search', 0.601716),
('brecheisen', 90, 'en', 'node_search', 1.97286),
('brechin', 95, 'en', 'node_search', 4.91043),
('brechincinema', 95, 'en', 'node_search', 0.672252),
('brechinfilmfestcouk', 95, 'en', 'node_search', 0.66666),
('breed', 29, 'en', 'node_search', 0.229436),
('brendan', 19, 'en', 'node_search', 1),
('bresson', 59, 'en', 'node_search', 1),
('brett', 203, 'en', 'node_search', 0.358696),
('brew', 23, 'en', 'node_search', 1),
('breziner', 29, 'en', 'node_search', 0.160118),
('brian', 32, 'en', 'node_search', 0.931053),
('bridge', 23, 'en', 'node_search', 1),
('bridge', 203, 'en', 'node_search', 0.77356),
('brighter', 220, 'en', 'node_search', 1),
('brigitte', 203, 'en', 'node_search', 0.19543),
('brilliant', 17, 'en', 'node_search', 1),
('brilliant', 24, 'en', 'node_search', 1),
('brilliant', 29, 'en', 'node_search', 0.19543),
('brilliant', 31, 'en', 'node_search', 0.60322),
('brilliant', 39, 'en', 'node_search', 0.997306),
('brilliant', 49, 'en', 'node_search', 1),
('brilliantly', 21, 'en', 'node_search', 1),
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